Mission: Impossible

~ Pubblicazione di Danny Elfman (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1Sleeping Beauty
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Sleeping Beauty
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman2:31
2Mission: Impossible Theme
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Mission: Impossible theme (Danny Elfman version)
compositore:
Lalo Schifrin (pianist & composer)
arrangiatore:
Danny Elfman (American singer and score composer)
revisione di:
Mission: Impossible
Lalo Schifrin1:05
3Red Handed
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Red Handed
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman4:23
4Big Trouble
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Big Trouble
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman5:35
5Love Theme?
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Love Theme?
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman2:23
6Mole Hunt
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Mole Hunt
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman3:04
7The Disc
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
The Disc
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman1:57
8Max Found
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Max Found
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman1:05
9Looking for "Job"
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Looking for "Job"
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman4:41
10Betrayal
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Betrayal
compositore:
Danny Elfman (American singer and score composer)
parte di:
Mission: Impossible
Danny Elfman2:58
11The Heist
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
The Heist
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman5:49
12Uh-Oh!
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Uh-Oh!
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman1:31
13Biblical Revelation
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Biblical Revelation
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman1:36
14Phone Home
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Phone Home
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman2:27
15Train Time
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Train Time
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman4:13
16Ménage à trois
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Ménage à trois
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman2:57
17Zoom A
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Zoom A
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman1:55
18Zoom B
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Zoom B
compositore:
Danny Elfman (American singer and score composer)
Danny Elfman2:54