THIS is the 60's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Copyright: © 2020 Warner Music Group - X5 Music Group
℗ 2020 Warner Music Group - X5 Music Group

Anmerkung zuletzt geändert am 2025-11-19 16:48 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:49
2Windmills of Your Mind
Noel Harrison2:21
3There Must Be a Way
recording of:
There Must Be a Way
Texter:
Sammy Gallop
Komponist(in):
David Saxon
Frankie Vaughan2:53
4Can't Take My Eyes Off You
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 151)
recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Valli3.753:20
5(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
6When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54
7Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Bass:
Art Davis (US jazz double bassist) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Orgel:
Bob Mosley (organ) (am 1961-12-06)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1961-12-06) und Ted Sommer (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
William Eaton (vocals) (am 1961-12-06), Noah Hopkins (am 1961-12-06), Richard Kraus (vocals) (am 1961-12-06), Howard Roberts (background vocals) (am 1961-12-06), Earl Rogers (American tenor) (am 1961-12-06), Sherman Sneed (am 1961-12-06) und David Vogel (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Claus Ogerman (am 1961-12-06)
remixer:
DJ Minnesotah und MASATO (KANDYTOWN)
arranger:
Claus Ogerman
recording of:
Cry to Me (am 1961-12-06)
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke2:31
8Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:19
9Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:28
10Finger Poppin'
recording of:
Fingerpoppin’
Texter und Komponist(in):
Ike Turner
publisher:
Fanfare Music Co. Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ike & Tina Turner2:49
11Run Out of Time
Produzent(in):
John Court
The Paul Butterfield Blues Band3:05
12Get Ready
cover recording of:
Get Ready
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Ella Fitzgerald2:32
13Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
14I Remember You
cover recording of:
I Remember You
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation und Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield2:13
15Tears
Ken Dodd22:52
16Tell Laura I Love Her
vocals:
Ricky Valance
cover recording of:
Tell Laura I Love Her
Texter:
Ben Raleigh
Komponist(in):
Jeff Barry
publisher:
E.B. Marks Music Corp. und Steeplechase Music
Ricky Valance2:40
17Release Me
cover recording of:
Release Me
Verfasser(in):
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) und Young (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
18Where Are You?
cover recording of:
Where Are You?
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
Dinah Washington2:16
19Groovin'
The Young Rascals2:31
20In-A-Gadda-Da-Vida
recording engineer und Produzent(in):
Jim Hilton
Bassgitarre:
Lee Dorman
Gitarre:
Erik Brann (guitarist for Iron Butterfly)
Orgel:
Doug Ingle
Schlagzeug:
Ron Bushy
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Ultrasonic Studios in Hempstead, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 24) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly4.2517:04
21Tobacco Road
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 40)
cover recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
22Kites
recording of:
Kites
Komponist(in):
Hal Hackady und Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd.
Simon Dupree & The Big Sound3:45
23Hello It’s Me (single version; remastered)
recording engineer und Mix:
Billy Sherwood
Produzent(in):
Bob Kulick und Billy Sherwood
Bassgitarre, membranophone, Perkussion und Hintergrundgesang:
Billy Sherwood
Gitarre:
Edgar Winter
Gitarre [rhythm guitar]:
Bob Kulick
Sologesang:
Todd Rundgren
vocals:
Todd Rundgren
aufgenommen bei und mixed at:
Office Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:20
24Laugh at Me (single version)
recording of:
Laugh at Me
Texter und Komponist(in):
Sonny Bono
publisher:
Cotillion und West (publisher)
Sonny Bono3:00
25Got to Get You Into My Life
Cliff Bennett & The Rebel Rousers2:34
26Trains and Boats and Planes
cover recording of:
Trains and Boats and Planes
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Billy J Kramer & The Dakotas2:50
27Turn Around, Look at Me
The Vogues2:47
2859th Street Bridge Song (Feelin' Groovy)
Produzent(in):
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:31
29Thank U Very Much
recording of:
Thank U Very Much
Texter und Komponist(in):
Mike McGear (Paul McCartney’s brother)
The Scaffold2:33
30Ha! Ha! Said the Clown
recording of:
Ha! Ha! Said the Clown
Verfasser(in):
Tony Hazzard (songwriter)
The Yardbirds2:29
31For What It's Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:41
32No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:54
33End of the Road
Produzent(in):
Gerald Chevin und Eddy Offord
recording of:
End of the Road
Verfasser(in):
Jeff Lynne
The Idle Race2:09
34Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
Texter und Komponist(in):
Keith Hopkins und Mark Wirtz
Keith West4:42
35Walkin' Back to Happiness
Helen Shapiro2:30
36Ferry Cross the Mersey
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Ferry Cross the Mersey
Texter und Komponist(in):
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gerry & The Pacemakers2:24
37I'm a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:46
38Poor Me
Produzent(in):
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:47
39Just a Little (single version)
The Beau Brummels2:27
40Windy
Produzent(in):
Bones Howe
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 310)
recording of:
Windy
Texter und Komponist(in):
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:57
41Shakin' All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & The Pirates3.752:21
42You Keep Me Hangin' On (single version)
sonstige Unterstützung:
Shadow Morton (Aufgabe: directed by)
Produzent(in):
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vanilla Fudge3:00
43Talk About Your Baby
John Lee Hooker2:34
44I Think We're Alone Now
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tommy James & The Shondells52:13
45My White Bicycle
Produzent(in):
Mark Wirtz
Keyboard:
Mark Wirtz
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1967)
recording of:
My White Bicycle
Verfasser(in):
Ken Burgess und Keith Hopkins
publisher:
Carlin Music Corporation, Getaway Songs Ltd., Intersong Music und Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:18
46Breakout
recording of:
Breakout
Verfasser(in):
Herb Bernstein und Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
47Cool Jerk
The Capitols2:47
48A World Without Love
Peter And Gordon2:45
49A Lover's Concerto
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
A Lover’s Concerto (in 1965)
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:40
50Have I the Right
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
The Honeycombs32:58
51I'm the Urban Spaceman
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
I’m the Urban Spaceman
Texter und Komponist(in):
Neil Innes
publisher:
J. Albert & Son Pty. Ltd.
Bonzo Dog Band4.52:25
52Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und United Artists (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:45
53What Now My Love (single version)
recording of:
What Now My Love
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. und Warner Chappell Music, Inc.
übersetzte Version von:
Et maintenant
Sonny & Cher3:37
54Mona Lisa
Anita Kerr2:58
55Strangers in the Night
The Mike Sammes Singers3:37
56All or Nothing at All
cover recording of:
All or Nothing at All
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:13
57I Know Better
The Flamingos2:37
58Touch 'Em With Love
recording of:
Touch ’em With Love
Verfasser(in):
John Hurley und Ronnie Wilkins
Brook Benton2:19
59Sweet Inspiration
recording of:
Sweet Inspiration
Verfasser(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
publisher:
Press Music Co.
The Sweet Inspirations2:56
60Alfie
recording of:
Alfie (in 1965)
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Cilla Black2:39
61Love Is Blue
cover recording of:
Love Is Blue
Texter:
Pierre Cour
Komponist(in):
André Popp
Übersetzer:
Bryan Blackburn
publisher:
Intersong U.S.A. (publisher), Radio-Tele-Music GmbH und Radmus Publishing Inc.
übersetzte Version von:
El amor es triste
übersetzte Version von:
L’amour est bleu
Jeff Beck2:57
62Sabre Dance
arranger:
Dave Edmunds
cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture11:31
63You Were Made for Me
recording of:
You Were Made for Me
Texter und Komponist(in):
Mitch Murray
Freddie & The Dreamers2:19
64Better by Far
Terry Reid3:30
65Cathy's Clown
recording of:
Cathy’s Clown
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers22:26
66Hello Stranger
recording of:
Hello Stranger
Texter und Komponist(in):
Barbara Lewis
Barbara Lewis2:47
67The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:30
68My Clown
recording engineer:
Mike Ross‐Trevor (engineer)
Produzent(in):
Tommy Scott (producer)
recording of:
My Clown
Komponist(in):
Tom Newman (producer, guitarist)
July3:28
69Kentucky Woman
Techniker(in):
Barry Ainsworth (engineer)
Produzent(in) und Mix:
Derek Lawrence (British producer)
E-Bass:
Nick Simper (am 1968-08-19)
E-Gitarre:
Ritchie Blackmore (am 1968-08-19)
Hammond-Orgel und Hintergrundgesang:
Jon Lord (am 1968-08-19)
Schlagzeug:
Ian Paice (am 1968-08-19)
Sologesang:
Rod Evans (am 1968-08-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und HEC Enterprises Ltd. (in 1968)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-08-19)
cover recording of:
Kentucky Woman (am 1968-08-19)
geschrieben in:
Paducah, Kentucky, Vereinigte Staaten
Texter:
Neil Diamond
Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Deep Purple3.554:43
70Looking at You
recording of:
Looking at You
Verfasser(in):
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) und Rob Tyner
publisher:
Warner/Chappell Music Ltd. (1996–2019)
MC53:04
71I Wanna Be Your Dog
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 314) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 438)
recording of:
I Wanna Be Your Dog
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
The Stooges3.63:10
72The Road to Cairo
David Ackles5:16
73Both Sides Now
recording of:
Both Sides Now
Texter und Komponist(in):
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
74Morning Glory
Techniker(in):
Bruce Botnick
Produzent(in):
Jerry Yester
Bass:
Jimmy Bond (in 1967-05)
flute und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre und Sologesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
Klavier:
Don Randi (in 1967-05)
membranophone:
John Clauder (in 1967-05)
Hintergrundgesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) und Jerry Yester (in 1967-05)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-05)
recording of:
Morning Glory
Texter und Komponist(in):
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:53
75Candy Man
cover recording of:
Candy Man
Verfasser(in):
Fred Neil und Beverly Ross (musician (piano) and songwriter)
publisher:
Unichappell Music, Inc.
Fred Neil2:29
76Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the M.G.’s3.852:47
77Do Your Thing (mono single version; remastered)
The Watts 103rd. Street Rhythm Band2:57
78Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex “Sam and Dave”) (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
79Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
80Knock on Wood
recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd3:04
81Soul Finger
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
The Stax Staff
E-Bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar-Kays4.52:21
82Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:41
83Fool for You
recording of:
Fool for You
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Camad Music Company (vom 1968 bis ????)
The Impressions2:53
84Let the Good Times Roll
cover recording of:
Let the Good Times Roll
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Charles2:52
85You Must Have Been a Beautiful Baby
Bobby Darin2:16
86Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar-Keys42:39
87Walking the Dog
recording of:
Walking the Dog
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas2:38
88Tighten Up
recording of:
Tighten Up
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell and The Drells3:13
89Memphis Soul Stew
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-07-05)
Produzent(in):
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (am 1967-07-05)
Bassgitarre [bass]:
Tommy Cogbill (am 1967-07-05)
Gitarre:
R.F. Taylor (guitarist) (am 1967-07-05) und Reggie Young (guitarist and songwriter) (am 1967-07-05)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1967-07-05)
Orgel:
Bobby Emmons (am 1967-07-05)
Schlagzeug [drums]:
Gene Chrisman (am 1967-07-05)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-07-05), King Curtis (saxophonist) (am 1967-07-05) und Jimmy Mitchell (saxophone) (am 1967-07-05)
Trompete:
Bowlegs Miller (American trumpeter) (am 1967-07-05)
vocals:
King Curtis (saxophonist) (am 1967-07-05)
recording of:
Memphis Soul Stew (am 1967-07-05)
Verfasser(in):
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. und Pronto Music (publisher)
King Curtis2:58
90Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
91Everybody Loves a Winner
recording of:
Everybody Loves a Winner
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc.
William Bell2:52
92Gee Whiz, Look at His Eyes
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1960) und Nashville, Tennessee, Vereinigte Staaten (in 1960)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
Texter und Komponist(in):
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:20
93Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) und East/Memphis Music (in 1967)
Mable John2:58
94Darling, Je Vous Aime Beaucoup
Eartha Kitt2:28
95If I Should Lose You
Produzent(in):
Hal Mooney
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
If I Should Lose You (am 1965-05-20)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Nina Simone3.653:59
96Big Girls Don't Cry
The Four Seasons2:18
97Little Egypt (Ying-Yang)
Akustikgitarre:
Allen Hanlon (jazz guitarist) (am 1961-02-09)
E-Gitarre:
Sammy Clarke (am 1961-02-09)
Gitarre:
George Barnes (am 1961-02-09)
Klavier:
Mike Stoller (am 1961-02-09)
Kontrabass [bass]:
Wendell Marshall (am 1961-02-09)
Tenorsaxophon:
King Curtis (saxophonist) (am 1961-02-09)
vocals:
Earl Carroll (r&b vocalist) (am 1961-02-09), Carl Gardner (am 1961-02-09), Billy Guy (r&b vocalist) (am 1961-02-09) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1961-02-09)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1961-02-09)
recording of:
Little Egypt (Ying Yang)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music und Sony/ATV Songs LLC
The Coasters2.52:54