Je n'aime pas le classique... 4CD

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Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ainsi parlait Zarathoustra : Lever du soleil
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:29
2Carmina Burana : O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:47
3La Walkyrie : La Chevauchée des Walkyries
orchestra:
Orchester der Tiroler Festspiele
conductor:
Gustav Kuhn (Austrian conductor, stage director)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:16
4Concerto pour mandoline : Allegro
mandolin:
Nigel Woodhouse (mandolist and guitarist)
orchestra:
London Musici
conductor:
Mark Stephenson (conductor/producer)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:42
5Requiem : Dies Irae
recording engineer:
Peter Jütte (from 1991-03-12 until 1991-03-15)
producer:
Wolfram Graul (Conductor, engineer, producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1991-03-12 until 1991-03-15)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1991-03-12 until 1991-03-15)
conductor:
Sir Colin Davis (English conductor) (from 1991-03-12 until 1991-03-15)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1991-03-12 until 1991-03-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1991-03-12 until 1991-03-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:45
6Jazz suite no. 2 : Valse no. 2
orchestra:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony)
conductor and performer:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Chostakovich3:49
7Danse Hongroise no. 1
orchestra:
Orchestra filarmonică „George Enescu” (George Enescu Philharmonic Orchestra)
conductor:
Christian Mandael
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms3:10
8L’Invitation au Château : Tango
clarinet:
Paul Meyer (clarinetist and conductor)
piano:
Éric Le Sage (French pianist)
violin:
Kolja Blacher (violinist)
recording of:
L'Invitation au Château : Tango
composer:
Francis Poulenc (French composer and pianist)
part of:
L'Invitation au château, FP 138
partial recording of:
L'Invitation au château, FP 138
composer:
Francis Poulenc (French composer and pianist)
part of:
Francis Poulenc’s works (FP) (number: FP 138)
Francis Poulenc1:44
9Gitanerias
orchestra:
Morton Gould and His Orchestra and Morton Gould's Symphonic Band
conductor:
Morton Gould (American composer and conductor)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1955-09-29 until 1955-10-11)
recording of:
Andalucía (Suite española): IV. Gitanerías
composer:
Ernesto Lecuona
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona1:46
10Requiem : Dies Irae (extrait)
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Chorus and Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi1:59
11Gayaneh : Danse du Sabre
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
performer:
Boston Pops Orchestra
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khatchaturian2:23
12La Moldau
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Gustav Kuhn (Austrian conductor, stage director)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana2:59
13Lakmé : Duo des fleurs
mezzo-soprano vocals [Mallika]:
Ruby Philogene (mezzo-soprano)
soprano vocals [Lakmé]:
Janice Watson (soprano)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes1:31
14Canon
orchestra:
Baroque Chamber Orchestra (The Baroque Chamber Orchestra)
conductor:
Ettore Stratta (conductor, producer)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:46
15La Traviata : Chœur des bohémiennes
choir vocals:
Coro della RCA Italiana (in 1967)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:53
16Mascarade Valse
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
RCA Victor Symphony Orchestra (on 1958-10-30)
conductor:
Кирилл Кондрашин (Kirill Kondrashin, conductor) (on 1958-10-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1958-10-30)
recording of:
Masquerade Suite, op. 48a: I. Waltz (on 1958-10-30)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khatchaturian4:27
17La Flûte enchantée : Der Hölle Rache (Air de la Reine de la nuit)
producer:
Niels Høirup (in 1970)
soprano vocals, soprano vocals [Die Königin der Nacht] and soprano vocals [Königin der Nacht]:
Sỳlvia Geszty (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1970)
conductor:
Otmar Suitner (conductor) (in 1970)
phonographic copyright (℗) by:
BMG Music (in 1971)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
18Le Vol du bourdon
recording engineer:
K. E. Wilkinson (engineer) (from 1968-04-04 until 1968-04-05)
producer:
Peter Dellheim (producer for RCA)
orchestra:
London Symphony Orchestra (from 1968-04-04 until 1968-04-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1968-04-04 until 1968-04-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-04-04 until 1968-04-05)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1968-04-04 until 1968-04-05)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky‐Korsakov1:24
19Le Barbier de Séville : Una voce poco fa (extraits)
soprano vocals:
Roberta Peters (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
partial recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioacchino Rossini3:52
20Pavane
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:41
21Carnaval des Animaux : Aquarium
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:24
22Madame Butterfly : Un bel di vedremo
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Edward Downes (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:21
23Cavalleria rusticana : Intermezzo
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
performer:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographic copyright (℗) by:
BMG Entertainment (in 1979)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Cavalleria rusticana: Intermezzo (in 1978)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:05
24Gymnopédie no. 1
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:46
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part of:Je n’aime pas… (order: 4)