Top 100 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Sun Always Shines on T.V.
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:02
2Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
3Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26
4I Feel for You
Bass, drum machine und Gitarre:
Reggie Griffin (in 1984)
chromatische Mundharmonika:
Stevie Wonder (in 1984)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) und Philippe Saisse (in 1984)
Schlagzeug:
Steve Ferrone (in 1984)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1984)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 395)
cover recording of:
I Feel for You (in 1984)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:43
5True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
6Never Can Say Goodbye
Produzent(in):
Stephen Hague
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Shep Pettibone
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987) und London Records Ltd. (not release label) (in 1987)
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
The Communards3.54:45
7La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
8Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
9Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
10What Is Love?
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
Texter:
William Bryant (UK lyricist, writer and speaker) und Howard Jones (English singer, songwriter)
Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group und Warner Chappell Publishing
Howard Jones4.53:37
11I Can’t Wait
Mix:
Peter Slaghuis
Bass:
Gary Fountaine (Oregon-based bassist) und Nate Phillips (jazz bassist)
Gitarre [guitars]:
John Smith (Nu Shooz)
Keyboard [keyboards]:
Jeff Lorber, Ron Regan (keyboardist, saxophonist), Steve Reid (guitarist, The Associates) und John Smith (Nu Shooz)
Perkussion und Sologesang [vocals]:
Valerie Day (singer, musician, songwriter, producer)
Saxophon [sax]:
Ron Regan (keyboardist, saxophonist)
Schlagzeug:
Marty Higgins
Trompete:
Lewis Livermore (trumpet player)
Hintergrundgesang [backing vocals]:
Shannon Day und Lori Lamphear
zusätzlich arranger:
Jeff Lorber
Musikvideos:
I Can't Wait von Nu Shooz
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.755:26
12Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:24
13Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.63:58
14What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.053:46
15Love in the First Degree
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
produced for:
PWL Productions
recording of:
Love in the First Degree
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:31
16Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
17Hit That Perfect Beat
Techniker(in):
Tom Frederikse
Produzent(in):
Adam Williams
Mix:
Gareth Jones (UK producer/engineer)
Sologesang:
John Foster (John Jøn, Bronski Beat)
recording of:
Hit That Perfect Beat
Verfasser(in):
Steve Bronski, John Foster (John Jøn, Bronski Beat) und Larry Steinbachek
Bronski Beat53:39
18Lean on Me
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau5:48
19Jump to the Beat
recording of:
Jump to the Beat
Verfasser(in):
Anukampa Lisa Walden und Narada Michael Walden
publisher:
Walden Music, Inc.
Stacy Lattisaw5:16
20Morning Train (Nine to Five)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:20
21Mirror Mirror
recording of:
Mirror Mirror (Mon amour)
Verfasser(in):
Trevor Horn und Bruce Woolley
Dollar3:31
22It Ain’t What You Do It’s the Way That You Do It
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three with Bananarama3.652:52
23Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
24Feel So Real
recording of:
Feel So Real
Verfasser(in):
India Arrington und Steve Arrington
Steve Arrington5:09
25The Living Daylights
recording engineer:
Gerry Kitchingham
Produzent(in):
Alan Tarney
Teil von:
The Downloader’s Music Source Book (Nummer: 278)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha34:47
26You Make Me Feel (Mighty Real)
Produzent(in):
Stephen Hague
cover recording of:
You Make Me Feel (Mighty Real)
Verfasser(in):
Sylvester (US disco and soul singer-songwriter) und James Wirrick
Jimmy Somerville3.53:55
27Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:31
28We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:41
29Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (von 1981 bis 1982) und John Kovarek (von 1981 bis 1982)
Produzent(in):
Greg Mathieson und Jack White (German producer Horst Nußbaum)
Mix:
Jürgen Koppers (engineer, producer)
Sologesang:
Laura Branigan (von 1981 bis 1982)
arranger:
Greg Mathieson
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
aufgenommen bei:
Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981 bis 1982)
Musikvideos:
Gloria (music video) von Laura Branigan
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 448)
recording of:
Gloria (English version) (von 1981 bis 1982)
Texter und Komponist(in):
Giancarlo Bigazzi, Umberto Tozzi und Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) und Sugar Song Publications, Inc.
übersetzte Version von:
Gloria (original Italian version)
Laura Branigan54:55
30Cupid / I’ve Loved You for a Long Time
Bearbeitung von:
Medley: Cupid / I’ve Loved You for a Long Time von The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
medley including a cover recording of:
Cupid
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
Texter und Komponist(in):
Michael Zager
Spinners43:56
31Lean on Me (Ah‐li‐ayo)
Produzent(in):
Chris Hughes (producer, aka “Merrick”) und David Motion
recording of:
Lean on Me (Ah-li-ayo)
Texter und Komponist(in):
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:25
32You’re History
Musikvideos:
You're History von Shakespear's Sister
recording of:
You’re History
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Richard Feldman
Shakespear’s Sister24:26
33Living on the Ceiling
Produzent(in):
Mike Howlett
Sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) und Dennis Weinreich
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
Verfasser(in):
Neil Arthur (singer, songwriter, producer) und Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange53:59
34Give Me the Night
Produzent(in):
Quincy Jones
Bass:
Abraham Laboriel
Bass-Synthesizer [synthesizer bass]:
Richard Tee
flute und Saxophon:
Kim Hutchcroft und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Trompete:
Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
Sologesang:
George Benson (jazz guitarist/singer)
Horn arranger und Saiteninstrumente arranger:
Jerry Hey
arranger:
Quincy Jones und Rod Temperton
vocals arranger:
Rod Temperton
Bearbeitung von:
Give Me the Night von George Benson (jazz guitarist/singer)
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:43
35What’s the Colour of Money
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1986)
recording of:
What's the Colour of Money?
Verfasser(in):
Mark Rogers (Hollywood Beyond) und Jamie B. Rose
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:23
36This Corrosion
Produzent(in):
Jim Steinman
Chorgesang:
The New York Choral Society
Hintergrundgesang:
Tawatha Agee, Curtis King (American singer and songwriter), Holly Sherwood, Gina Taylor, Vaneese Thomas und Brenda White‐King
Sologesang:
Andrew Eldritch
recording of:
This Corrosion
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4.2510:59
37Our Lips Are Sealed
Produzent(in):
David Byrne (Talking Heads)
remixer:
Fun Boy Three und Jeremy Green
cover recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Fun Boy Three3.22:51
38Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
39Big in Japan
Produzent(in):
Orlando
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
Bearbeitung von:
Big in Japan (album version) von Alphaville (German synth pop band)
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.63:52
40Young at Heart
Produzent(in):
Bob Andrews (keyboardist and producer) und Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
Verfasser(in):
Sara Dallin, Siobhan Fahey, Robert Hodgens und Keren Woodward
The Bluebells2.53:26
41Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.44:47
42April Skies
Produzent(in):
Bill Price (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1987)
recording of:
April Skies
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain43:11
43Forget Me Nots
Interpret(in):
Patrice Rushen
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 86)
recording of:
Forget Me Nots
Verfasser(in):
Terri McFaddin, Patrice Rushen und Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) und Yamina Music
Patrice Rushen3.654:35
44To Be or Not to Be
recording of:
To Be or Not to Be
Verfasser(in):
Terry Britten und B.A. Robertson
publisher:
Kongride Music Ltd., Mews Music Ltd., My Axe Music Ltd. und United Artists Music Ltd.
BA Robertson3:21
45The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.255:46
46Rio
Produzent(in):
Colin Thurston
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran45:15
47Nelson Mandela (edit)
leitende(r) Techniker(in):
Dick Cuthell
arranger:
Jerry Dammers
recording of:
Free Nelson Mandela
Texter und Komponist(in):
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special AKA4:05
48Don’t Get Me Wrong
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
Pretenders4.23:47
49International Rescue
Techniker(in):
Richard Manwaring (Producer)
recording of:
International Rescue
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill und Liam Sternberg
Fuzzbox3:29
50Searching
recording of:
Searching
Texter:
Paul Slade
Komponist(in):
Mauro Malavasi
Change3:33
51Let’s Hang On
recording of:
Let’s Hang On!
Verfasser(in):
Bob Crewe, Denny Randell und Sandy Linzer
publisher:
Saturday Music, Inc. (beendet), EMI Longitude Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seasons’ Four Music Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Darts3:15
52Superwoman
recording engineer und Mix:
Jon Gass
zusätzlich recording engineer:
Bob Brown (recording, mixing and mastering engineer), Craig Burbidge (American recording engineer) und Tim Jaquette (Producer & engineer)
assistierende(r) Techniker(in):
Toni Greene (engineer) und Fred Howard (engineer)
leitende(r) Produzent(in):
Benny Medina und Leonard Richardson (US hip-hop producer)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Bass:
Kayo (Kevin Roberson)
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug [drums]:
L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, Bunny Hull und Karyn White
gemixt für:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Studio Masters in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Superwoman (von 1988-03 bis 1988-04)
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White35:47
53You Might Need Somebody
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Abraham Laboriel
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Dean Parks (American session guitarist)
Horn:
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) und Larry Williams (trumpet, flugelhorn, French horn)
Keyboard:
Leon Pendarvis
Perkussion:
Lenny Castro
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas und Phyllis St. James
Horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
Saiteninstrumente arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
54I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
55Everybody Salsa
recording of:
Everybody Salsa
Verfasser(in):
Geoffrey Deane und David Jaymes
Modern Romance3:22
56Sweet Love
Techniker(in):
Barney Perkins
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:22
57Cry Boy Cry
recording of:
Cry Boy Cry
Verfasser(in):
Andy O (member of Blue Zoo) und Tim Parry (guitarist)
Blue Zoo4:27
58Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
59Money’s Too Tight (to Mention)
recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
60Big Area
recording of:
Big Area
Texter:
Mark Shaw
Komponist(in):
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) und Steve Wren (drummer)
Then Jerico4:48
61Electric Youth
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Fred Zarr
Mix:
Bob Rosa, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Carrie Johnson und Libby Johnson
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Electric Youth
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:57
62Lip Up Fatty
Produzent(in):
Roger Lomas
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd.
recording of:
Lip Up Fatty
Verfasser(in):
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46
63C’mon and Get My Love (radio version)
recording of:
C’mon and Get My Love
Texter und Komponist(in):
Danny Poku (British DJ, producer, remixer and A&R)
D‐Mob7:36
64Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
65Don’t Call Me Baby
phonographisches Urheberrecht (℗) von:
FFRR Records Limited (company name, NOT a label!) (in 1988)
recording of:
Don’t Call Me Baby
Texter:
Tracey Bryn
Komponist(in):
Tracey Bryn und Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:06
66Legs
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Sologesang:
Billy Gibbons
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Legs
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic und Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:35
67Got to Keep On
Cookie Crew4:42
68Hand Held in Black and White
recording of:
Hand Held in Black and White
Komponist(in):
Trevor Horn und Bruce Woolley
Dollar3:21
69The Last Film
Kissing the Pink3:26
70Broken Land
Techniker(in):
Rafe McKenna
Teil von:
The Downloader’s Music Source Book (Nummer: 214)
recording of:
Broken Land
Texter und Komponist(in):
Pat Gribben
The Adventures55:03
71Buzz Buzz a Diddle It
Matchbox2:52
72Half a Minute
Techniker(in) und Mix:
Phil Harding (engineer, producer and remixer)
Produzent(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Perkussion:
Robin Jones (latin jazz percussionist)
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
Verfasser(in):
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco3.253:49
73Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:35
74Just Like Paradise
Programmierung:
Brett Tuggle
Techniker(in):
Magic Moreno, Doug Parry und Steve Vai
Koproduzent(in):
Steve Vai
Produzent(in):
David Lee Roth
Bassgitarre:
Billy Sheehan
Gitarre:
Steve Vai
Keyboard:
Brett Tuggle
Perkussion und Schlagzeug:
Gregg Bissonette (US jazz & rock drummer)
Hintergrundgesang:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan und Brett Tuggle
Sologesang:
David Lee Roth
zusätzlich Hintergrundgesang:
Tommy Funderburk und Tom Kelly (songwriter)
recording of:
Just Like Paradise
Verfasser(in):
David Lee Roth und Brett Tuggle
David Lee Roth4.64:03
75Let It Roll (vocal)
recording of:
Let It Roll
Verfasser(in):
Vaughan Mason
Doug Lazy5:41
76Each and Every One
Techniker(in):
Mike Pela
Produzent(in):
Robin Millar
Bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
Horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) und Pete King (English alto saxophonist) (in 1984-01)
Perkussion:
Bosco d'Olivera (in 1984-01)
Sologesang:
Tracey Thorn (of Everything but the Girl) (in 1984-01)
vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01) und Ben Watt (in 1984-01)
Gast-Interpret(in):
Peter King (English alto saxophonist) (in 1984-01)
Horn arranger:
Ben Watt
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (in 1984-01)
recording of:
Each and Every One (in 1984-01)
Verfasser(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Cherry Red Music (publisher) und Complete Music Ltd.
Everything but the Girl42:47
77Temptation
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Temptation (New Order)
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order3.46:57
78Devotion (radio mix)
Koproduzent(in):
Byron Stingily
Ten City4:03
79The Sun Rising
Produzent(in):
Martyn Phillips (producer, engineer, multi-instrumentalist)
recording of:
The Sun Rising
Verfasser(in):
Jon Marsh und Steve Waddington
The Beloved45:05
80She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:35
81Twisted
Keith Sweat4:20
82Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:40
83Get Tough
recording of:
Get Tough
Verfasser(in):
Woody Cunningham und Norman Durham
Kleeer8:41
84We Care a Lot
recording engineer:
Matt Wallace (US producer & engineer) (in 1986)
assistierende(r) Techniker(in):
Jim “Watts” Verecke
Produzent(in):
Steve Berlin, Faith No More und Matt Wallace (US producer & engineer)
Conga und Schlagzeug:
Mike Bordin (American drummer) (in 1986)
E-Bass [bass]:
Billy Gould (in 1986)
E-Gitarre [guitars]:
Jim Martin (ex-Faith No More guitarist) (in 1986)
Keyboard [keyboards]:
Roddy Bottum (in 1986)
Hintergrundgesang [backing vocals]:
Mike Bordin (American drummer) (in 1986), Roddy Bottum (in 1986), Billy Gould (in 1986) und Jim Martin (ex-Faith No More guitarist) (in 1986)
Sologesang [vocals]:
Chuck Mosely (American vocalist and guitarist) (in 1986)
phonographisches Urheberrecht (℗) von:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records) (in 1987)
aufgenommen bei:
Control Center in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1986) und Studio D in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1986)
mixed at:
Studio D in Sausalito, California (Kalifornien), Vereinigte Staaten
Musikvideos:
We Care a Lot von Faith No More
recording of:
We Care a Lot (in 1986)
Texter:
Roddy Bottum und Chuck Mosely (American vocalist and guitarist)
Komponist(in):
Roddy Bottum und Billy Gould
publisher:
Big Thrilling Music (music publishing company) und Faith No More Music (Faith No More publishing company)
Faith No More4.14:03
85Jolene
cover recording of:
Jolene
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Strawberry Switchblade6:14
86Remembrance Day
B‐Movie4:05
87Boogie Down
recording of:
Boogie Down
Verfasser(in):
Al Jarreau und Michael Omartian
publisher:
AlJarreau Music, See This House Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau4:00
88Hangin’
recording of:
Hangin'
Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Chic5:11
89Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
90Bad Habits
recording of:
Bad Habit
Verfasser(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
publisher:
Captain Keyboard Music und Song a Tron Music
Jenny Burton4:29
91Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:35
92Off on Your Own (Girl)
Al B. Sure!4:09
93Baby I’m Scared of You
recording of:
Baby I’m Scared of You
Verfasser(in):
Eddie “Gip” Noble, Bobby Womack und Linda Womack
Womack & Womack5:38
94Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin3:35
95Drivin’ My Life Away
recording of:
Drivin’ My Life Away
Verfasser(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) und Even Stevens (singer / songwriter)
Eddie Rabbitt53:14
96Hallelujah (club mix edit)
recording of:
Hallelujah
Komponist(in):
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder und Gary Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays5:37
97Gimme Your Love
New Edition4:12
98Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
99Salsa House
Produzent(in):
Richie Rich (80s-90s UK DJ/producer)
recording of:
Salsa House
Verfasser(in):
Richie Rich (80s-90s UK DJ/producer)
Richie Rich6:57
100We Call It Acieed
Produzent(in) und Mix:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
zusätzliche(r) Gast-Interpret(in):
Gary Haisman
arranger:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1988)
recording of:
We Call It Acieed
Texter und Komponist(in):
Danny Poku (British DJ, producer, remixer and A&R)
D‐Mob feat. Gary Haisman3:22

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Veröffentlichungsgruppe

Teil von:Top 100 (Rhino web series) (Reihenfolge: 1)