The Peggy Lee Story

~ Release by Peggy Lee (see all versions of this release, 1 available)

Annotation

CD1: 805520012775
CD2: 805520012782
CD3: 805520012799
CD4: 805520012805

Annotation last modified on 2025-01-09 09:57 UTC.

Tracklist

1▶CD: Why Don't You Do Right
2▶CD: Sugar
3▼CD: Mañana
#TitleRatingLength
1Laroo, Laroo, Lilli Bolero
engineer:
John Palladino
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour And The Brazilians
arranger:
Heinie Beau
concertmaster:
Dave Barbour
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States
recording of:
Laroo Laroo Lilli Bolero
writer:
Sylvia Dee (American lyricist), Sidney Lippman (American songwriter) and Elizabeth Evelyn Moore
2:31
2Caramba ! It's the Samba
engineer:
John Palladino
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour And The Brazilians
arranger:
Heinie Beau
concertmaster:
Dave Barbour
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-11-25)
2:45
3Mañana (Is Soon Enough for Me)
engineer:
John Palladino
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour And The Brazilians
arranger:
Heinie Beau
concertmaster:
Dave Barbour
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-11-25)
cover recording of:
Mañana (1948 song)
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
2:56
4All Dressed Up with a Broken Heart
recorded in:
Los Angeles, California, United States (on 1947-11-26)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
cover recording of:
All Dressed Up With a Broken Heart (in 1948)
writer:
Frederick Patrick, Claude Reese and Jack Val (ASCAP songwriter)
2:29
5While We're Young
recorded in:
Los Angeles, California, United States (on 1947-11-27)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
cover recording of:
While We’re Young
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
recording of:
While We’re Young
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:08
6For Every Man There's a Woman
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (on 1947-12-02)
orchestra:
Benny Goodman Orchestra (on 1947-12-02)
conductor:
Benny Goodman (clarinetist and bandleader) (on 1947-12-02)
arranger:
Mel Powell (American composer and jazz pianist)
concertmaster:
Benny Goodman (clarinetist and bandleader)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-12-02)
cover recording of:
For Every Man There’s a Woman (on 1947-12-02)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
The 21st Academy Award for Best Original Song (number: 2)
2:46
7Just a Shade on the Blue Side
recorded in:
Los Angeles, California, United States (on 1947-12-02)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Just a Shade on the Blue Side
writer:
Harold Adamson and Hoagy Carmichael
3:09
8Bubble-Loo, Bubble-Loo
recorded in:
Los Angeles, California, United States (on 1947-12-02)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Bubble-Loo, Bubble-Loo (in 1947)
lyricist:
Paul Francis Webster
composer:
Hoagy Carmichael
2:57
9Don't Smoke in Bed
recorded in:
Los Angeles, California, United States (on 1947-12-02)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (on 1947-12-02)
orchestra:
Dave Barbour and His Orchestra (on 1947-12-02)
conductor:
Dave Barbour (on 1947-12-02)
arranger:
Hal Mooney
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Don’t Smoke in Bed (on 1947-12-02)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
3:06
10Please Love Me Tonight
recorded in:
Los Angeles, California, United States (on 1948-12-29)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Peggy Lee and Her Dixieland Band (led by Frank Tiberi) (on 1948-12-29)
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Please, Love Me Tonight
lyricist:
Watt Watkins
composer:
Ruth Roma Wilkinson
2:54
11Bali Ha'i
recorded in:
Los Angeles, California, United States (on 1949-03-11)
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Bali Ha’i (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
3:07
12I'm Gonna Wash That Man Right Out of My Hair
recorded in:
Los Angeles, California, United States (on 1949-04-18)
additional vocals:
The Jud Conlon Singers
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour All-Stars
arranger:
Heinie Beau and Lee Gillette
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
3:11
13Riders in the Sky (a Cowboy Legend)
producer:
Lee Gillette
background vocals:
The Jud Conlon Singers (on 1949-04-18)
vocals:
Peggy Lee (jazz vocalist) (on 1949-04-18)
orchestra:
Dave Barbour All-Stars (on 1949-04-18)
conductor:
Dave Barbour (on 1949-04-18)
arranger:
Heinie Beau
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (on 1949-04-18)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
2:40
14Crazy, He Calls Me
producer:
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (on 1949-10-06)
orchestra:
Pete Rugolo and His Orchestra (on 1949-10-06)
conductor:
Pete Rugolo (on 1949-10-06)
arranger:
Pete Rugolo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1949-10-06)
recording of:
Crazy He Calls Me (on 1949-10-06)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:07
15Coney Island
producer:
James B. Conkling and Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
conductor:
Hal Mooney
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1947-11)
0:36
16Got the Gate on the Golden Gate
producer:
James B. Conkling, Lee Gillette and Mel Tormé (“The Velvet Fog”)
additional vocals:
Peggy Lee (jazz vocalist), The Mel‐Tones (backing group for Mel Torme) and The Starlighters (1940s-50s vocal group that accompanied Jo Stafford, among others)
vocals:
Mel Tormé (“The Velvet Fog”)
arranger:
Neal Hefti
concertmaster:
Hal Mooney and Mel Tormé (“The Velvet Fog”)
recording of:
Got the Gate on the Golden Gate
writer:
Mel Tormé (“The Velvet Fog”)
3:34
17The Old Master Painter
piano:
Lou Busch
additional vocals:
The Mellomen (American singing quartet)
vocals:
Peggy Lee (jazz vocalist) and Mel Tormé (“The Velvet Fog”)
additional orchestra:
Lou Busch & His Orchestra
arranger:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1949-11-16)
cover recording of:
The Old Master Painter
writer:
Haven Gillespie and Beasley Smith
publisher:
Robbins Music Corp.
2:47
18Cannonball Express
vocals:
Peggy Lee (jazz vocalist) (on 1950-06-16)
orchestra:
Dave Barbour and His Orchestra (on 1950-06-16)
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1950-06-16)
recording of:
Cannonball Express (on 1950-06-16)
composer:
Cliff Ferre, Al Jacobs and Jack Pleis
2:19
19Show Me the Way to Get Out of This World
producer:
Lee Gillette
orchestra:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1950-06-16)
cover recording of:
Show Me the Way to Get Out of This World
writer:
Les Clark and Matt Dennis (American singer, pianist, band leader)
2:04
20Lover Come Back to Me
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:48
21Where Are You
additional vocals:
Jud Conlon Choir
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and His Orchestra
arranger:
Dick Hazard
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1950-09-14)
recording of:
Where Are You?
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
3:02
22(When I Dance with You) I Get Ideas
additional vocals:
The Jud Conlon Singers
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Billy May & His Orchestra
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
Capitol Melrose Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
I Get Ideas
lyricist:
Dorcas Cochran (in 1951)
composer:
Julio César Sanders (Lenny Sanders) (in 1927)
version of:
Adiós, muchachos (tango)
2:10
23Don't Fan the Flame
vocals:
Peggy Lee (jazz vocalist) and Mel Tormé (“The Velvet Fog”)
orchestra:
Sid Feller and His Orchestra
conductor:
Sid Feller
arranger:
Sid Feller
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
WMCA Studios in New York, New York, United States (on 1951-07-10)
recording of:
Don't Fan the Flame
writer:
Harold ‘Hal’ Dickinson and John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
2:27
4▶CD: The Radio Days