Cantatas with Violoncello Piccolo

~ Release by Johann Sebastian Bach; Barbara Schlick, Andreas Scholl, Christoph Prégardien, Gotthold Schwarz, Das Leipziger Concerto Vocale, Ensemble Baroque de Limoges, Christophe Coin (see all versions of this release, 10 available)

Tracklist

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#TitleArtistRatingLength
1Aria "Ach Herr! Was ist ein Menschenkind?", de la cantate BWV 110
instruments:
Amarillis (ensemble baroque) (in 2000-07)
alto vocals:
Antoine Walter (Boy alto) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 2000-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:05
2Sonate no. 2, BWV 1028 en re majeur violoncelle piccolo et clavecin obl: 1. Adagio
harpsichord:
Violaine Cochard (harpsichordist)
violoncello piccolo:
Ophélie Gaillard (cellist)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: I. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach2:07
3Sonate no. 2, BWV 1028 en re majeur violoncelle piccolo et clavecin obl: 2. Allegro
harpsichord:
Violaine Cochard (harpsichordist)
violoncello piccolo:
Ophélie Gaillard (cellist)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: II. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach3:42
4Sonate no. 2, BWV 1028 en re majeur violoncelle piccolo et clavecin obl: 3. Andante
harpsichord:
Violaine Cochard (harpsichordist)
violoncello piccolo:
Ophélie Gaillard (cellist)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: III. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach4:53
5Sonate no. 2, BWV 1028 en re majeur violoncelle piccolo et clavecin obl: 4. Allegro
harpsichord:
Violaine Cochard (harpsichordist)
violoncello piccolo:
Ophélie Gaillard (cellist)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: II. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach4:08
6Aria "Kreuz und Krone sind verbunden", de la cantate BWV 12
instruments:
Amarillis (ensemble baroque) (in 2000-07)
alto vocals:
Bertrand Domenichini (Boy alto) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 2000-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach7:26
7Sonate no. 6, BWV 530 en do majeur flute a bec alto et clavecin oblige: 1. Premier Mouvement
harpsichord:
Violaine Cochard (harpsichordist)
treble recorder / alto recorder:
Héloïse Gaillard
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: I. Vivace (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: I. Vivace
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530 (catch-all for arrangements)
Johann Sebastian Bach3:20
8Sonate no. 6, BWV 530 en do majeur flute a bec alto et clavecin oblige: 2. Lente
harpsichord:
Violaine Cochard (harpsichordist)
treble recorder / alto recorder:
Héloïse Gaillard
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: II. Lente (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: II. Lente
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530 (catch-all for arrangements)
Johann Sebastian Bach7:22
9Sonate no. 6, BWV 530 en do majeur flute a bec alto et clavecin oblige: 3. Allegro
harpsichord:
Violaine Cochard (harpsichordist)
treble recorder / alto recorder:
Héloïse Gaillard
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: III. Allegro (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: III. Allegro
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530 (catch-all for arrangements)
Johann Sebastian Bach3:06
10Aria "Gott versorget alles Leben" de la cantate BWV 187 soprano,hautbo
instruments:
Amarillis (ensemble baroque)
soprano vocals:
Antoine Walter (Boy alto)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:39
11Concerto italien BWV 971 clavecin: 1. Premier mouvement
harpsichord:
Violaine Cochard (harpsichordist) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 2000-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:08
12Concerto italien BWV 971 clavecin: 2. Andante
harpsichord:
Violaine Cochard (harpsichordist) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 2000-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:43
13Concerto italien BWV 971 clavecin: 3.Presto
harpsichord:
Violaine Cochard (harpsichordist) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 2000-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:01
14Aria "Ach bleib bei uns Herr Jesu Christ" de la cantate BWV 6
instruments:
Amarillis (ensemble baroque) (in 2000-07)
soprano vocals:
Charles-Henri Mosso (Boy soprano) (in 2000-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 2000-07)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 2000-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:10