The English Patient

~ Release by Gabriel Yared (see all versions of this release, 8 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	The English Patient recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France recording of: Main Theme (The English Patient) composer: Gabriel Yared (Lebanese‐French score composer) part of: The English Patient	Gabriel Yared		3:37
2	A Retreat recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France recording of: A Retreat composer: Gabriel Yared (Lebanese‐French score composer) part of: The English Patient	Gabriel Yared		1:26
3	Rupert Bear recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France recording of: Rupert Bear (The English Patient) composer: Gabriel Yared (Lebanese‐French score composer) part of: The English Patient	Gabriel Yared		1:27
4	What Else Do You Love? recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:06
5	Why Picton? recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:09
6	Cheek to Cheek recorded in: New York, New York, United States (on 1935-06-26) vocals: Fred Astaire (on 1935-06-26) orchestra: Leo Reisman and His Orchestra (on 1935-06-26) recording of: Cheek to Cheek (from “Top Hat”) (on 1935-06-26) lyricist and composer: Irving Berlin (in 1935) publisher: Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) part of: Academy Award for Best Original Song (number: 1935 nominee) part of: Top Hat (1935 film)	Fred Astaire		3:20
7	Kip's Lights recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:30
8	Hana's Curse recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		2:11
9	I'll Always Go Back to That Church recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:54
10	Black Nights recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:57
11	Swoon, I'll Catch You recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:53
12	Am I K. in Your Book? recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:00
13	Let Me Come In! recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		2:41
14	Wang Wang Blues orchestra: The Benny Goodman Sextet recording of: Wang Wang Blues lyricist: Leo Wood (American songwriter & lyricist; 1882—1929) composer: Henry Busse, Buster Johnson (American jazz musician) and Gus Mueller	Benny Goodman		2:53
15	Convento di Sant'Anna recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		9:12
16	Herodotus recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:12
17	Szerelem, szerelem vocals and performer: Márta Sebestyén	Muzsikás feat. Márta Sebestyén		4:37
18	Ask Your Saint Who He's Killed recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:10
19	One O'Clock Jump performer: Benny Goodman and His Orchestra recording of: One O’Clock Jump composer: Count Basie (pianist) (in 1937) publisher: EMI Feist Catalog Inc.	Benny Goodman		3:16
20	I'll Be Back recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		4:03
21	Let Me Tell You About Winds recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		1:00
22	Read Me to Sleep recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		5:02
23	The Cave of Swimmers recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France	Gabriel Yared		2:01
24	Where or When sound engineer: John Timperley orchestra: Shepheard’s Hotel Jazz Orchestra conductor: Ronnie Hazelhurst arranger: Ronnie Hazelhurst recorded at: Angel Recording Studios in Islington, London (Greater London), England, United Kingdom recording of: Where or When (from “Babes in Arms”) lyricist: Lorenz Hart (in 1937) composer: Richard Rodgers (composer) (in 1937) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Babes in Arms (full musical)	Shepheard’s Hotel Jazz Orchestra		2:19
25	Aria from the Goldberg Variations piano: Julie Steinberg (pianist) recording of: Goldberg-Variationen, BWV 988: Aria (opening) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach		3:04
26	Cheek to Cheek vocals: Ella Fitzgerald (American jazz singer) cover recording of: Cheek to Cheek (from “Top Hat”) lyricist and composer: Irving Berlin (in 1935) publisher: Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) part of: Academy Award for Best Original Song (number: 1935 nominee) part of: Top Hat (1935 film)	Ella Fitzgerald		3:47
27	As Far as Florence recording engineer: Keith Grant (classical recording engineer) orchestra: Academy of St Martin in the Fields conductor: Harry Rabinowitz recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and YAD Music in Paris, Île-de-France, France recording of: As Far as Florence (The English Patient) composer: Gabriel Yared (Lebanese‐French score composer) part of: The English Patient	Gabriel Yared		5:12
28	Én csak azt csodálom (Lullaby for Katharine) vocals: Márta Sebestyén	Muzsikás feat. Márta Sebestyén		1:10

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Discogs:	https://www.discogs.com/release/1897257 [info]

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part of:	Academy Award winners for “Best Original Score” (soundtrack collection) (number: 69) (order: 50)

Discogs:	https://www.discogs.com/master/322706 [info]
IMDb:	https://www.imdb.com/title/tt0116209/ [info]
Wikidata:	Q7732242 [info]

The English Patient

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