Good as I Been to You (limited edition, numbered, remastered)

~ Veröffentlichung von Bob Dylan (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

© 1992, 2023 Columbia Records.
℗ 1992 Columbia Records.

[On SACD]
All songs: Traditional (ASCAP) except: "Hard Times", "Tomorrow Night", "You're Gonna Quit Me" Public Domain (ASCAP).

Limited edition of 2,500.

Track durations are not printed on the release.

Other Identifiers
Rights Society: ASCAP
Matrix / Runout (SACD layer): 58385778/19658861272RD A0103465300-A911 1000 1A00
Mastering SID Code (SACD layer): IFPI LY23
Matrix / Runout (CD layer): 58385779/19658861272RD A0103465300-B911 12 A00
Mastering SID Code (CD layer): IFPI L556
Mould SID Code: IFPI 94B1

Anmerkung zuletzt geändert am 2024-06-12 10:37 UTC.

Titelliste

1▶Hybrid SACD (CD-Schicht)
2▼Hybrid SACD (SACD-Schicht)
Nr.TitelBewertungLänge
1Frankie & Albert
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Frankie & Albert (Bob Dylan arrangement)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
3.53:50
2Jim Jones
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Jim Jones (Mick Slocum / Bob Dylan arrangement)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Mick Slocum
zusätzlich arranger:
Bob Dylan
Arrangement von:
Jim Jones at Botany Bay
43:54
3Blackjack Davey
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Blackjack Davey (arr. Bob Dylan et al.)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Bob Dylan, Woody Guthrie (American singer-songwriter) und Mike Seeger
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Black Jack Davey (arr. Mike Seeger)
Version von:
Gypsy Davy (arr. Woody Guthrie)
35:49
4Canadee-i-o
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Canadee-i-o
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
zusätzlicher Texter:
Ephraim Braley (Canadian logger in the mid 1850's)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Nic Jones
zusätzlich arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Canadee-i-o
44:22
5Sittin' on Top of the World
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
recording of:
Sittin’ on Top of the World (Bob Dylan arrangement)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
Lonnie Chatmon, Traditional ([traditional], special purpose artist) und Walter Vinson (performance name for Walter Vinson)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
44:29
6Little Maggie
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Little Maggie (Bob Dylan version)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
basiert auf:
Little Maggie (catch-all for arrangements)
42:54
7Hard Times
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Hard Times
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
Traditional ([traditional], special purpose artist)
Komponist(in):
Stephen Foster (composer)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Hard Times Come Again No More
44:32
8Step It Up and Go
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Step It Up and Go (Bob Dylan arrangement)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
Blind Boy Fuller und Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Step It Up and Go
32:55
9Tomorrow Night
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Tomorrow Night (Bob Dylan version)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Texter:
Sam Coslow
Verfasser(in):
Traditional ([traditional], special purpose artist)
Komponist(in):
Wilhelm Grosz (aka Hugh Williams)
arranger:
Bob Dylan
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
Version von:
Tomorrow Night
3.53:41
10Arthur McBride
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Arthur McBride (arr. Paul Brady and Bob Dylan)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Paul Brady
zusätzlich arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Arthur McBride (arr. Paul Brady)
36:20
11You're Gonna Quit Me
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
You're Gonna Quit Me
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
Blind Blake (1920s blues singer) und Traditional ([traditional], special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
32:47
12Diamond Joe
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Diamond Joe (Starts "Now there’s a man you’ll hear about"; Bob Dylan arrangement)
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Diamond Joe (Starts "Now there’s a man you’ll hear about")
33:14
13Froggie Went a Courtin'
recording engineer und Mix:
Micajah Ryan
Gitarre, Mundharmonika und Stimme/Gesang:
Bob Dylan
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
cover recording of:
Froggie Went A-Courtin'
sonstige Unterstützung:
Debbie Gold (producer & manager) (Aufgabe: supervised by)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Bob Dylan
publisher:
Sony/ATV Music Publishing France und Special Rider Music
Version von:
Frog Went A‐Courtin’ (original version)
36:26

Nennungen

Veröffentlichung

art direction und design:Dawn Patrol (Graphic Art & Design)
Fotografie:Jimmy Wachtel (Aufgabe: front cover)
sonstige Unterstützung:Debbie Gold (producer & manager) (Aufgabe: supervised by / production supervised by)
Assistent mastering:Shawn R. Britton
mastering:Neal Harris
hergestellt von:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
hergestellt für:Mobile Fidelity Sound Lab
mastered at:Mobile Fidelity Sound Lab in Sebastopol, California (Kalifornien), Vereinigte Staaten
Stamm-Pressung bei:Sony DADC (optical disc manufacturing company)
Teil von:Ultradisc UHR (Series used by Mobile Fidelity Sound Lab for their SACD releases.) (Reihenfolge: 10)
Original Master Recording (Reihenfolge: 82)
Discogs:https://www.discogs.com/release/29677963 [Info]