Blue Moon

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Tenderly
vocals:
Billie Holiday (in 1952)
Orchester:
Billie Holiday and Her Orchestra (in 1952)
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
3:26
2Blue Moon
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
Blue Moon (am 1952-03-26)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
4.653:31
3Gee Baby, Ain't I Good to You?
recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:38
4A Foggy Day
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (am 1957-01-03)
Klavier:
Jimmy Rowles (am 1957-01-03)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-03)
Schlagzeug:
Alvin Stoller (am 1957-01-03)
Tenorsaxophon:
Ben Webster (am 1957-01-03)
Trompete:
Harry “Sweets” Edison (am 1957-01-03)
vocals:
Billie Holiday (am 1957-01-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (am 1957-01-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3.654:42
5Sometimes I'm Happy
recording of:
Sometimes I’m Happy
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
2:49
6Willow Weep for Me
recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:13
7(I Don't Stand A) Ghost of a Chance
alto saxophone:
Benny Carter (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
recording of:
(I Don’t Stand) A Ghost of a Chance (am 1955-08-23)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
44:29
8A Fine Romance
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
43:20
9I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
5:42
10April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:04
11Cheek to Cheek
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-14)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:37
12The Man I Love
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-13)
alto saxophone:
Earle Warren (am 1939-12-13) und Jack Washington (am 1939-12-13)
baritone saxophone:
Jack Washington (am 1939-12-13)
Gitarre:
Freddie Green (am 1939-12-13)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-13)
Kontrabass:
Walter Page (am 1939-12-13)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-12-13)
Tenorsaxophon:
Lester Young (saxophonist) (am 1939-12-13)
Trompete:
Buck Clayton (am 1939-12-13) und Harry Edison (am 1939-12-13)
vocals:
Billie Holiday (am 1939-12-13)
Orchester:
Billie Holiday and Her Orchestra (am 1939-12-13)
recording of:
The Man I Love (am 1939-12-13)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
43:07
13Stormy Weather
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
3:43
14Love Me or Leave Me
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:36
15Everything Happens to Me
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Everything Happens to Me (am 1955-02-14)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
46:23
16Say It Isn't So
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Say It Isn’t So (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
4.653:04
17Autumn in New York
recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:43
18You Go to My Head
recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
2:57
19Love for Sale
recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:58

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