Demons and Wizards (remastered)

~ Release by Uriah Heep (see all versions of this release, 29 available)

Annotation

Only disc 1 is SHM-CD
Originally Released on LP (Bronze ILPS 9193)

Other Identifiers
Matrix / Runout (CD1 ): BELLE 264331 1A
Matrix / Runout (CD2): BELLE 264332 1A
Mastering SID Code (CD1&2): IFPI L245
Mould SID Code (CD1&2): IFPI 4011
Other (Clear hub CD1): SHM - logo x4
Rights Society (R-25B0412JV): JASRAC
Rights Society (R-25B0400JV): JASRAC
Other (Price tax in.): ¥4,400

Annotation last modified on 2026-03-18 20:25 UTC.

Tracklist

1▶SHM-CD: Original LP Remastered
2▼CD: An Alternative Demons and Wizards
#TitleRatingLength
1Easy Livin’ (alternate version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Easy Livin’ (from 1971 until 1972)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
42:39
2Rainbow Demon (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Rainbow Demon (from 1971 until 1972)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
6:14
3Traveller in Time (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Traveller in Time (from 1971 until 1972)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:49
4Paradise (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Paradise (from 1971 until 1972)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:26
5The Spell (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
The Spell (from 1971 until 1972)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:11
6All My Life (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
All My Life (from 1971 until 1972)
writer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:11
7Home Again to You (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Home Again to You (from 1971 until 1972)
writer:
Ken Hensley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
4:54
8Why (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Why (from 1971 until 1972)
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
13:47
9The Wizard (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
The Wizard (from 1971 until 1972)
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:07
10Poet’s Justice (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Poet's Justice (from 1971 until 1972)
composer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:44
11Circle of Hands (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Circle of Hands (from 1971 until 1972)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:08
12Proud Words (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Proud Words on a Dusty Shelf (from 1971 until 1972)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:55
13Green Eye (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Green Eye (from 1971 until 1972)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4:08
14Why (alternate single edit)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Why (from 1971 until 1972)
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:46