Serse

~ Uitgave van George Frideric Handel; Maureen Forrester, Lucia Popp, Thomas Hemsley, Owen Brannigan, Martin Isepp, Vienna Academy Chamber Choir, Vienna Radio Orchestra, Brian Priestman (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
℗ 2009 Deutsche Grammophon GmbH, Berlin

Aantekening het laatst bewerkt op 2025-01-31 14:43 UTC.

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1▶digitale media
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#TitelArtiestWaarderingDuur
1Serse: Act 2: Speranze mie fermate
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 20. Arioso “Speranze mie fermate” (Amastre) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:45
2Serse: Act 2: Ah! Chi voler fiora
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 21. Arietta “Ah! Chi voler fiora di bella giardina” (Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:43
3Serse: Act 2: E chi direbbe mai
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “E chi direbbe mai, ch'io sono Elviro?” (Elviro, Amastre) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel2:16
4Serse: Act 2: Or che siete speranze tradite
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 22. Aria “Or che siete speranze tradite” (Amastre) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel3:02
5Serse: Act 2: Quel curioso è partito
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Quel curioso è partito” (Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:19
6Serse: Act 2: A piangere ogn'ora Amor mi destina
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 23. Ariosa “A piangere ogn'ora” (Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:15
7Serse: Act 2: Ah! tigre infedele
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 24. Arietta “Ah tigre infedele!” (Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:15
8Serse: Act 2: Parti; il Ré s'avvicina
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Parti; il re s'avvicina” (Atalanta, Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:15
9Serse: Act 2: Con questo foglio
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een gedeeltelijke opname van:
Serse, HWV 40: Atto II (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40
George Frideric Handel0:06
10Serse: Act 2: È tormento troppo fiero
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 25. Arioso “È tormento troppo fiero” (Serse) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:10
11Serse: Act 2: Di quel foglio, Atalanta
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Di quel foglio, Atlanta” (Serse, Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:12
12Serse: Act 2: Dirà che amor per me
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 26a. Aria “Dirà che amor per me” (Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:50
13Serse: Act 2: Voi quel foglio lasciate
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Voi quel foglio lasciate a me per prova” (Serse, Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:13
14Serse: Act 2: Dirà che non m'amo
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 26b. Aria “Dirà che non m'amò” (Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:57
15Serse: Act 2: Ingannata Romilda!
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Ingannata Romilda!” (Serse, Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:34
16Serse: Act 2: L'amerete? - L'amerò
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 27. Duetto “L'amerete? L'amerò” (Serse, Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:49
17Serse: Act 2: Se bramate d'amar, chi vi sdegna
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 28. Aria “Se bramate d’amar chi vi sdegna” (Serse) (in 1965-06)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel5:54
18Serse: Act 2: L'amerò? Non fia vero
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 29. Recitativo accompagnato “L'amerò? non fia vero” (Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:51
19Serse: Act 2: È gelosia quella tiranna
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 30. Aria “È gelosia, quella tiranna“ (Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel3:01
20Serse: Act 2: Già che il duol non m'uccide
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Giàcché il duol non m'uccide” (Amastre, Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:26
21Serse: Act 2: Anima infida, tradita io sono
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 31. Aria “Anima infida, tradita io sono” (Amastre) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:46
22Serse: Act 2: È pazzo affè
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “E pazzo affe!” (Elviro, Arsamene) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:44
23Serse: Act 2: Quella che tutta fè
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40 (Suite): Aria: “Quella che tutta fè” (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
arrangement van:
Serse, HWV 40: Atto II, no. 32. Aria “Quella che tutta fé” (Arsamene)
George Frideric Handel2:54
24Serse: Act 2: La virtute sol potea
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 33. Coro.“La virtute sol potea” (also reprise after recitativo) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:31
25Serse: Act 2: Ariodate
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritonvocalen [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Ariodate! Signore” (Serse, Ariodate) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:36
26Serse: Act 2: La virtute sol potea
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 33. Coro.“La virtute sol potea” (also reprise after recitativo) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:30
27Serse: Act 2: Per dar fine alla pena
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 34. Arioso “Per dar fine alla mia pena” (Arsamene) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:11
28Serse: Act 2: Arsamene, ove andate?
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Arsamene, ove andate?” (Serse, Arsamene) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:14
29Serse: Act 2: Sì, la voglio e la otterò
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Arsamene]:
Maureen Lehane (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 35. Aria “Sì la voglio, e la otterrò” (Arsamene) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel2:50
30Serse: Act 2: V'inchino, eccelso Rè
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “V'inchino, eccelso Rè” (Atalanta, Serse) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:21
31Serse: Act 2: Voi mi dite che non l'ami
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 36. Aria “Voi mi dite che non l'ami” (Atalanta) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:49
32Serse: Act 2: Saria lieve ogni doglia
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Saria lieve ogni doglia” (Serse) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:13
33Serse: Act 2: Il core spera e teme
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 37. Aria “Il core spera e teme” (Serse) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel4:19
34Serse: Act 2: Me infelice
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 38. Recitativo accompagnato “Me infelice!” (Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:00
35Serse: Act 2: Del mio caro baco amabile
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
basvocalen [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 39. Aria “Del mio caro baco amabile” (Elviro) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:17
36Serse: Act 2: Gran pena è gelosia - Lo sà il mio cor piagato
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 40. Duetto “Gran pena è gelosia” (Serse, Amastre) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel2:01
37Serse: Act 2: Romilda, e sarà ver
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een gedeeltelijke opname van:
Serse, HWV 40: Atto II (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40
George Frideric Handel0:12
38Serse: Act 2: Val più contento core
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 41. Arietta “Val più contento core” (Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel1:56
39Serse: Act 2: Vuò ch'abbian fine
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contraltovocalen [Serse]:
Maureen Forrester (contralto) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II. Recitativo “Vuò, ch'abbian fine” (Serse, Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel0:51
40Serse: Act 2: La fortuna, la vita
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-sopraanvocalen [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een gedeeltelijke opname van:
Serse, HWV 40: Atto II (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40
George Frideric Handel0:27
41Serse: Act 2: Chi cede al fuore
technicus:
Peter Curiel (engineer) (in 1965-06) en Herbert Zeithammer (engineer) (in 1965-06)
producent:
James Grayson (recording producer)
klavecimbel:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
sopraanvocalen [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orkest:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
was dirigent:
Brian Priestman (in 1965-06)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
opgenomen bij:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Oostenrijk (in 1965-06)
is een opname van:
Serse, HWV 40: Atto II, no. 42. Aria “Chi cede al furore” (Romilda) (in 1965-06)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Serse, HWV 40: Atto II
George Frideric Handel6:07
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