The Collection

~ Veröffentlichung von Luther Vandross (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1She Doesn't Mind
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist), Marcus Miller (jazz musician) und Reed Vertelney
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Darlene Love, Paulette McWilliams, Fonzi Thornton und Brenda White‐King
arranger:
Marcus Miller (jazz musician) und Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
She Doesn’t Mind
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Reed Vertelney Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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2Power of Love
recording of:
Power of Love
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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3I'm Gonna Start Today
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I’m Gonna Start Today
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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4The Rush
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
arranger:
Marcus Miller (jazz musician)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Rush
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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5I Want the Night to Stay
recording engineer, Techniker(in) und Mix:
Ray Bardani
Programmierung:
Jason Miles (jazz producer/keyboardist)
Synthesizer-Programmierung:
Nat Adderley, Jr.
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Nat Adderley, Jr.
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Cindy Mizelle, Fonzi Thornton und Brenda White‐King
Saiteninstrumente arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Want the Night to Stay
Verfasser(in):
Nat Adderley, Jr. und Luther Vandross
publisher:
Dillard Music (in 1991), EMI April Music Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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6I Can Tell You That
Synthesizer-Programmierung:
Hubert Eaves III und Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
Hubert Eaves III
zusätzlich Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams und Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Can Tell You That
Verfasser(in):
Hubert Eaves III und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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7Sometimes It's Only Love
Synthesizer-Programmierung:
John “Skip” Anderson (funk/soul producer and songwriter), Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
zusätzlich Keyboard:
Marcus Miller (jazz musician)
arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sometimes It’s Only Love
Verfasser(in):
John “Skip” Anderson (funk/soul producer and songwriter) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), JVA Publishing Co. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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8Emotional Love
Synthesizer-Programmierung:
Hubert Eaves III und Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Hubert Eaves III
zusätzlich Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Michelle Cobbs, Genobia Jeter, Darlene Love, Paulette McWilliams und Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Emotional Love
Verfasser(in):
Hubert Eaves III und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
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9I (Who Have Nothing)
recording engineer und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gast vocals:
Martha Wash
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
cover recording of:
I (Who Have Nothing)
Texter:
Jerry Leiber und Mike Stoller
Verfasser(in):
Mogol (Italian lyricist)
Komponist(in):
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) und Yellow Dog Music (in 1979)
übersetzte Version von:
Uno dei tanti
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