Loads of Love / Shirley Horn With Horns

~ Release by Shirley Horn (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Wild Is Love
1:32
2Loads of Love
2:26
3My Future Just Passed
recording of:
My Future Just Passed
lyricist:
George Marion, Jr.
composer:
Richard A. Whiting (composer)
2:43
4There's a Boat That's Leavin' Soon for New York
2:44
5Ten Cents a Dance
3:53
6Only the Lonely
3:07
7The Second Time Around
3:15
8Do It Again
2:59
9It's Love
2:04
10That's No Joke
0.252:40
11Love for Sale
3:54
12Who Am I
2:54
13On the Street Where You Live
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
On the Street Where You Live (My Fair Lady) (from 1963-12-15 until 1963-12-16)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:18
14The Great City
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
The Great City (from 1963-12-15 until 1963-12-16)
lyricist and composer:
Curtis Lewis (US songwriter)
2:04
15That Old Black Magic
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Don Sebesky
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
That Old Black Magic (from 1963-12-15 until 1963-12-16)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:37
16Mack the Knife
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Quincy Jones
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
recording of:
Mack the Knife (1954 Blitzstein translation) (from 1963-12-15 until 1963-12-16)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:04
17Come Dance With Me
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
Come Dance With Me (from 1963-12-15 until 1963-12-16)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
0.452:16
18Let Me Love You
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
Let Me Love You (from 1963-12-15 until 1963-12-16)
lyricist and composer:
Bart Howard
3:07
19After You've Gone
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
After You’ve Gone (from 1963-12-15 until 1963-12-16)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:02
20Wouldn't It Be Loverly
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Quincy Jones
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
Wouldn’t It Be Loverly (My Fair Lady) (from 1963-12-15 until 1963-12-16)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
3:45
21Go Away Little Boy
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Don Sebesky
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
Go Away Little Girl (from 1963-12-15 until 1963-12-16)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–Columbia Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:30
22I'm in the Mood for Love
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
I’m in the Mood for Love (from 1963-12-15 until 1963-12-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:50
23The Good Life
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
The Good Life (from 1963-12-15 until 1963-12-16)
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
3:14
24Wee Small Hours
producer:
Quincy Jones
piano:
Shirley Horn (from 1963-12-15 until 1963-12-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1963-12-15 until 1963-12-16)
vocals:
Shirley Horn (from 1963-12-15 until 1963-12-16)
conductor:
Quincy Jones (from 1963-12-15 until 1963-12-16)
arranger:
Billy Byers
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-12-15 until 1963-12-16)
cover recording of:
In the Wee Small Hours of the Morning (from 1963-12-15 until 1963-12-16)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:20