Rendez-vous With Tschaikovsky

~ Uitgave van Пётр Ильич Чайковский (Bekijk alle versies van deze uitgave, 1 beschikbaar)

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#TitelWaarderingDuur
1The Nutcracker Ballet Suite - Ouverture
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (tot 1892)
deel van:
The Nutcracker (suite from the ballet), op. 71a
3:17
2The Nutcracker Ballet Suite - Marche
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
is een opname van:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
2:47
3The Nutcracker Ballet Suite - Danse de la fee-dragee
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisie van:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
2:09
4The Nutcracker Ballet Suite - Danse rusee trepak
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:15
5The Nutcracker Ballet Suite - Danse Arabe
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
3:39
6The Nutcracker Ballet Suite - Danse Chinoise
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:25
7The Nutcracker Ballet Suite - Danse des mirlitons
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisie van:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
2:40
8The Nutcracker Ballet Suite - Valse des fleurs
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
is een opname van:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
deel van:
The Nutcracker (suite from the ballet), op. 71a
revisie van:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
7:08
9Romeo & Juliet "Fantasy Ouverture"
orkest:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) en Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
was dirigent:
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren en Peter Wohlert (conductor, Alfred Scholz related)
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
is een opname van:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1869)
herzien door:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1870, in 1880)
toegewijdt aan:
Милий Алексеевич Балакирев (Mili Balakirev, composer, pianist, conductor)
deel van:
The Tchaikovsky Handbook (nummer: TH 42) en Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (nummer: ČW 39)
revisie van:
Romeo and Juliet (1870, rarely performed)
18:13
10Swan Lake Ballet Suite - 1. Szene
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:12
11Swan Lake Ballet Suite - Danse du cygne
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
componist:
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
1:36
12Swan Lake Ballet Suite - Danse Hongroise
orkest:
London Festival Orchestra (Alfred Scholz pseudonym) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) en Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:52
13Swan Lake Ballet Suite - Danse Espagnole
orkest:
London Festival Orchestra (Alfred Scholz pseudonym) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) en Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
componist:
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:25
14Swan Lake Ballet Suite - Danse Napolitaine
orkest:
London Festival Orchestra (Alfred Scholz pseudonym) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) en Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
componist:
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (in 1876)
deel van:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:07
15Swan Lake Ballet Suite - Mazurka
3:53
16Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra en The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
was dirigent:
Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) en Pavel Urbanek (an Alfred Scholz pseudonym)
is een opname van:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
componist:
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (van 1893-02 tot 1893-08)
deel van:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:58

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