The Best of Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Have Nothing
Techniker(in):
David Reitzas
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Mick Guzauski
Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Have Nothing
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Linda Thompson (American actress, lyricist)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 2)
Whitney Houston4.24:50
2Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:03
3More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:36
4It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
5Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:24
6I’ll Make Love to You
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4:05
7That’s Why You Go Away
recording of:
That’s Why (You Go Away)
Verfasser(in):
Jascha Richter
Michael Learns to Rock4:14
8Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09
9Fallen
remixer:
Humberto Gatica
recording of:
Fallen (Pretty Woman)
Texter und Komponist(in):
Lauren Wood a/k/a “Chunky”
publisher:
Creeping Licking Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Lauren Wood4:01
10I Knew I Loved You
drum machine-Programmierung:
Walter Afanasieff und Daniel Jones (Australian singer/producer of Savage Garden)
Programmierung:
Greg Bieck und Daniel Jones (Australian singer/producer of Savage Garden)
assistierende(r) Techniker(in):
Pete Krawiec und Tony Rambo
Techniker(in):
David Frazer (engineer) (Sologesang, Hintergrundgesang, Gitarre) und Kent Matcke
Koproduzent(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
Produzent(in):
Walter Afanasieff
Mix:
Dave Way
E-Gitarre:
Michael Landau
Keyboard und Synthesizer:
Walter Afanasieff und Daniel Jones (Australian singer/producer of Savage Garden)
zusätzlich Keyboard:
Greg Bieck
Hintergrundgesang und Sologesang:
Darren Hayes
arranger:
Walter Afanasieff, Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
vocals arranger:
Walter Afanasieff und Darren Hayes
aufgenommen bei:
Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Andora Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Gitarre)
mixed at:
Wallyworld Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
recording of:
I Knew I Loved You
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Rough Cut Music Pty. Ltd. und WB Music Corp. (1929–2019)
Savage Garden4.654:11
11There You'll Be
recording engineer:
Bassy Bob Brockmann (engineer, producer, remixer)
assistierende(r) Techniker(in):
Jamie Duncan
Produzent(in):
Byron Gallimore und Trevor Horn
Mix:
Steve MacMillan und Mike Shipley (audio engineer, mixer, producer)
Bass:
Tony Shanahan
Gitarre:
Tim Pierce (US session guitarist) und Ira Siegel
membranophone:
Rich Pagano
vocals:
Faith Hill (country pop singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
James S. Levine (film and television composer) und Fiachra Trench
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
There You’ll Be
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs und Touchstone Pictures Music and Songs Inc.
Teil von:
The 74th Academy Award for Best Original Song (Nummer: 2)
Faith Hill43:42
12I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:58
13If
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:36
14Ocean Deep
recording of:
Ocean Deep
Verfasser(in):
Jon Sweet und Rod Trott
Cliff Richard5:16
15Stars
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red34:10
16We Could Be Together
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Debbie Gibson und Fred Zarr
Mix:
Bassy Bob Brockmann (engineer, producer, remixer), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Horn:
Cadillac Horns
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Posaune:
Matt Finders
Tenorsaxophon:
Ed Palermo (US saxophonist, guitarist and composer)
Trompete:
Bud Burridge (trunpet player)
Hintergrundgesang:
Debbie Gibson, Carrie Johnson, Libby Johnson, Linda Moran und Keith Stewart
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson45:33
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