Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▶CD: Notenbüchlein A. M. Bach (1725) (1)
10▶CD: Notenbüchlein A. M. Bach (1725) (2)
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▶CD: Bach & Other Composers (c. 1715-1730)
19▶CD: Bach & Other Composers (c. 1730-1742)
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▶CD: Inspired by Bach (Gounod to Pärt)
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▼CD: New Colours of Bach
#TitleRatingLength
1Prelude and Fugue in C major
recorded in:
London (Greater London), England, United Kingdom (from 1984 until 2016)
programming:
Ulrich Schnauss
producer:
Michael Haas (classical music producer)
keyboard and synthesizer:
Ulrich Schnauss (from 1984 until 2016)
piano:
András Schiff (pianist) (from 1984 until 2016)
remixer:
Ulrich Schnauss
recording of:
Prelude and Fugue in C major, BWV 545a (from 1984 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 545a)
4:33
2Cello Suite no. 1, BWV 1007: 1.3 Courante
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 1 in G Major, BWV 1007: 3. Courante (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 1 in G Major, BWV 1007
2:28
3Fugue in G major from BWV 550
engineer:
John Dunkerley (engineer)
producer:
Michael Haas (classical music producer)
orchestra:
Amsterdam Loeki Stardust Quartet (in 1987-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-03)
recording of:
Präludium und Fuge G-Dur, BWV 550: II. Fuge (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Präludium und Fuge G-Dur, BWV 550: II. Fuge
3:25
4Orchestral Suite no. 3, BWV 1068: Air
producer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
instruments:
Trondheim Soloists (in 2007-02)
violin:
Anne‐Sophie Mutter (violinist) (in 2007-02)
orchestra:
TrondheimSolistene (Trondheim Soloists)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:48
5French Suite no. 1, BWV 812: Menuet II
producer:
Moritz von Oswald
piano:
Francesco Tristano (classical and experimental pianist and composer) (in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2010)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo (in 2010)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
1:42
6Re-invention bo. 1 (after Inventio 8, BWV 779)
engineer:
Russell Thomson (sound engineer)
producer:
Stephen Snelleman (producer)
soprano recorder:
Genevieve Lacey (in 2008-08)
orchestra:
Flinders Quartet (in 2008-08)
recorded at:
Iwaki Auditorium in Melbourne, Victoria, Australia (in 2008-08)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Inventio Nr. 8 F-Dur, BWV 779
4:25
7Herzlich tut mich verlangen, BWV 727
engineer:
Ko Witteveen (engineer)
producer:
Martha de Francisco (classical producer and engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1991-06)
trumpet:
Håkan Hardenberger (classical trumpeter) (in 1991-06)
recorded at:
Sorø Klosterkirke in Sorø, Region Zealand, Denmark (in 1991-06)
recording of:
Herzlich tut mich verlangen, BWV 727 (catch-all for arrangements) (in 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Herzlich tut mich verlangen, BWV 727
2:44
8Orchestral Suite no. 2, BWV 1067: Badinerie
recorded in:
Leksand, Dalarna (Dalarna county), Sweden (in 2005-08) and Örebro, Örebro (Örebro County), Sweden (in 2005-08)
engineer:
Björn Lehnberg (engineer)
producer:
Benny Andersson (ABBA)
orchestra:
Benny Anderssons orkester (in 2005-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
live recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
2:55
9St Matthew Passion, BWV 244: "Erbarme dich, mein Gott"
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
oboe d'amore:
Albrecht Mayer (oboist)
violin:
Nigel Kennedy (violinist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
6:16
10Above and Below, B minor (after Bach / Siloti BWV 855)
producer:
Peter Gregson (British cellist and composer)
cello and synthesizer:
Peter Gregson (British cellist and composer) (in 2018-05)
piano:
Víkingur Ólafsson (pianist) (in 2018-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2018-05)
recording of:
Prelude in B minor, BWV 855a (for piano solo, Siloti)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Александр Зилоти (Alexander Siloti)
arrangement of:
Præludium und Fughetta e-Moll, BWV 855.1/855a (Prelude and Fughetta in E minor, BWV 855.1//855a)
3:01
11Prelude and Fugue in E minor, BWV 855 (arr. Olivier Fourès)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo cello:
Christiane Starke (cellist) (from 2012-06 until 2012-07)
solo viola:
Juan Lucas Aisemberg (from 2012-06 until 2012-07)
violin:
Daniel Hope (violinist) (from 2012-06 until 2012-07)
arranger:
Olivier Fourés
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (from 2012-06 until 2012-07)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855: Prelude (catch-all for arrangements) (from 2012-06 until 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Prelude
3:05
12Duett no. 1 in E minor, BWV 802
producer:
Moritz von Oswald
piano:
Francesco Tristano (classical and experimental pianist and composer) (in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2010)
recording of:
Duetto Nr. 1 e-Moll, BWV 802 (in 2010)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 802)
2:09
13Cello Suite no. 3, BWV 1009 (arr. Celedonio Romero): Courante
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1998-01)
arranger:
Celedonio Romero
recorded at:
Mission San Luis Rey de Francia in Oceanside, California, United States (in 1998-01)
recording of:
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
2:49
14Cello Suite no. 5, BWV 1011: 5.5 Gavotte
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 5 in C Minor, BWV 1011: 5. Gavottes (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 5 in C Minor, BWV 1011
3:09
15Magnificat BWV 243 (arr. A. Tarkmann): "Esurientes implevit bonis"
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
conductor:
Albrecht Mayer (oboist)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
2:56
16"Widerstehe doch der Sünde", BWV 54 (arr. Ólafsson)
recording engineer, engineer and producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
24:29
17Cantata BWV 106 (arr. György Kurtág): Sonatina
engineer and producer:
Christopher Tarnow
piano:
Halla Oddný Magnúsdóttir (in 2018-04) and Víkingur Ólafsson (pianist) (in 2018-04)
recorded at:
Harpa Concert Hall in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (in 2018-04)
recording of:
Sonatina from Gottes Zeit ist die allerbeste Zeit, BWV 106 (for piano duo, Kurtág)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
György Kurtág (composer)
arrangement of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
part of:
Transkriptionen von Machaut bis J. S. Bach
2:09
18Cello Suite no. 4, BWV 1010: Courante
engineer and producer:
Ursula Singer
viola:
Nobuko Imai (Japanese violist) (in 1999-01)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-01)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: III. Courante (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: III. Courante (Cello Suite No. 4 in E-flat major, BWV 1010: III. Courante)
3:11
19Cello Suite no. 4, BWV 1010: 4.3 Courante
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 4 in E-Flat Major, BWV 1010: 3. Courante (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 4 in E-Flat Major, BWV 1010
2:04
20The Well-Tempered Clavier, Book II: Fugue in A-flat major, BWV 886 (Arrangement in B flat by Emanuel Aloys Förster (1748–1823))
engineer and producer:
Da-Hong Seetoo
string quartet:
Emerson String Quartet (in 2007-12)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 2007-12)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 17 in A-flat major, BWV 886: Fugue (for string quartet, Förster) (in 2007-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Emanuel Aloys Förster
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 17 in A-flat major, BWV 886: Fugue
2:19
21Fugue in G minor "The Little", BWV 578 (arr. Ronald Romm)
producer:
Hein Dekker (recording producer)
performer:
Canadian Brass (in 1990-08)
recorded at:
Church of St. Mary Magdalene in Toronto, Ontario, Canada (in 1990-08)
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements) (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
3:36
22Goldberg Variations, BWV 988: Aria
engineer and producer:
Hywel Wigley (engineer)
harp:
Catrin Finch (harpist) (in 2008-03)
harp arranger:
Catrin Finch (harpist)
recorded at:
Acapela Studio (Cardiff) in Pentyrch, Cardiff, Wales, United Kingdom (in 2008-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (in 2008-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (opening)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
3:33
23Flute Sonata no. 5, BWV 1034: Andante
engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
cello:
Ira Givol (in 2011-10)
harpsichord:
Shalev Ad-El (conductor, harpsichordist and organist) (in 2011-10)
mandolin:
Avi Avital (Israeli mandolinist) (in 2011-10)
theorbo:
Ophira Zakai (Israeli lutenist) (in 2011-10)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 2011-10)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2011-10) and Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2011-10)
recording of:
Sonata in E minor, BWV 1034: III. Andante (for mandolin and orchestra, arr. Avi Avital) (in 2011-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Avi Avital (Israeli mandolinist)
arrangement of:
Sonata for Flute and Continuo in E minor, BWV 1034: III. Andante
part of:
Sonata in E minor, BWV 1034 (for mandolin and orchestra, arr. Avi Avital)
3:20
24Cello Suite no. 1, BWV 1007: 1.6 Gigue
engineer:
Adam Miller (engineer)
producer:
Laurie Anderson (experimental/art rock musician) and Peter Gregson (British cellist and composer)
cello:
Ben Chappell (from 2018-02 until 2018-03), Reinoud Ford (from 2018-02 until 2018-03), Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03), Richard Harwood (from 2018-02 until 2018-03), Katherine Jenkinson (cellist) (from 2018-02 until 2018-03) and Tim Lowe (cellist) (from 2018-02 until 2018-03)
synthesizer:
Peter Gregson (British cellist and composer) (from 2018-02 until 2018-03)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2018-02 until 2018-03)
recording of:
Bach: The Cello Suites - Recomposed by Peter Gregson - Suite No. 1 in G Major, BWV 1007: 6. Gigue (from 2018-02 until 2018-03)
composer:
Peter Gregson (British cellist and composer)
part of:
Suite No. 1 in G Major, BWV 1007
2:01
25The Art of Fugue, BWV 1080: Contrapunctus 1
engineer:
Guillaume Mis (engineer)
producer:
Richard Galliano and Emmanuel Jolivet (producer)
chromatic button accordion:
Richard Galliano (in 2009-09)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2009-09)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (catch-all for arrangements) (in 2009-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
part of:
Die Kunst der Fuge, BWV 1080 (catch-all for arrangements)
4:38

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]