Exclusively for My Friends

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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(As of 2022-04-22).

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Anmerkung zuletzt geändert am 2022-04-22 07:20 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1At Long Last Love (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1964-05)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
Schlagzeug:
Ed Thigpen (in 1964-05)
live instrumental recording of:
At Long Last Love (in 1964-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
4:56
2Easy Walker (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1964-05)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
Schlagzeug:
Ed Thigpen (in 1964-05)
live recording of:
Easy Walker (in 1964-05)
Komponist(in):
Billy Taylor (jazz/bop pianist)
9:42
3Tin Tin Deo (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1964-05)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
Schlagzeug:
Ed Thigpen (in 1964-05)
live recording of:
Tin Tin Deo (in 1964-05)
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) und Music Sales Corp. (American copyright holder in both popular and classical music)
recording of:
Tin Tin Deo
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) und Music Sales Corp. (American copyright holder in both popular and classical music)
5:35
4I’ve Got a Crush on You (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1963-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
Schlagzeug:
Ed Thigpen (in 1963-11)
live instrumental recording of:
I’ve Got a Crush on You (in 1963-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
5:15
5A Foggy Day (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1963-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
Schlagzeug:
Ed Thigpen (in 1963-11)
live instrumental recording of:
A Foggy Day (in London Town) (in 1963-11)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
4:31
6Like Someone in Love (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1963-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
Schlagzeug:
Ed Thigpen (in 1963-11)
live instrumental recording of:
Like Someone in Love (in 1963-11)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Like Someone in Love
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
11:16
7On a Clear Day (You Can See Forever)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1967-11)
Bass:
Sam Jones (US jazz bassist)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
Schlagzeug:
Bobby Durham (in 1967-11)
live instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1967-11)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:22
8I’m in the Mood for Love
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1966-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1966-11)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (in 1966-11)
Schlagzeug:
Louis Hayes (in 1966-11)
live instrumental recording of:
I’m in the Mood for Love (in 1966-11)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
17:16
9Girl Talk
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1967-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
Schlagzeug:
Bobby Durham (in 1967-11)
live instrumental recording of:
Girl Talk (in 1967-11)
Texter:
Bobby Troup
Komponist(in):
Neal Hefti
Teil von:
East Coast Music Association Song of the Year Nominees (Nummer: 1991 (Holly Cole))
cover recording of:
Girl Talk
Texter:
Bobby Troup
Komponist(in):
Neal Hefti
Teil von:
East Coast Music Association Song of the Year Nominees (Nummer: 1991 (Holly Cole))
recording of:
Girl Talk
Texter:
Bobby Troup
Komponist(in):
Neal Hefti
Teil von:
East Coast Music Association Song of the Year Nominees (Nummer: 1991 (Holly Cole))
5:34
10I Concentrate on You / Moon River
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1967-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live medley including a instrumental recording of:
I Concentrate on You (in 1967-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
live medley including a instrumental recording of:
Moon River (in 1967-11)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
6:25
11Robbin’s Nest
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1965-11)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1965-11)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1965-11)
Schlagzeug:
Louis Hayes (in 1965-11)
live instrumental recording of:
Robbins’ Nest (in 1965-11)
Komponist(in):
Illinois Jacquet (in 1947) und Sir Charles Thompson (jazz) (in 1947)
instrumental recording of:
Robbins’ Nest
Komponist(in):
Illinois Jacquet (in 1947) und Sir Charles Thompson (jazz) (in 1947)
recording of:
Robbins’ Nest
Komponist(in):
Illinois Jacquet (in 1947) und Sir Charles Thompson (jazz) (in 1947)
6:17
12Waltzing Is Hip
recording of:
Waltzing Is Hip
Komponist(in):
Ray Brown (jazz bassist)
6:08
13Satin Doll
recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
9:58
2▶Digitales Medium
3▶Digitales Medium

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Edel Germany GmbH (do not use as a release label! for copyrights/other relationships use only) (in 2014)
zum Herunterladen kaufen und Streaming-Seite:https://music.apple.com/us/album/867668556 [Info]
Discogs:https://www.discogs.com/release/13650963 [Info]
kostenlos streamen:https://open.spotify.com/album/3spAipb0mLDUR1CJSG9P6W [Info]
https://www.deezer.com/album/7738019 [Info]