Turn on the Bright Lights

~ Release by Interpol (see all versions of this release, 24 available)

Annotation

All songs © by Interpol, Copyright Control/BMI 2002.
©℗ 2002 Matador Records

Catalog # locations
- OLE 545-0 (Sleeve, Inner-sleeve, labels)
- OLE-545-0 (Download card, Runouts)
Rights Society: BMI

Matrix / Runout (Side A runout stamped (Variant 1)): OLE-545-0 129382E1/B
Matrix / Runout (Side B runout stamped (Variant 1)): OLE-545-0 129382E2/A

Pressing credit identified in runout stampings
Some pressings include a code for free download of the album.
Printed inner sleeve.
Rear sleeve has the 304 Hudson address and a London address.

Annotation last modified on 2024-12-05 13:27 UTC.

Tracklist

1▼12" Vinyl
#	Title	Rating	Length
A1	Untitled recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Untitled writer: Paul Banks (of Interpol), Carlos Dengler and Daniel Kessler publisher: Carlos Dengler Music, Idle Worship Music and Iron Men Wooden Ships Music	3.75	3:57
A2	Obstacle 1 recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States music videos: Obstacle 1 (music video) by Interpol (NYC rock band) recording of: Obstacle 1 writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Songs of Kobalt Music Publishing sub-publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.8	4:11
A3	NYC recording engineer: Peter Katis mixer: Gareth Jones (UK producer/engineer) bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States music videos: NYC (music video) by Interpol (NYC rock band) recording of: NYC writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.95	4:20
A4	PDA recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States music videos: PDA (music video) by Interpol (NYC rock band) recording of: PDA writer: Paul Banks (of Interpol), Carlos Dengler and Daniel Kessler publisher: Carlos Dengler Music, Idle Worship Music and Iron Men Wooden Ships Music	3.7	5:00
A5	Say Hello to the Angels recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Say Hello to the Angels writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Songs of Kobalt Music Publishing sub-publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3	4:28
A6	Hands Away recording engineer: Peter Katis mixer: Gareth Jones (UK producer/engineer) bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Hands Away writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.6	3:06
B1	Obstacle 2 recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Obstacle 2 writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.6	3:47
B2	Stella was a diver and she was always down recording engineer: Peter Katis mixer: Gareth Jones (UK producer/engineer) bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Stella was a diver and she was always down writer: Paul Banks (of Interpol), Carlos Dengler and Daniel Kessler publisher: Carlos Dengler Music, Idle Worship Music and Iron Men Wooden Ships Music	4	6:28
B3	Roland recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Roland writer: Paul Banks (of Interpol), Carlos Dengler and Daniel Kessler publisher: Carlos Dengler Music, Idle Worship Music and Iron Men Wooden Ships Music	3.5	3:36
B4	The New recording engineer and mixer: Peter Katis bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: The New writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.75	6:07
B5	Leif Erikson recording engineer: Peter Katis mixer: Gareth Jones (UK producer/engineer) bass guitar: Carlos D drums (drum set): Samuel Fogarino guitar: Paul Banks (of Interpol) and Daniel Kessler lead vocals: Paul Banks (of Interpol) phonographic copyright (℗) by: Matador Records (US indie rock) (in 2002) recorded at and mixed at: Tarquin Studios in Bridgeport, Connecticut, United States recording of: Leif Erikson writer: Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler publisher: Carlos Dengler Music, Friend or Faux Music, Idle Worship Music and Iron Men Wooden Ships Music	3.5	4:00

Credits

Release

Discogs:	https://www.discogs.com/release/12684150 [info]

Release group

associated singles/EPs:	Interlude PDA Say Hello to the Angels / NYC

part of:	Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre) Gummy Awards: Best Album of the ’00s (number: 10) (order: 10) NME: The Story of Post-Punk in 15 Classic Albums (order: 12) Shortlist Music Prize Nominees (number: 2003) (order: 23) Albums of the Year (SPIN magazine, 2003-01) (number: 32) (order: 32) Rolling Stone: 100 Best Albums of the 2000s: pub_2011-07-18 (number: 59) (order: 59)

part of:

Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Gummy Awards: Best Album of the ’00s (number: 10) (order: 10)
NME: The Story of Post-Punk in 15 Classic Albums (order: 12)
Shortlist Music Prize Nominees (number: 2003) (order: 23)
Albums of the Year (SPIN magazine, 2003-01) (number: 32) (order: 32)
Rolling Stone: 100 Best Albums of the 2000s: pub_2011-07-18 (number: 59) (order: 59)

Discogs:	https://www.discogs.com/master/9235 [info]
lyrics page:	https://genius.com/albums/Interpol/Turn-on-the-bright-lights [info]
reviews:	https://www.bbc.co.uk/music/reviews/gbxm [info] https://www.bbc.co.uk/music/reviews/r4nv [info]
other databases:	https://rateyourmusic.com/release/album/interpol/turn-on-the-bright-lights/ [info] https://www.musik-sammler.de/album/43337/ [info] https://www.spirit-of-rock.com/en/album/Turn_on_the_Bright_Lights/9243 [info]
Allmusic:	https://www.allmusic.com/album/mw0000661350 [info]
Wikidata:	Q1340055 [info]
discography entry:	https://www.last.fm/music/Interpol/Turn+on+the+Bright+Lights [info]

Turn on the Bright Lights

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