The Complete Ahmad Jamal Trio Argo Sessions 1956-62

~ Release by The Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
#TitleRatingLength
1Comme Ci Comme Ca
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
2:09
2Ivy
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
instrumental recording of:
Ivy (in 1959-02)
lyricist and composer:
Hoagy Carmichael
3:56
3Never Never Land
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
3:07
4Tangerine
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
2:41
5Ahmad’s Blues
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
recording of:
Ahmad’s Blues (in 1959-02)
composer:
Ahmad Jamal
4:19
6Seleritus
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
3:00
7I Like to Recognize the Tune
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
1:40
8I’m Alone With You
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
3:09
9Sophisticated Gentlemen
recording engineer:
Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (in 1959-02, from 1959-02-27 until 1959-02-28)
violin:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
4:10
10Ahmad’s Waltz
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
4:42
11Valentina
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
2:20
12Yesterdays
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
Yesterdays (in 1960-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:55
13Tempo for Two
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
3:25
14Hallelujah
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
2:06
15It’s a Wonderful World
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
It’s a Wonderful World (in 1960-08)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:50
16Baja
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
3:59
17You Came a Long Way From St. Louis
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
You Came a Long Way From St. Louis (in 1960-08)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
3:37
18Lover Man
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
Lover Man (in 1960-08)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
4:04
19Who Cares
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
3:13
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