90s HITS - 100 Greatest Songs of the 1990s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Return of the Mack (C & J Street mix)Mark Morrison & Cutfather & Joe3:33
2Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain34:10
3I’ll Be Missing YouDiddy feat. Faith Evans & 11225:07
4Pure Shores
Programmierung:
Sean Spuehler
Produzent(in):
William Orbit (English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt und Shaznay Lewis
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2000)
Teil von:
The Downloader’s Music Source Book (Nummer: 380)
recording of:
Pure Shores
Komponist(in):
Shaznay Lewis und William Orbit (English musician, composer and record producer)
All Saints3.654:29
5Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
6Stars
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
7Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 1999)
aufgenommen bei:
Disclab Oslo in Oslo, Norwegen
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:54
8Ironic (2015 remaster)
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:50
9I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.94:00
10You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
11One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
sonstige Unterstützung:
Ed (Aufgabe: Dans la Maison) und Tyler (Aufgabe: Dans la Maison)
Techniker(in):
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50
12Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
13Show Me Love
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 9)
recording of:
Show Me Love
Verfasser(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
publisher:
Champion Music und Son-A-Tron Music
Robin S44:12
14Iris
assistierende(r) Techniker(in):
Greg Burns (engineer) (Aufgabe: second engineer) und Rafa Sardina (Aufgabe: second engineer)
Techniker(in):
Allen Sides
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
Gitarre:
John Rzeznik
Klavier:
Jamie Muhoberac
Mandoline:
Tim Pierce (US session guitarist)
Schlagzeug und Perkussion:
Mike Malinin
vocals:
John Rzeznik
Saiteninstrumente [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Musikvideos:
Iris von Goo Goo Dolls
recording of:
Iris
Texter und Komponist(in):
John Rzeznik
publisher:
EMI Virgin Songs, Inc. und Scrap Metal Music
The Goo Goo Dolls4.14:50
15Under the Bridge
Techniker(in):
Brendan O’Brien (engineer)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Bass:
Flea (US bassist)
Gitarre:
John Frusciante
Schlagzeug:
Chad Smith (drummer from Red Hot Chili Peppers)
Gast Chorgesang:
Gail Frusciante
Sologesang:
Anthony Kiedis
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) und Warner Bros., Inc. (not for release label use!) (in 1991)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 33), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 328)
recording of:
Under the Bridge
Texter:
Anthony Kiedis
Komponist(in):
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) und Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Artemis Music
Red Hot Chili Peppers4.254:24
16Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:52
17I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal feat. BeBe Winans2.53:37
18Love Like This
recording of:
Love Like This
Verfasser(in):
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
19Go West (2003 remaster)
Programmierung:
Pete Gleadall
Techniker(in):
Pete Gleadall und Bob Kraushaar
Produzent(in):
Brothers in Rhythm
zusätzliche(r) Produzent(in):
Brothers in Rhythm
Mix:
Mike “Spike” Drake und Stephen Hague
Sologesang:
Neil Tennant
remixer:
Brothers in Rhythm und Stephen Hague
phonographisches Urheberrecht (℗) von:
Pet Shop Boys Partnership Ltd. (in 1993)
cover recording of:
Go West
Texter:
Henri Belolo und Victor Willis (Victor Edward Willis, member of the Village People)
Komponist(in):
Jacques Morali
publisher:
EMI Music (do not use as release label! this is a music publisher), Leosong Copyright Service Ltd., Scorpio Music (work publisher of "Scorpio Music") und Zomba Management and Publishers Ltd.
Version von:
À l'ouest
Pet Shop Boys4.25:04
20Girls and Boys
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Girls & Boys
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
MCA Music Ltd.
Blur3.74:19
21Don’t Let Go (Love)
Produzent(in):
Organized Noize (Atlanta hip-hop production group)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1997)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:52
22What Can I DoThe Corrs4:19
23Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
24Semi-Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:28
25This Kiss
Produzent(in):
Byron Gallimore und Faith Hill (country pop singer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1998) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Musikvideos:
This Kiss von Faith Hill (country pop singer)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 118)
recording of:
This Kiss
Verfasser(in):
Beth Nielsen Chapman (American singer and songwriter), Robin Lerner und Annie Roboff (American songwriter, musician and producer)
publisher:
Almo Music Corp (USA, affiliated with ASCAP) (in 1997), Anwa Music (in 1997), BNC Songs (in 1997), Nomad-Noman Music (in 1997), Puckalesia Songs (in 1997) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1997)
Faith Hill3.53:15
26Mysterious Girl (radio edit)
sonstige Unterstützung:
Bubbler Ranx (Aufgabe: toast)
Produzent(in) und Mix:
Ollie J
Bass, Keyboard [keyboards] und Schlagzeug [drums]:
Ollie J
Saxophon:
Claudio Galdes
Hintergrundgesang [backing vocals]:
Glen Goldsmith, Bubbler Ranx und Samantha Scott
gemixt für und produced for:
Roll Over Productions
aufgenommen bei:
Roll Over Studios London in London (Greater London), England, Vereinigtes Königreich
recording of:
Mysterious Girl
Verfasser(in):
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3.13:39
27Never Ever (radio edit)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3.653:54
28Something Got Me Started
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd (not for release label use!) (in 1991)
produced for:
Oliverea Productions Ltd. und Simply Red Records Ltd.
recording of:
Something Got Me Started
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Hucknall (lead singer of Simply Red) und McIntyre
publisher:
EMI Songs und So What Ltd
Simply Red2.84:01
29Professional Widow (Armand’s Star Trunk Funk mix)
sonstige Unterstützung:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
drum machine-Programmierung:
Alan Friedman
Programmierung:
Alan Friedman
Mastering:
Jon Astley
Produzent(in):
Tori Amos und Ian Stanley
zusätzliche(r) Produzent(in):
Armand van Helden
Bassgitarre:
George Porter, Jr.
Gitarre:
Steve Caton
Schlagzeug:
Manu Katché
vocals:
Tori Amos
remixer:
Armand van Helden
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
gemixt für und produced for:
X-Mix Productions
recording of:
Professional Widow
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos, Armand van Helden, Marcel van Limbeek & Mark Hawley3.153:47
30My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
The Payback von James Brown (The Godfather of Soul)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.64:42
31Thank U (remix)
recording engineer:
Glen Ballard und Chris Fogel (engineer)
Produzent(in):
Glen Ballard und Alanis Morissette
Mix:
Chris Fogel (engineer)
vocals:
Alanis Morissette
phonographisches Urheberrecht (℗) von:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1998, in 2024)
recording of:
Thank U
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette3.94:19
32Just a Little Bit (radio edit)Gina G43:24
33Ain’t No DoubtJimmy Nail34:08
34Not Over Yet (Perfecto edit)
vocals:
Dominique Atkins
remixer:
Perfecto (UK techno production/remixes incld. Paul Oakenfold)
recording of:
Not Over Yet
Texter:
Jamie Reynolds (UK bassist/vocalist (Klaxons)) und Simon Taylor-Davis (UK guitarist for The Klaxons)
Verfasser(in):
Rob Davis (songwriter/producer was in Mud), Paul Oakenfold und Mike Wyzgowski
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Universal Music Publishing Group und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Grace4:19
35Walking in Memphis
Mix:
Heff Moraes
cover recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cher3.63:55
36Only Wanna Be With You
assistierende(r) Techniker(in):
Wade Norton
Techniker(in), Produzent(in) und Mix:
Don Gehman
assistierende(r) Mix:
Liz Sroka
Akustikgitarre und Perkussion:
Mark Bryan und Darius Rucker
Bassgitarre, Clavinet und Klavier:
Dean Felber
E-Gitarre und Mandoline:
Mark Bryan
Schlagzeug [drums]:
Jim “Soni” Sonefeld
vocals:
Mark Bryan, Dean Felber und Jim “Soni” Sonefeld
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
aufgenommen bei:
N.R.G. Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideo für:
Only Wanna Be With You von Hootie & the Blowfish
recording of:
Only Wanna Be With You
Verfasser(in):
Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
Hootie & the Blowfish43:50
37Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
38Hard to Beat
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2005)
aufgenommen bei:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, Vereinigtes Königreich
recording of:
Hard to Beat
Verfasser(in):
Richard Archer
Hard‐Fi3.454:13
39Beetlebum (2012 remaster)
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion und Schlagzeug:
Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
Beetlebum
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Blur3.755:05
40Runaway
recording engineer:
David Reitzas
Koproduzent(in):
Jim Corr
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain und David Reitzas
arranger:
Jim Corr
aufgenommen bei:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Runaway
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3.654:25
41Freak Like Me
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1995) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995)
Samples:
I’d Rather Be With You von Bootsy Collins (US funk musician & songwriter)
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 370)
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard4.24:14
42Mulder and Scully
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Roland Herrington und TommyD
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:11
43I Swear
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:20
44Hypnotize (2014 remaster)
recording engineer:
Axel Niehaus (German-born engineer and producer) und Doug Wilson (engineer)
Techniker(in):
Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones (engineer R&B / Urban)
Produzent(in):
Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence (US hip-hop producer aka Amen-Ra) und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
zusätzliche(r) Produzent(in):
Richard “Younglord” Frierson (producer Richard Frierson)
Mix:
Lane Craven und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Editing:
Richard “Younglord” Frierson (producer Richard Frierson)
Hintergrundgesang:
Pam Long
Sologesang:
The Notorious B.I.G.
phonographisches Urheberrecht (℗) von:
Bad Boy Records LLC (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
produced for:
Bad Boy Entertainment, Inc. und The Mystery System, Inc.
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
mixed at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
engineered at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
Samples:
Rise von Herb Alpert
Teil von:
BILLIONS CLUB
recording of:
Hypnotize
Verfasser(in):
Andy Armer, Christopher Wallace (The Notorious B.I.G.), Deric Angelettie, Ron Lawrence (US hip-hop producer aka Amen-Ra), Randy Alpert und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
quotes lyrics from:
La Di Da Di
The Notorious B.I.G.4.153:50
45Fairground
spätere Veröffentlichungen:
Fairground von Simply Red (English soul and pop band)
recording of:
Fairground
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red4.655:33
46Have I Told You Lately
Produzent(in):
Bernard Edwards (American bassist and record producer) und Rod Stewart
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Jeff Golub
Keyboard:
Chuck Kentis
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug [Drums]:
Rave Calmer (drummer)
Sologesang:
Rod Stewart
Saiteninstrumente arranger:
Bruce Miller (US composer and arranger)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) und Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1995)
cover recording of:
Have I Told You Lately
Texter und Komponist(in):
Van Morrison
zusätzliche(r) Verfasser(in):
Scott Wiseman
publisher:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Intersong Music Ltd. (in 1989)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Rod Stewart4:02
47Crazy
Produzent(in):
Trevor Horn
Gitarre:
Chrissie Schefts
Gitarre [wah-wah pedal guitar]:
Kenji Suzuki (Simply Red)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1990, in 1991), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal4.15:57
48No Ordinary Love
recording of:
No Ordinary Love
Verfasser(in):
Deborah Cox
Jennifer Love Hewitt34:05
49Undivided Love
recording of:
Undivided Love
Verfasser(in):
Simon Climie, George und Noel
Louise3:46
50Bag It Up
Programmierung:
Mike Higham (British score composer)
Techniker(in):
Paul ‘P Dub’ Walton
Mix:
Mark “Spike” Stent (producer, engineer)
conductor:
Nick Ingman
Saiteninstrumente arranger:
Nick Ingman
Musikvideos:
Bag It Up (video) von Geri Halliwell
recording of:
Bag It Up
Verfasser(in):
Geri Halliwell, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) und Paul Wilson (member of “Absolute”)
Geri Halliwell33:45
51Strong Enough
Programmierung und Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
leitende(r) Produzent(in):
Rob Dickins
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Bass und Bassgitarre:
Winston Blissett
Gitarre [guitars]:
Adam Phillips (British guitarist and singer)
Keyboard [keyboards]:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Hintergrundgesang [backing vocals]:
Paul Barry (songwriter/musician), Hamish Stewart (Scottish guitarist, bassist, singer composer & producer) und Sylvia Mason James (British singer)
Sologesang:
Cher
Saiteninstrumente [Laughs And Lager Jeff "Duo" Taylor string] arranger:
Robin Smith (songwriter/pianist/conductor/producer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
arranger:
Na (Arranger)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Strong Enough
Verfasser(in):
Paul Michael Barry (songwriter/musician) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher2.653:44
52Breathless
recording engineer:
Michel Gallone und Tim Martin (engineer)
Programmierung:
Richard Meyer (American folk singer-songwriter)
zusätzliche Programmierung:
Cory Churko und Kevin Churko
assistierende(r) Techniker(in):
Michel Gallone, Frances Murphy und Keith Roche
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
assistierende(r) Mix:
Adam Olmsted (engineer)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bassgitarre:
Keith Duffy (bass player for the Corrs)
Bodhrán, Perkussion und Schlagzeug:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre und Keyboard:
Jim Corr
Gitarre [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
Hintergrundgesang:
Caroline Corr, Jim Corr und Sharon Corr
vocals:
Andrea Corr
aufgenommen bei:
Westland Studios in Dublin, County Dublin, Leinster, Irland
zusätzlich aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Breathless von The Corrs
recording of:
Breathless
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr und Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.553:28
53Song 2 (2012 remaster)
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre, Theremin und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion:
Dave Rowntree
Schlagzeug:
Graham Coxon und Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
Musikvideos:
Song 2 (music video) von Blur (UK alternative rock band)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
recording of:
Song 2
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) und 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
54GloriousAndreas Johnson43:28
55Informer
recording of:
Informer
Texter:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Verfasser(in):
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Snow34:17
56Basket Case
Techniker(in):
Neil King (sound engineer)
zusätzliche(r) Techniker(in):
Casey McCrankin'
Produzent(in):
Rob Cavallo und Green Day
Mix:
Rob Cavallo, Jerry Finn und Green Day
Bass:
Mike Dirnt
Gitarre:
Billie Joe
Schlagzeug:
Tré Cool
vocals:
Billie Joe und Mike Dirnt
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
Musikvideos:
Basket Case von Green Day
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 33), Indie 88: Top 500 Indie Rock Songs (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 150)
recording of:
Basket Case
Texter:
Billie Joe Armstrong
Komponist(in):
Billie Joe Armstrong, Frank E. Wright III und Mike Pritchard
publisher:
Green Daze Music (beendet, ), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Green Day4.23:02
57Plush
Techniker(in):
Nick DiDia
zusätzliche(r) Techniker(in):
Dick Kaneshiro
Produzent(in):
Brendan O’Brien (engineer)
Bassgitarre:
Robert DeLeo
Gitarre:
Dean DeLeo
Schlagzeug:
Eric Kretz
Sologesang:
Weiland
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 255)
recording of:
Plush
Texter:
Eric Kretz und Scott Weiland
Komponist(in):
Robert DeLeo und Scott Weiland
publisher:
Floated Music, Milksongs und Triple Kauf Noplate Muzak
Stone Temple Pilots4.155:10
58I Wanna Sex You Up (single version)Color Me Badd34:02
59In the Meantime
Techniker(in):
Bryce Goggin
assistierende(r) Produzent(in):
Todd Toddney Vos
Produzent(in) und Mix:
Bryce Goggin und Spacehog
assistierende(r) Mix:
Dave Voigt (engineer), Sue Dryer und Dave Voight
Analoger Synthesizer [Juno 60]:
Antony Langdon
Bassgitarre und elektronische Orgel [Magnus]:
Royston Langdon
Gitarre:
Antony Langdon und Richard Steel
Hammond-Orgel [B-3], Moog und Sologesang:
Antony Langdon und Royston Langdon
Perkussion, Schlagzeug und Hintergrundgesang:
Jonny Cragg
Schlagzeug-Techniker:
Carl Plaster
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
mixed at:
RPM Studios in New York, New York, Vereinigte Staaten
Musikvideos:
In the Meantime (music video) von Spacehog
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 498)
recording of:
In the Meantime
Texter und Komponist(in):
Royston Langdon
publisher:
Hog (Space) Music, Ltd. und Thiscurrytastesfunny Music
Spacehog4.25:00
60Ordinary World
recording of:
Ordinary World
Texter:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) und Nick Rhodes
Komponist(in):
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (vom 1993 bis heute), EMI April Music Inc. (vom 1993 bis heute) und Private Parts Musicall (vom 1993 bis heute)
Duran Duran44:20
61Cash Machine
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2004)
recording of:
Cash Machine
Verfasser(in):
Richard Archer
Hard‐Fi3:42
623am
Assistent recording engineer:
John Nielsen (engineer)
Techniker(in):
Jeff Tomei
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Malcolm Springer
Mix:
Greg Archilla und Matt Serletic
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
Bassgitarre [bass]:
Brian Yale
Gitarre [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
Gitarre [rhythm guitar]:
Adam Gaynor
Schlagzeug [drums]:
Paul Doucette (member of Matchbox Twenty)
Hintergrundgesang [BG’s]:
Kyle Cook (member of Matchbox Twenty) und Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 2005 bis heute)
aufgenommen bei:
Triclops Recording in Atlanta, Georgia, Vereinigte Staaten
mixed at:
House of Blues Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
3 A.M.
Verfasser(in):
John Goff (Orlando guitarist/producer, worked with Rob Thomas), Jay Stanley (Orlando guitarist for Tabitha's Secret), Rob Thomas (Matchbox Twenty) und Brian Yale
Matchbox Twenty3.73:46
63Goldeneye (single edit)
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:30
64Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) und Eric Rosse
Programmierung:
Eric Rosse
Mix:
Kevin Killen
Bass:
George Porter, Jr. (von 1993-02 bis 1993-10)
guitar family und Mandoline:
Steve Caton (von 1993-02 bis 1993-10)
Klavier und Sologesang:
Tori Amos (von 1993-02 bis 1993-10)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (von 1993-02 bis 1993-10)
Schlagzeug:
Carlo Nuccio (von 1993-02 bis 1993-10)
Gast vocals:
Merry Clayton (von 1993-02 bis 1993-10)
Herausgeber:
Sword and Stone
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
The Fishhouse in New Mexico, Vereinigte Staaten (von 1993-02 bis 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cornflake Girl (von 1993-02 bis 1993-10)
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:05
65Road Rage (radio edit)
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (vom 1998 bis heute)
recording of:
Road Rage
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia4.54:02
66Love Shine a Light
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1997) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1997)
recording of:
Love Shine a Light (in 1997)
Texter und Komponist(in):
Kimberley Rew
Katrina and the Waves22:54
67Angel of MineEternal2.754:19
68I Don’t Want to Wait
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole3.25:20
69Looking for the Summer
recording of:
Looking for the Summer
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea5:03
70Oblivion
Hintergrundgesang:
Anita Madigan
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Oblivion
Verfasser(in) und arranger:
Terrorvision (British rock band)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Terrorvision43:04
71Push
Assistent recording engineer:
John Nielsen (engineer)
Techniker(in):
Jeff Tomei
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Malcolm Springer
Mix:
Greg Archilla und Matt Serletic
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
Bassgitarre [bass]:
Brian Yale
Gitarre [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
Gitarre [rhythm guitar]:
Adam Gaynor
Schlagzeug [drums]:
Paul Doucette (member of Matchbox Twenty)
Hintergrundgesang [BG’s]:
Kyle Cook (member of Matchbox Twenty) und Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
aufgenommen bei:
Triclops Recording in Atlanta, Georgia, Vereinigte Staaten
mixed at:
House of Blues Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Push
Verfasser(in):
Matt Serletic und Rob Thomas (Matchbox Twenty)
publisher:
EMI Blackwood Music Inc., Melusic und U Rule Music
Matchbox Twenty3.353:59
72Falling
recording engineer:
Art Polhemus
Koproduzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Jay Healy
E-Gitarre:
Vinnie Bell und Eddie Dixon
flute und Klarinette:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) und Al Regni
Klavier:
Angelo Badalamenti (American score composer)
Schlagzeug:
Grady Tate
Synthesizer:
Angelo Badalamenti (American score composer) und Kinny Landrum
Tenorsaxophon:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger und Orchestrator(in):
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Falling (Twin Peaks theme song)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Version von:
Theme from Twin Peaks
Teil von:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
73Easy
Produzent(in):
Faith No More (von 1992-01 bis 1992-03) und Matt Wallace (US producer & engineer) (von 1992-01 bis 1992-03)
zusätzliche(r) Produzent(in):
Faith No More (in 1993) und Matt Wallace (US producer & engineer) (in 1993)
E-Bass:
Billy Gould (von 1992-01 bis 1992-03)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
Keyboard:
Roddy Bottum (von 1992-01 bis 1992-03)
Schlagzeug:
Mike Bordin (American drummer) (von 1992-01 bis 1992-03)
zusätzlich Keyboard:
Billy Gould (in 1993)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!)
Remix von:
Easy (1992 first version – with spoken word intro) von Faith No More
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1993)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More4.53:08
74Just the Way It Is, Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
Verfasser(in):
Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
The Rembrandts3.54:04
75Cupid
recording engineer und Mix:
Michael Patterson (engineer)
zusätzliche(r) Techniker(in):
Doug A. Wilson (engineer)
Produzent(in):
Arnold Hennings und Daron Jones
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1996)
produced for:
Darp, Inc.
aufgenommen bei und mixed at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und Purple Dragon Recordings in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Cupid von 112
recording of:
Cupid
Verfasser(in):
Arnold Hennings, Daron Jones, Michael Keith (US r&b artist, in 112), Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker und Courtney Sills
publisher:
Arn Music, Beane Tribe Music, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music und Music of Windswept
1124:12
76Do My Thing
zusätzliche(r) Produzent(in):
Mark Saunders (UK record producer)
Titiyo6:05
77Do You Believe in Me (radio edit)
Eric Gadd3:59
78Feel So Good
Mase3:25
79Freak Me
recording of:
Freak Me
Verfasser(in):
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) und Keith Sweat
Silk4:35
80Got Your Money (Rich Travali. remix)
remixer:
Rich Travali (Engineer)
recording of:
Got Your Money
Verfasser(in):
Chad Hugo, Russell Jones (Wu‐Tang founder, NYC rapper/producer) und Pharrell Williams
Ol’ Dirty Bastard feat. Kelis4:00
81Been Caught Stealing
Techniker(in):
Ronnie S. Champagne
zusätzliche(r) Techniker(in):
Bob Lacivita
Koproduzent(in):
Dave Jerden
Produzent(in):
Perry Farrell und Dave Jerden
Musikvideos:
Been Caught Stealing (Music video) von Jane’s Addiction
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 284)
recording of:
Been Caught Stealing
Verfasser(in):
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) und Stephen Perkins (American drummer)
Jane’s Addiction4.13:35
82Free Your Mind
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Foster & McElroy, Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Free Your Mind
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.754:53
83I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.554:01
84Good Riddance (Time of Your Life)
recording engineer und Techniker(in):
Ken Allardyce
Ko-Techniker(in):
Tony Flores (engineer)
Produzent(in):
Rob Cavallo und Green Day
Mix:
Chris Lord‐Alge
Bass:
Mike Dirnt
Gitarre:
Billie Joe
Schlagzeug:
Tré Cool
vocals:
Billie Joe und Mike Dirnt
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1997)
Musikvideos:
Good Riddance (Time of Your Life) von Green Day
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 152)
recording of:
Good Riddance (Time of Your Life)
Texter:
Billie Joe Armstrong
Komponist(in):
Green Day
Green Day42:33
85Lady Marmalade
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
All Saints4:01
86TroubleShampoo2.53:13
87Mi Chico Latino
zusätzliche Programmierung:
Mike Higham (British score composer)
Techniker(in):
Paul ‘P Dub’ Walton
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
assistierende(r) Mix:
Wayne Wilkins
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Milton McDonald
Instrumente:
Absolute (UK house/garage/production/songwriting team)
Perkussion:
Karlos Edwards
Hintergrundgesang:
Tracey Ackerman
Sologesang:
Geri Halliwell
Musikvideos:
Mi chico latino von Geri Halliwell
recording of:
Mi chico latino
Verfasser(in):
Geri Halliwell, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) und Paul Wilson (member of “Absolute”)
publisher:
Windswept Pacific Music Ltd.
Geri Halliwell33:13
88So Into You
Samples:
Say Yeah von Commodores (US funk/soul band with Lionel Richie)
recording of:
So Into You
Verfasser(in):
Tim Kelley, Ronald LaPread, Lionel Richie, Bob Robinson (US R&B producer/songwriter) und Tamia Washington (Canadian R&B and soul singer)
publisher:
Cambrae Music, Jobete Music Co., Inc., Libren Music, Plus 1 Publishing, Songs by Barometer Music Royalty Fund I, Time for Flytes Music und WC Music Corp.
basiert auf:
Say Yeah
Tamia4:22
89How Long
recording of:
How Long
Ultra Naté5:09
90Desperately Wanting
recording of:
Desperately Wanting
Texter und Komponist(in):
Kevin Griffin (member of Better Than Ezra)
publisher:
Tentative Music, Inc.
Better Than Ezra4.54:37
91It’s Gonna Be Alright
leitende(r) Produzent(in):
George Nauful
Produzent(in):
Brian Culbertson (funk/R&B/jazz musician & producer)
Mix:
Craig Bauer
Saxophon:
Steve Cole (American tenor saxophonist)
Steve Cole4:03
92Naked
Musikvideos:
Naked von Louise (British pop singer)
recording of:
Naked
Verfasser(in):
John Holliday, Denis Ingoldsby und Trevor Steel
Louise2.753:35
93Just a Step From HeavenEternal34:18
94Breathe
Teil von:
Holler's Best 2000s Country Songs (Nummer: 35)
recording of:
Breathe (Faith Hill song)
Verfasser(in):
Stephanie Bentley (American country music artist) und Holly Lamar (American singer / songwriter)
Faith Hill3.154:10
95Look at Me
Mix:
Mark “Spike” Stent (producer, engineer)
recording of:
Look at Me
Komponist(in):
Geri Halliwell, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) und Paul Wilson (member of “Absolute”)
Geri Halliwell44:32
96Living for the Weekend
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2005)
aufgenommen bei:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, Vereinigtes Königreich
Musikvideos:
Living for the Weekend von Hard‐Fi
recording of:
Living for the Weekend
Verfasser(in):
Richard Archer
Hard‐Fi3.653:42
97Tequila
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision (British rock band)
basiert auf:
Tequila
Terrorvision3:52
98When I Argue I See ShapesIdlewild4:25
99International Velvet
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Tommy Danvers und Joe Gibb
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
International Velvet
Texter:
Mark Roberts (Welsh guitarist, Catatonia)
Komponist(in):
Paul Jones (Welsh bassist for Catatonia), Cerys Matthews (lead singer, Catatonia), Owen Powell, Aled Richards (drummer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia44:24
100Midlife Crisis
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
Mix:
Matt Wallace (US producer & engineer)
E-Bow und E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1992) und Slash Records (company, do not use as release label!) (in 1992)
Samples:
Car Thief von Beastie Boys und Cecilia (original stereo mix) von Simon & Garfunkel (Schlagzeug)
Musikvideos:
Midlife Crisis (official video) von Faith No More
recording of:
Midlife Crisis
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) und Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. und Vomit God Music (Mike Patton’s music publishing company)
live recording of:
Midlife Crisis
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) und Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. und Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.154:20

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Group (holding company – file NO releases) (in 2023)
X5 Music Group (in 2023)
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