The Best Of: Lovely Day

~ Veröffentlichung von Bill Withers (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.454:16
2Just the Two of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
2.653:56
3Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
4.33:46
4Kissing My Love
recording of:
Kissing My Love
Texter und Komponist(in):
Bill Withers
23:51
5Harlem
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Harlem
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
43:23
6Lonely Town, Lonely Street
recording of:
Lonely Town, Lonely Street
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
23:43
7Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
4.552:05
8Who Is He
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Clavinet:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer)
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recording of:
Who Is He (And What Is He to You)?
Verfasser(in):
Stanley McKenny und Bill Withers
33:12
9Sweet Wanomi
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Sweet Wanomi
Texter und Komponist(in):
Bill Withers
3.352:35
10I Don't Want You on My Mind
recording of:
I Don’t Want You on My Mind
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
14:37
11The Same Love That Made Me Laugh
recording of:
The Same Love That Made Me Laugh
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
13:25
12I Don't Know
recording of:
I Don't Know
Texter und Komponist(in):
Bill Withers
23:07
13Grandma's Hands
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
E-Gitarre:
Stephen Stills
Sologesang:
Bill Withers
arranger:
Booker T. Jones
recording of:
Grandma’s Hands (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
42:01
14Better Off Dead
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Better Off Dead
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
3.352:17
15Take It All in Check It All Out
recording of:
Take It All in and Check It (Take It All in Check It All Out)
Verfasser(in):
Bill Withers
12:39
16I Want to Spend the Night
Produzent(in):
Keni Burke und Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
recording of:
I Want to Spend the Night
Texter und Komponist(in):
Bill Withers
publisher:
Golden Withers Music und フジパシフィックミュージック (Fujipacific Music, Inc.)
3:20
17Hello Like Before
Produzent(in):
Larry Nash (piano) und Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1975)
recording of:
Hello Like Before
Verfasser(in):
John Collins (songwriter) und Bill Withers
publisher:
Golden Withers Music
15:29
18Hope She'll Be Happier
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-10-06)
live recording of:
Hope She'll Be Happier
Texter und Komponist(in):
Bill Withers
publisher:
Songs of Universal, Inc. (BMI)
4:28
19Lean on Me
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
E-Bass:
Melvin Dunlap (in 1972)
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
Klavier und Sologesang:
Bill Withers (in 1972)
Perkussion und Schlagzeug:
James Gadson (American drummer) (in 1972)
Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
recording of:
Lean on Me (in 1972)
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.254:19