Four Classic Albums

~ Release by Jimmy Smith (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1The Sermon
recording engineer:
Rudy van Gelder (on 1958-02-25)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-02-25)
drums (drum set):
Art Blakey (on 1958-02-25)
guitar:
Kenny Burrell (on 1958-02-25)
organ:
Jimmy Smith (US jazz organist) (on 1958-02-25)
tenor saxophone:
Tina Brooks (on 1958-02-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-02-25)
recording of:
The Sermon (on 1958-02-25)
composer:
Jimmy Smith (US jazz organist)
520:12
2J.O.S.
recording engineer:
Rudy van Gelder (on 1957-08-25)
producer:
Alfred Lion
alto saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25, on 1958-02-25)
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1957-08-25, on 1958-02-25)
guitar:
Eric McFadden (blues rock US) (on 1957-08-25) and Eddie McFadden (on 1958-02-25)
organ:
Jimmy Smith (US jazz organist) (on 1957-08-25, on 1958-02-25)
tenor saxophone:
Tina Brooks (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25, on 1958-02-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-02-25)
recording of:
J.O.S. (on 1958-02-25)
composer:
Jimmy Smith (US jazz organist)
11:57
3Flamingo
recording engineer:
Rudy van Gelder (on 1958-02-25)
producer:
Alfred Lion
drums (drum set):
Art Blakey (on 1958-02-25)
guitar:
Kenny Burrell (on 1958-02-25)
organ:
Jimmy Smith (US jazz organist) (on 1958-02-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-02-25)
instrumental cover recording of:
Flamingo (on 1958-02-25)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
8:02
4When Johnny Comes Marching Home
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
instrumental recording of:
When Johnny Comes Marching Home (trad.) (on 1960-01-04)
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
7:58
5Makin' Whoopee
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
instrumental recording of:
Makin’ Whoopee! (on 1960-01-04)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
4:58
6A Night in Tunisia
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
recording of:
Night in Tunisia (instrumental) (on 1960-01-04)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
5:40
7Sonnymoon for Two
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
recording of:
Sonnymoon for Two (on 1960-01-04)
composer:
Sonny Rollins (American saxophonist)
7:19
8Mack the Knife
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
instrumental recording of:
Mack the Knife (1954 Blitzstein translation) (on 1960-01-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:59
9What's New
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
instrumental recording of:
What’s New? (on 1960-01-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
3:51
10Alfredo
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-01-04)
guitar:
Quentin Warren (on 1960-01-04)
organ:
Jimmy Smith (US jazz organist) (on 1960-01-04)
4:30
11Au Privave
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-02-25)
drums (drum set):
Art Blakey (on 1958-02-25)
guitar:
Kenny Burrell (on 1958-02-25)
organ:
Jimmy Smith (US jazz organist) (on 1958-02-25)
tenor saxophone:
Tina Brooks (on 1958-02-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-02-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-02-25)
recording of:
Au Privave (on 1958-02-25)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
15:10
12Lover Man
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-02-25)
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1958-02-25)
guitar:
Eddie McFadden (on 1958-02-25) and Eric McFadden (blues rock US) (on 1958-02-25)
organ:
Jimmy Smith (US jazz organist) (on 1958-02-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-02-25)
instrumental recording of:
Lover Man (on 1958-02-25)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
7:01
13Just Friends
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1957-08-25)
guitar:
Eric McFadden (blues rock US) (on 1957-08-25)
organ:
Jimmy Smith (US jazz organist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1957-08-25)
instrumental recording of:
Just Friends (on 1957-08-25)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
15:16
14Blues After All
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
George Coleman (US jazz saxophonist) (on 1957-08-25)
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1957-08-25)
guitar:
Kenny Burrell (on 1957-08-25)
organ:
Jimmy Smith (US jazz organist) (on 1957-08-25)
trombone:
Curtis Fuller (on 1957-08-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-08-25)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1957-08-25)
recording of:
Blues After All (on 1957-08-25)
composer:
Kenny Burrell
6:07
15Midnight Special
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
recording of:
Midnight Special (on 1960-04-25)
composer:
Jimmy Smith (US jazz organist)
9:56
16A Subtle One
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
cover recording of:
A Subtle One (on 1960-04-25)
composer:
Stanley Turrentine
7:45
17Jumpin' the Blues
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
cover recording of:
Jumpin’ the Blues (on 1960-04-25)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
instrumental cover recording of:
Jumpin’ the Blues (on 1960-04-25)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:27
18Why Was I Born
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
instrumental cover recording of:
Why Was I Born? (on 1960-04-25)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
composer:
Jerome Kern (in 1929)
6:36
19One O'clock Jump
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
cover recording of:
One O’Clock Jump (on 1960-04-25)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
7:00