The Remastered Legacy

~ Release by Carlo Maria Giulini (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Overture
producer:
Walter Legge (British classical producer) (task: artistic director)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:17
2El amor brujo: No. 8. Danza ritual del fuego
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:14
3Ma mère l’Oye, M. 60: III. Laideronnette, impératrice des pagodes
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:42
4Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet – Trio
Joseph Haydn3:53
5Jeux d’enfants, op. 22, WD 56: II. Berceuse “La poupée”
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-10-06 until 1956-10-07)
conductor:
Carlo Maria Giulini (conductor) (from 1956-10-06 until 1956-10-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-10-06 until 1956-10-07)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (from 1956-10-06 until 1956-10-07)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:31
6The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: I. Allegro
Antonio Vivaldi3:33
74 Pezzi sacri: No. 3. Laudi alla Vergine Maria
Giuseppe Verdi5:51
8Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell
Robert Schumann5:21
9Suite from the Firebird: VI. Finale (1919 version)
Igor Stravinsky3:19
10Rapsodie espagnole, M. 54: III. Habanera
Maurice Ravel2:43
11Four Sea Interludes from Peter Grimes, op. 33a: No. 3. Moonlight
Benjamin Britten4:50
12Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)
Christoph Willibald Gluck2:07
13Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Chicago Symphony Orchestra (on 1971-03-29)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-29)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-29)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (on 1971-03-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:34
14Roméo et Juliette, op. 17, H 79, Pt. 1: Introduction – Combats, tumulte, intervention du Prince
producer:
Peter Andry (producer) and Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1969-10)
recording of:
Roméo et Juliette, op. 17 : Première partie: Nº 1. Introduction : Combats - Tumulte - Intervention du Prince (in 1969-10)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz4:56
15Requiem in D minor, K. 626: VIII. Lacrimosa
Wolfgang Amadeus Mozart3:35
16Nocturnes, CD 98, L. 91: No. 2. Fêtes
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:16
17Suite from Petrushka: I. Russian Dance (1947 version)
Igor Stravinsky2:36
18Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro (cadenza by Starker)
Joseph Haydn5:40
19Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1968)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:48
20Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1961-01)
conductor:
Carlo Maria Giulini (conductor) (in 1961-01)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-01)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (in 1961-01)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:15
21Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: I. Allegro
piano:
Alexis Weissenberg (from 1978-06-23 until 1978-06-25)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1978-06-23 until 1978-06-25)
conductor:
Carlo Maria Giulini (conductor) (from 1978-06-23 until 1978-06-25)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro (from 1978-06-23 until 1978-06-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
Wolfgang Amadeus Mozart10:29
22Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marciale quasi Moderato (original 1872 version [rarely performed])
Pyotr Ilyich Tchaikovsky6:55
23La serva padrona: Duetto. “Lo conosco a quegli occhietti” (Serpina, Uberto)
Giovanni Battista Pergolesi4:10
24L’italiana in Algeri, Act 1: “Ai capricci della sorte io so far l’indifferente” (Isabella, Taddeo)
Gioachino Rossini6:48
25Don Giovanni, K. 527, Act 1: “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart3:12
26Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
Ludwig van Beethoven10:18
27Cello Concerto no. 9 in B‐flat major, G. 482: I. Allegro moderato (cadenza by Hutter)
Luigi Boccherini9:50
28Symphony no. 3 in F major, op. 90: III. Poco allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-10-12 until 1962-11-11)
conductor:
Carlo Maria Giulini (conductor) (from 1962-10-12 until 1962-11-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-10-12 until 1962-11-11)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1962-10-12 until 1962-11-11)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:23
29La Mer, CD 111, L. 109: II. Jeux de vagues
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-04-11 until 1962-04-19)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-11 until 1962-04-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-11 until 1962-04-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1962-04-11 until 1962-04-19)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:09
30Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale. Allegro
Antonín Dvořák9:45
31Missa solemnis, op. 123: I. Kyrie
Ludwig van Beethoven10:31
32Miroirs, M. 43: IV. Alborada del gracioso
recording of:
Alborada del gracioso (for orchestra, Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1918)
composer:
Maurice Ravel (French composer) (from 1904 until 1905)
orchestration of:
Miroirs: IV. Alborada del gracioso (original for piano solo)
Maurice Ravel7:51
33Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell
producer:
Christopher Bishop (conductor/producer)
orchestra:
Chicago Symphony Orchestra (on 1971-03-30)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-30)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-30)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1971-03-30)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:00
34Mass in C major, op. 86: V. Agnus Dei
Ludwig van Beethoven7:59
35Il barbiere di Siviglia: Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1960 until 1961)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:26
36Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante
piano:
Claudio Arrau (pianist) (from 1962-04-21 until 1962-04-22)
solo cello:
Raymond Clark (cellist) (from 1962-04-21 until 1962-04-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-04-21 until 1962-04-22)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-21 until 1962-04-22)
performer:
Claudio Arrau (pianist), Carlo Maria Giulini (conductor) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-04-21 until 1962-04-22)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio (from 1962-04-21 until 1962-04-22)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms12:08
37La forza del destino: Overture
Giuseppe Verdi7:59
38Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro
Camille Saint‐Saëns9:26
39Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
Franz Schubert12:00
40Night on Bald Mountain
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
Modest Mussorgsky10:46
41Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (from 1977-04-29 until 1977-05-01)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák12:59
42Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
producer:
Walter Legge (British classical producer)
piano:
Hans Richter-Haaser (pianist) (on 1963-04-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1963-04-20)
conductor:
Carlo Maria Giulini (conductor) (on 1963-04-20)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-04-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (on 1963-04-20)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:11
43Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft – Trio. Schnell (Nowak version)
orchestra:
Chicago Symphony Orchestra (on 1976-02-12)
conductor:
Carlo Maria Giulini (conductor) (on 1976-02-12)
compilation of:
Sinfonie Nr. 9: 2. Satz: Scherzo (Bewegt, Lebhaft) Und Trio (Schnell) (1. Teil) by Chicago Symphony Orchestra, Carlo Maria Giulini (conductor) and Sinfonie Nr. 9: 2. Satz: Scherzo (Da Capo) Schluß by Chicago Symphony Orchestra, Carlo Maria Giulini (conductor)
recording of:
Symphony no. 9 in D-minor, WAB 109: II. Scherzo: Bewegt, lebhaft (1894 version, ed. Nowak 1951) (on 1976-02-12)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner11:08
44Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1969-10-13 until 1969-10-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms10:54