Ariadne auf Naxos

~ Release by Richard Strauss; Giuseppe Sinopoli, Deborah Voigt, Natalie Dessay, Anne Sofie von Otter, Ben Heppner, Albert Dohmen, Staatskapelle Dresden (see all versions of this release, 1 available)

Annotation

Cast

Primadonna / Ariadne: Deborah Voigt
Der Komponist: Anne Sofie von Otter
Zerbinetta: Natalie Dessay
Der Tenor / Bacchus: Ben Heppner
Ein Musiklehrer: Albert Dohmen
Der Haushofmeister: Romuald Pekny
Ein Offizier: Klaus Florian Vogt
Ein Tanzmeister: Michael Howard
Ein Perückenmacher: Matthias Henneberg
Ein Lakai: Jürgen Commichau
Harlekin: Stephan Genz
Scaramuccio: Ian Thompson
Truffaldin: Sami Luttinen
Brighella: Christoph Genz
Najade: Christiane Hossfeld
Dryade: Angela Liebold
Echo: Eva Kirchner

Recording: Dresden, Lukaskirche, 9 & 12/2000

Annotation last modified on 2013-01-04 17:22 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Vorspiel. Orchestereinleitung
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [1] Orchestereinleitung (Orchestral Introduction) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss2:19
2Ariadne auf Naxos: Vorspiel. "Mein Herr Haushofmeister!" (Musiklehrer, Haushofmeister, Lakai, Offizier, Komponist)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
bass vocals:
Jürgen Commichau (operatic bass) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Klaus Florian Vogt (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:55
3Ariadne auf Naxos: Vorspiel. "Du allmächtiger Gott! O du mein zitterndes Herz!" (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12) and Matthias Henneberg (german operatic baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12) and Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [4] „O, ich möcht' vieles ändern noch in zwölfter Stund'” … „Eselsgesicht…” … „Du allmächtiger Gott! O du mein zitterndes Herz!” (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss6:12
4Ariadne auf Naxos: Vorspiel. "Hast ein Stückerl Notenpapier?" (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
bass vocals:
Jürgen Commichau (operatic bass) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
solo soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:43
5Ariadne auf Naxos: Vorspiel. "Ist schon geschehn. Wir sind bereit" (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12) and Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss8:26
6Ariadne auf Naxos: Vorspiel. "Nein, Herr, so kommt es nicht" (Komponist, Zerbinetta, Musiklehrer)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:17
7Ariadne auf Naxos: Vorspiel. "Ein Augenblick ist wenig - ein Blick ist viel" (Zerbinetta, Komponist, Musiklehrer, Primadonna)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
partial recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [12] „Kindskopf! Merkt auf: wir spielen mit in dem Stück 'Ariadne auf Naxos'” … „Ein Augenblick ist wenig - ein Blick ist viel” (Zerbinetta, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:06
8Ariadne auf Naxos: Vorspiel. "Seien wir wieder gut" (Komponist, Musiklehrer)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:16
9Ariadne auf Naxos: Oper. Ouvertüre
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:43
10Ariadne auf Naxos: Oper. "Schläft sie?" (Najade, Dryade, Echo, Ariadne)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Eva Kirchner, Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:53
11Ariadne auf Naxos: Oper. "Wo war ich? Tot?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:15
12Ariadne auf Naxos: Oper. "Ein schönes war: hieß Theseus" (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:01
13Ariadne auf Naxos: Oper. "Lieben, Hassen, Hoffen, Zagen" (Harlekin, Echo, Zerbinetta)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Eva Kirchner (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:16
14Ariadne auf Naxos: Oper. "Es gibt ein Reich, wo alles rein ist" (Ariadne)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:02
15Ariadne auf Naxos: Oper. "Die Dame gibt mit trübem Sinn" (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Christoph Genz (tenor) (from 2000-09 until 2000-12) and Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:00
2▶CD