Ella 100 Plus (Deluxe Edition)

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge

This medium has too many tracks to load at once, so it’s been paginated.

1Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:00
2It’s D’Lovely
cover recording of:
It’s De‐Lovely
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
2:43
3Bewitched, Bothered and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
7:05
4The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
3:23
5Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:15
6Where or When
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
2:49
7Bei mir bist Du schoen
3:11
8Anything Goes
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Anything Goes (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
43:27
9Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
33:04
10Ain’t Nobody’s Business but My Own
recorded in:
New York, New York, Vereinigte Staaten (am 1950-08-15)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-15)
E-Gitarre:
Bill Jennings (1950s US jazz guitarist) (am 1950-08-15)
Klavier:
Bill Doggett (am 1950-08-15)
Kontrabass:
Bob Bushnell (am 1950-08-15)
Schlagzeug:
Joe Morris (1940-50s jazz drummer) (am 1950-08-15)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1950-08-15)
Trompete:
Aaron Izenhall (am 1950-08-15)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-08-15) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-15)
recording of:
Ain’t Nobody’s Business but My Own (am 1950-08-15)
Texter und Komponist(in):
Irving Taylor
3:14
11Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:08
12It Ain’t Necessarily So
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
6:35
13Let’s Do It (Let’s Fall in Love)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
3:38
14Makin’ Whoopee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Makin’ Whoopee! (am 1954-03-29)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:09
15With a Song in My Heart
cover recording of:
With a Song in My Heart
Texter:
Lorenz Hart (in 1929)
Komponist(in):
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:48
16Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
5:56
17Manhattan
cover recording of:
Manhattan
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:54
18I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
5:04
19What Is This Thing Called Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-09)
conductor:
Buddy Bregman (in 1956, am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:07
20My Funny Valentine
3:58
21There’s a Small Hotel
cover recording of:
There’s a Small Hotel (from “On Your Toes”)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
3:30
22April in Paris
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
April in Paris (am 1956-08-16)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.656:34
23It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
3:12
24I Could Write a Book
cover recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:44
25Slumming on Park Avenue
cover recording of:
Slumming on Park Avenue
Texter und Komponist(in):
Irving Berlin (in 1937)
2:20
26You Do Something to Me
Techniker(in):
Val Valentin (am 1956-02-08)
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (am 1956-02-08)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
22:26
27Taking a Chance on Love
Gitarre:
Ulysses Livingston (am 1940-11-08)
Klavier:
Tommy Fulford (am 1940-11-08)
Posaune:
Earl Hardy (am 1940-11-08), George Matthews (trombone) (am 1940-11-08) und John McConnell (US jazz trombonist) (am 1940-11-08)
Rohrblattinstrumente:
Pete Clark (Jazz altoist born around 1910) (am 1940-11-08)
Schlagzeug:
Bill Beason (am 1940-11-08)
Tenorsaxophon:
Sam Simmons (Jazz saxophonist) (am 1940-11-08)
Trompete:
Taft Jordan (am 1940-11-08) und Irving Randolph (am 1940-11-08)
vocals:
Ella Fitzgerald (American jazz singer) (am 1940-11-08)
cover recording of:
Taking a Chance on Love (am 1940-11-08)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
3:10
28M‐I‐S‐S‐I‐S‐S‐I‐P‐P‐I
cover recording of:
Mississippi
Verfasser(in):
Billy Simmons und Curley Williams
2:23
29That Old Black Magic
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:32
30All of You
cover recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
1:49
31Isn’t This a Lovely Day
Techniker(in):
Val Valentin (am 1958-03-13)
Produzent(in):
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-13)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-13)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (am 1958-03-13)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
3:24
32I’ve Got You Under My Skin
Techniker(in):
Val Valentin (am 1956-02-09)
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2.252:44
33I’m Gonna Wash That Man Right Outa My Hair
cover recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
2:56
34Oops!
cover recording of:
Oops! (The Belle of New York, 1952 film)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
3:17
35A‐Tisket, A‐Tasket
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1949-09-18)
recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
2:38
36T’Aint What You Do (It’s the Way That You Do It)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-17)
Bass und Kontrabass:
Beverly Peer (am 1939-02-17)
Gitarre:
Bobby Johnson (US guitarist) (am 1939-02-17)
Holzblasinstrumente:
Wayman Carver (am 1939-02-17)
Klavier:
Tommy Fulford (am 1939-02-17)
Posaune:
George Matthews (trombone) (am 1939-02-17), Nat Story (am 1939-02-17) und Sandy Williams (American jazz trombonist) (am 1939-02-17)
Rohrblattinstrumente:
Garvin Bushell (am 1939-02-17), Hilton Jefferson (am 1939-02-17) und Teddy McRae (am 1939-02-17)
Schlagzeug:
Chick Webb (am 1939-02-17)
Tenorsaxophon:
Teddy McRae (am 1939-02-17)
Trompete:
Taft Jordan (am 1939-02-17), Bobby Stark (am 1939-02-17) und Dick Vance (US jazz trumpeter and arranger) (am 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1939-02-17)
Orchester:
Chick Webb and His Orchestra (am 1939-02-17)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-02-17)
Verfasser(in):
Sy Oliver und Trummy Young
3:03
37It’s Only a Paper Moon
recorded in:
New York, New York, Vereinigte Staaten (am 1945-03-27)
Gitarre:
Hy White
Klavier:
René DeKnight
Kontrabass [string bass]:
Haig Stephens
Schlagzeug:
George Wettling
vocals:
The Delta Rhythm Boys (vocal harmony group) (am 1945-03-27) und Ella Fitzgerald (American jazz singer) (am 1945-03-27)
cover recording of:
It’s Only a Paper Moon (am 1945-03-27)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:38
38Smooth Sailing
Bassgitarre:
Arnold Fishkind (am 1951-06-26)
Gitarre:
Everett Barksdale (am 1951-06-26)
Schlagzeug:
Johnny Blowers (am 1951-06-26)
Hintergrundgesang:
The Ray Charles Singers (am 1951-06-26)
vocals:
Ella Fitzgerald (American jazz singer) (am 1951-06-26)
instrumental cover recording of:
Smooth Sailing (Instrumental) (am 1951-06-26)
Komponist(in):
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
43:07
39Desafinado (Slightly Out of Tune)
2:10
40It Never Entered My Mind
cover recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:10
41Baby, It’s Cold Outside
recorded in:
New York, New York, Vereinigte Staaten (am 1949-04-28)
alto saxophone und alto saxophone und Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1949-04-28)
E-Gitarre:
James Jackson (jazz/jump blues guitarist) (am 1949-04-28)
Klavier:
Bill Doggett (am 1949-04-28)
Kontrabass:
Billy Hadnott (am 1949-04-28)
Schlagzeug:
Joe Morris (1940-50s jazz drummer) (am 1949-04-28)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1949-04-28) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1949-04-28)
Trompete:
Aaron Izenhall (am 1949-04-28), Bob Mitchell (1940s–50s jazz trumpeter) (am 1949-04-28) und Harold Mitchell (am 1949-04-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1949-04-28) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1949-04-28)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (am 1949-04-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
2:44
42Ella Hums the Blues
5:22
43You’re the Top
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You’re the Top (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
13:36
44Basin Street Blues
cover recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:11
45The Frim Fram Sauce
cover recording of:
The Frim‐Fram Sauce
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:16
46Ace in the Hole
cover recording of:
Ace in the Hole (Let’s Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
2:01
47Dream a Little Longer
recording of:
Dream a Little Longer
Texter und Komponist(in):
Grace LeBoy Kahn
3:06
48Stone Cold Dead in the Market (He Had It Coming)
cover recording of:
Stone Cold Dead in the Market (He Had It Coming)
Texter und Komponist(in):
Houdini (Calypso artist Wilmoth Hendricks aka Edgar Leon Sinclair)
2:42
49I Can’t Believe That You’re in Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:32
50My Heart Belongs to Daddy
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
My Heart Belongs to Daddy (am 1954-03-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
2:39
51All Through the Night
cover recording of:
All Through the Night
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
Teil von:
Anything Goes
3:13
52Ev’rything I’ve Got
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1956)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
Kontrabass:
Joe Mondragon (in 1956)
Schlagzeug:
Alvin Stoller (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
Ev’rything I’ve Got (in 1956)
Texter:
Lorenz Hart (in 1942)
Komponist(in):
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:26
53Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:34
54Always True to You in My Fashion
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Always True to You in My Fashion (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
Teil von:
Kiss Me, Kate (musical)
3.52:53
55The Blue Room
cover recording of:
Blue Room
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:33
56All by Myself
cover recording of:
All by Myself
Texter und Komponist(in):
Irving Berlin (in 1921)
2:25
57Clementine
cover recording of:
Clementine
Komponist(in):
Billy Strayhorn
2:37
58Thou Swell
cover recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:07
59Can Anyone Explain – No! No! No!
cover recording of:
Can Anyone Explain?
Texter und Komponist(in):
Bennie Benjamin und George David Weiss
3:14
60I Didn’t Know What Time It Was
cover recording of:
I Didn’t Know What Time It Was (Pal Joey)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:47
61The Five O’Clock Whistle
cover recording of:
Five O’Clock Whistle
Verfasser(in):
Kim Gannon, Gene Irwin (aranger, writer) und Josef Myrow
3:14
62Mountain Greenery
2:18
63I Wish I Were in Love Again
Techniker(in):
Val Valentin (am 1956-08-28)
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
I Wish I Were in Love Again (am 1956-08-28)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
2:40
64My One and Only (What Am I Gonna Do)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
My One and Only (from “Funny Face”) (am 1950-09-11)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:16
65Isn’t It Romantic
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (am 1956-08-31)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
3:02
66Love for Sale
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:56
67Don’t You Think I Ought to Know
cover recording of:
Don’t You Think I Ought to Know
Texter und Komponist(in):
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger) und Melvin Richard Wettergreen
3:14
68Mixed Emotions
cover recording of:
Mixed Emotions
Texter und Komponist(in):
Stuart F. Louchheim (Stuart Fleischer Louchheim)
3:17
69Can’t We Be Friends
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-18)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-18)
Schlagzeug:
Buddy Rich (am 1956-08-18)
Trompete:
Louis Armstrong (am 1956-08-18)
vocals:
Louis Armstrong (am 1956-08-18) und Ella Fitzgerald (American jazz singer) (am 1956-08-18)
cover recording of:
Can’t We Be Friends? (am 1956-08-18)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
3:50
70I Want to Learn About Love
recording of:
I Want to Learn About Love
Verfasser(in):
Lester Lee und Allan Roberts (songwriter)
2:25
71So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
3:46
72Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-06-04)
Gitarre:
Everett Barksdale (am 1954-06-04)
Klavier:
Hank Jones (piano) (am 1954-06-04)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1954-06-04)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1954-06-04)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-06-04, in 1956)
Orchester:
Sy Oliver and His Orchestra (am 1954-06-04)
conductor:
Sy Oliver (am 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-06-04)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
42:51
73Stairway to the Stars
cover recording of:
Stairway to the Stars
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:22
74I Concentrate on You
cover recording of:
I Concentrate on You
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:16
75No Sense
recording of:
No Sense
Verfasser(in):
Ray Brown (jazz bassist) und Ella Fitzgerald (American jazz singer)
3:02
76Too Darn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
3:49
77Lost in Meditation
cover recording of:
Lost in Meditation
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Lou Singer (pianist), Irving Mills und Juan Tizol
3:24
78How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:18
79I’ll Never Be Free
recorded in:
New York, New York, Vereinigte Staaten (am 1950-08-15)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-15)
E-Gitarre:
John Collins (US jazz guitarist) (am 1950-08-15)
Klavier:
Hank Jones (piano) (am 1950-08-15)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-08-15)
Schlagzeug:
Charlie Smith (US jazz drummer) (am 1950-08-15)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-08-15) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-15)
cover recording of:
I’ll Never Be Free (am 1950-08-15)
Verfasser(in):
Bennie Benjamin und George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) und Claude A. Music Co. (in 1950, in 1977)
3:12
80Easy to Love
cover recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:29
81I Hadn’t Anyone ’til You
cover recording of:
I Hadn’t Anyone Till You
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:06
82Blue Skies
cover recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:41
83Prelude to a Kiss
cover recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
5:23
84That Old Feeling
cover recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
2:33
85My Romance
cover recording of:
My Romance
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
3:46
86Suppertime
cover recording of:
Suppertime
Texter und Komponist(in):
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
3:15
87My Baby Likes to Be Bop (and I Like to Be Bop Too)
2:43
88Tenderly
cover recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
5:12
89Heat Wave
cover recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
Texter und Komponist(in):
Irving Berlin (in 1933)
2:21
90It’s Wonderful
cover recording of:
It’s Wonderful
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
3:00
91Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-27)
Orchester:
Benny Carter and His Orchestra (am 1955-04-27)
conductor:
Benny Carter (am 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1955-04-27)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:18
92(You Forgot to) Remember
3:26
93Lover, Come Back to Me
cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:00
94I Want to Be Happy
cover recording of:
I Want to Be Happy (No, No, Nanette)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
4:30
95Mr. Paganini (You’ll Have to Swing It) (Parts 1 & 2)
5:15
96How High the Moon
cover recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:15
97That’s My Desire
cover recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
3:05
98I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:18
99From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
3:19
100You Keep Coming Back Like a Song
cover recording of:
You Keep Coming Back like a Song
Texter und Komponist(in):
Irving Berlin (in 1946)
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
3:31
This medium has too many tracks to load at once; currently showing 100 out of 120 total. Load all tracks...