Reader’s Digest: The Super 60’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Dancing in the Street
recording of:
Dancing in the Street
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas2:42
2The Night Has a Thousand Eyes
recording of:
The Night Has a Thousand Eyes
Verfasser(in):
Marilyn Garrett, Dottie Wayne und Ben Weisman
publisher:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America und Shelby Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:36
3Rhythm of the Rain
phonographisches Urheberrecht (℗) von:
Warner Music H.K. Ltd. (in 1997)
recording of:
Rhythm of the Rain (in 1962)
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:31
4Mickey’s Monkey
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Gitarre:
Marv Tarplin
Instrumente:
The Funk Brothers
Schlagzeug:
Benny Benjamin (US drummer)
Hintergrundgesang:
"Jockey Jack" Gibson (DJ), Rosalind Ashford, Annette Beard, The Marvelettes, Warren “Pete” Moore, Martha Reeves, Claudette Robinson, Bobby Rogers, Ronnie White (soul singer, founding member of The Miracles), The Temptations (Motown soul vocal group) und Mary Wilson
Sologesang:
Smokey Robinson
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1963-07-09 bis 1963-07-10)
recording of:
Mickey’s Monkey
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Miracles2:50
5Easier Said Than Done
The Essex2:09
6Goin’ Out of My Head
Techniker(in):
Kevin Reeves (engineer)
Produzent(in):
Teddy Randazzo
Mix:
Ron Furmanek und Kevin Reeves (engineer)
arranger:
Teddy Randazzo
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 12)
recording of:
Goin’ Out of My Head
Texter:
Bobby Weinstein (US songwriter)
Komponist(in):
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music und Songs of PolyGram International, Inc. (in 1964)
Little Anthony & the Imperials52:29
7Baby, I Need You Loving
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 390)
recording of:
Baby I Need Your Loving
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops4.52:47
8Remember Then
The Earls2:07
9Such a Night
recording engineer:
Bill Porter (engineer) (am 1960-04-03)
Produzent(in):
Chet Atkins und Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Music und BMG Entertainment (in 1960)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03) und RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Such a Night (am 1960-04-03)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation und Raleigh Music, Inc.
Elvis Presley33:02
10Bread & Butter
recording of:
Bread and Butter (in 1964)
Verfasser(in):
Larry Parks und Jay Turnbow
The Newbeats4.351:59
11I’m Leaving It (All) Up to You
cover recording of:
I’m Leaving It All Up to You
Verfasser(in):
Don “Sugarcane” Harris (bis 1957-07-19) und Dewey Terry (rock & roll, blues, US) (bis 1957-07-19)
publisher:
Sony/ATV Songs LLC
Dale & Grace2:12
12No Particular Place to Go
recording of:
No Particular Place to Go
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:44
13Back in My Arms Again
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Sologesang:
Diana Ross
recording of:
Back in My Arms Again
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes32:52
14Baby I’m Yours
recording of:
Baby, I’m Yours
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:30
15It’s the Same Old Song
recording engineer:
Lawrence T. Horn
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Mix:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist)
Klavier:
Earl Van Dyke
Saiteninstrumente:
Detroit Symphony Orchestra
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Vibraphon:
Jack Brokensha
Hintergrundgesang:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks und Lawrence Payton
Sologesang:
Levi Stubbs
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten
recording of:
It’s the Same Old Song (am 1965-07-07)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
Four Tops42:49
16Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:39
17The “In” Crowd
cover recording of:
The “In” Crowd
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
The Ramsey Lewis Trio3:15
18Ain’t That Peculiar
Produzent(in):
Smokey Robinson
cover recording of:
Ain’t That Peculiar
Verfasser(in):
Marv Tarplin, Robert Rogers, Warren Moore und William Robinson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Marvin Gaye3.253:01
19Do You Wanna Dance?
cover recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
The Beach Boys2:20
20You Were on My Mind
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1965-04)
Produzent(in):
Frank Werber
Bass:
Peter Fullerton (in 1965-04)
Gitarre:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Schlagzeug:
Jerry Granelli (in 1965-04)
Hintergrundgesang:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Sologesang:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
Texter und Komponist(in):
Sylvia Tyson
recording of:
You Were on My Mind
Texter und Komponist(in):
Sylvia Tyson
We Five22:39
21The Boy From New York City
Teil von:
The Downloader’s Music Source Book (Nummer: 137)
recording of:
The Boy From New York City
Verfasser(in):
George Davis (US songwriter - singer, doo-wop era) und John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company und フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs2:58
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