| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Be the One- Techniker(in):
- John Hanes (Aufgabe: engineered for mix)
- Produzent(in):
- Digital Farm Animals und Jack Tarrant (Aufgabe: vocal)
- Mix:
- Serban Ghenea
- Gitarre:
- Jack Tarrant
- Hintergrundgesang:
- Dua Lipa und Lucy Taylor
- Sologesang:
- Dua Lipa
- phonographisches Urheberrecht (℗) von:
- Dua Lipa Limited (in 2015)
- sonstige Unterstützung:
- Warner Music UK Limited (Aufgabe: under exclusive license to)
- aufgenommen bei:
- Sony/ATV Recording Studios in London , England, Vereinigtes Königreich, Strongroom 7 in Shoreditch, Hackney, London , England, Vereinigtes Königreich und TaP Studio in London , England, Vereinigtes Königreich
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- Musikvideos:
- Be the One von Dua Lipa
- recording of:
- Be the One
- Verfasser(in):
- Digital Farm Animals , Lucy Taylor und Jack Tarrant
- publisher:
- Sony/ATV Music Publishing Ltd. und Stellar Sun Songs
| Dua Lipa | 3.85 | 3:22 |
| 2 | One More Time | Daft Punk | 3.65 | 5:20 |
| 3 | 24K Magic- recording engineer:
- Charles Moniz
- assistierende(r) Techniker(in):
- Jacob Dennis
- Techniker(in):
- John Hanes (Aufgabe: engineered for mix)
- Produzent(in):
- Shampoo Press & Curl
- zusätzliche(r) Produzent(in):
- The Stereotypes
- Mix:
- Serban Ghenea
- Gitarre:
- Dave Foreman
- Talkbox:
- Byron “Mr. Talkbox” Chambers und Bruno Mars
- Hintergrundgesang:
- Christopher Brody Brown, James Fauntleroy, Philip Lawrence und Bruno Mars
- aufgenommen bei:
- Glenwood Place Studios in Burbank, California , Vereinigte Staaten
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- a cappella versions:
- 24k Magic von Tufts Beelzebubs
- Teil von:
- Grammy Award: Record of the Year nominees (Nummer: 2018 winner) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 16)
- recording of:
- 24K Magic
- Verfasser(in):
- Christopher Brody Brown, Philip Lawrence und Bruno Mars
- publisher:
- BMG Rights Management (vom 2016 bis heute), Late 80’s Music (vom 2016 bis heute), Mars Force Songs, LCC (vom 2016 bis heute), Universal Music Publishing (vom 2016 bis heute), WB Music Corp. (vom 2016 bis heute) und ZZR Music, LCC (vom 2016 bis heute)
| Bruno Mars | 3.8 | 3:45 |
| 4 | Good as Hell- Programmierung und Produzent(in):
- Ricky Reed
- Techniker(in):
- Ethan Shumaker
- assistierende(r) Mix:
- Chris Galland und Ike Schultz
- Mix:
- Manny Marroquin
- Instrumente:
- Ricky Reed
- vocals:
- Lizzo
- aufgenommen bei:
- Elysian Park in Echo Park, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Spotify: Top Hits of 2019 (Nummer: 23) und Billboard Year-End Hot 100 singles of 2020 (Nummer: 31)
- recording of:
- Good as Hell
- Verfasser(in):
- Eric Frederic und Melissa “Lizzo” Jefferson
- publisher:
- Frederic and Ried Music, Lizzo Music , Songs from the Boardwalk, Sony/ATV Music Publishing, LLC , Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp.
| Lizzo | 3.5 | 2:39 |
| 5 | FRIENDS (Borgeous remix) | Marshmello & Anne‐Marie | 2 | 3:22 |
| 6 | Young Hearts Run Free | Candi Staton | 4.15 | 4:09 |
| 7 | Girls and Boys (Pet Shop Boys remix, 2012 remaster) | Blur | 3.5 | 7:16 |
| 8 | Boom Clap | Charli XCX | 2.9 | 2:49 |
| 9 | Runaway (U & I) | Galantis | 4.2 | 3:47 |
| 10 | Can’t Get Blue Monday out of My Head | Kylie Minogue | 5 | 4:01 |
| 11 | No One (Jonas Blue remix) | Jess Glynne | | 3:34 |
| 12 | On My Mind | DISCIPLΞS | | 3:05 |
| 13 | More Than Friends | James Hype feat. Kelli‐Leigh | | 2:20 |
| 14 | High Hopes- recording engineer:
- Peter Cobbin und Steve Genewick
- sonstige Unterstützung:
- Ron Cabiltes und Danny Zook
- Programmierung:
- Jonny Coffer und Cook Classics
- Techniker(in):
- Suzy Shinn
- Produzent(in):
- Jake Sinclair
- Mix:
- Claudius Mittendorfer
- Bass:
- Jake Sinclair
- Bratsche / Viola:
- Robert Brophy , Zach Dellinger, Brian Dembow, Peter Lale , Shawn Mann und Bruce White
- Cello:
- Jacob Braun , Eric Byers , Caroline Dale , Steve Erdody und Tim Gill
- Geige / Violine:
- Charlie Bisharat , Thomas Bowes , Bruce Dukov, Julie Gigante, Peter Hanson , Jackie Hartley , Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning , Serena McKinney, Helen Nightengale, Tom Pigott‐Smith , Katia Popov, Emlyn Singleton , Tereza Stanislav , Cathy Thompson und Warren Zielinski
- Gitarre:
- Kenneth Harris und Jake Sinclair
- Klavier, Schlagzeug und Sologesang:
- Brendon Urie
- Saxophon:
- Ryan Dragon , Jason Fabus, Morgan Jones und Peter Slocombe
- Trompete:
- Jonathan Bradley und Mike Rocha
- Hintergrundgesang:
- Kenneth Harris , Ilsey Juber , Suzy Shinn, Jake Sinclair und Brendon Urie
- conductor:
- Rob Mathes
- arranger:
- Rob Mathes
- concertmaster:
- Lori Casteel und Mike Casteel
- phonographisches Urheberrecht (℗) von:
- Fueled by Ramen, LLC (in 2018) und WEA International Inc. (in 2018)
- Teil von:
- Billboard Year-End Hot 100 singles of 2019 (Nummer: 11), Spotify: Top Hits of 2019 (Nummer: 47) und BILLIONS CLUB
- recording of:
- High Hopes
- Verfasser(in):
- Sam Hollander , Ilsey Juber , Jonas Jeberg, Tayla Parx, Lauren Pritchard , Jake Sinclair, Brendon Urie, William Lobbin Bean und Jenny Owen Youngs
| Panic! at the Disco | 3.5 | 3:12 |
| 15 | I Know Where It’s At (radio mix) | All Saints | | 4:54 |
| 16 | Jack (radio edit) | Breach | | 5:11 |
| 17 | Euphoria (single version) | Loreen | 4.35 | 3:01 |
| 18 | Return of the Mack | Mark Morrison | 3.5 | 3:33 |
| 19 | Le Freak (Oliver Helden’s remix) | Chic | | 3:52 |
| 20 | Cheatin’ | Nathan Dawe | | 2:58 |
| 21 | Turn Me On | Kevin Lyttle | 4.15 | 3:12 |
| 22 | Not Over Yet (Perfecto edit) | Grace | 2 | 7:39 |
| 23 | Rockabye- Programmierung:
- Jack Patterson und Hal Ritson
- zusätzliche drum machine-Programmierung:
- Luke Patterson
- Sound-Engineering:
- Dann Pursey , Chris Laws und Anthony Leung
- zusätzliches Sound-Engineering:
- Hal Ritson
- Audio-Engineering:
- Drew Smith und Tom AD Fuller
- Produzent(in):
- Steve Mac , Jack Patterson und Mark Ralph
- Mix:
- Jack Patterson und Mark Ralph
- Bratsche / Viola:
- James Boyd
- Cello:
- Grace Chatto
- Geige / Violine:
- Braimah Kanneh‐Mason und Beatrice Philips
- Keyboard:
- Steve Mac
- Klavier:
- Jack Patterson
- Schlagzeug:
- Luke Patterson
- Hintergrundgesang:
- Caroline Ailin und Grace Chatto
- Sologesang:
- Anne‐Marie und Sean Paul
- zusätzlich vocals:
- Kelly Barnes
- Interpret(in):
- Clean Bandit
- phonographisches Urheberrecht (℗) von:
- Asylum Records (in 2016), Atlantic Records UK (in 2016) und Major Toms (in 2016)
- aufgenommen bei:
- Club Ralph in London , England, Vereinigtes Königreich, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London , England, Vereinigtes Königreich und The Crypt Studio in Crouch End, Haringey, London , England, Vereinigtes Königreich
- mixed at:
- Club Ralph in London , England, Vereinigtes Königreich
- Teil von:
- Billboard Year-End Hot 100 singles of 2017 (Nummer: 44) und BILLIONS CLUB
- recording of:
- Rockabye
- Verfasser(in):
- Steve Mac , Ammar Malik, Jack Patterson , Sean Paul Henriques und Ina Wroldsen
- publisher:
- BMG Rights Management (UK) Ltd. , Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. , Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. und Where Da Katz At
| Clean Bandit feat. Sean Paul & Anne‐Marie | 3.45 | 4:10 |
| 24 | Get Ur Freak On | Missy Elliott | 3.65 | 3:56 |
| 25 | Feel It Still- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 2017) und WEA International Inc. (in 2017)
- Musikvideos:
- Feel It Still von Portugal. The Man
- Teil von:
- Billboard Decade End Chart: Adult Contemporary Songs (Nummer: 33), Billboard Year-End Hot 100 singles of 2018 (Nummer: 33), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (Nummer: 45), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 386)
- recording of:
- Feel It Still
- Verfasser(in):
- Robert Bateman , Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill , Brian Holland , Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist und Asa Taccone
- publisher:
- Warner–Tamerlane Publishing Corp.
- quotes music from:
- Please Mr. Postman
| Portugal. The Man | 4.25 | 2:42 |
| 26 | Summer Love | Rudimental & Rita Ora | 4 | 4:18 |
| 27 | Hymn for the Weekend (Seeb remix) | Coldplay | 3.5 | 3:32 |
| 28 | December, 1963 (Oh What a Night!)- recording engineer:
- Steve Maslow
- Produzent(in):
- Bob Gaudio
- Mix:
- Val Garay
- Bass:
- Don Ciccone
- Gitarre:
- John Paiva
- Keyboard:
- Bob Gaudio und Lee Shapiro
- Klavier:
- Bob Gaudio
- Schlagzeug:
- Gerry Polci
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci und John Paiva
- Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
- Lee Shapiro
- phonographisches Urheberrecht (℗) von:
- WEA International Inc.
- aufgenommen bei:
- Sound Factory in Los Angeles, California , Vereinigte Staaten
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- Texter:
- Bob Gaudio und Judy Parker
- Komponist(in):
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
| The Four Seasons | 3.85 | 3:32 |
| 29 | Euphoric Dreams | Krystal Klear | 3 | 3:31 |
| 30 | Tightrope | Janelle Monáe | | 4:24 |
| 31 | Feel Good Inc. | Gorillaz feat. De La Soul | 4 | 3:42 |
| 32 | That’s the Way (I Like It) (2004 remaster) | KC and the Sunshine Band | 4.4 | 3:05 |
| 33 | Show Me Love | Robin S. | 4 | 4:29 |
| 34 | Hypnotize (2014 remaster)- recording engineer:
- Axel Niehaus und Doug Wilson
- Techniker(in):
- Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones
- Produzent(in):
- Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence und Sean “Puffy” Combs
- zusätzliche(r) Produzent(in):
- Richard “Younglord” Frierson
- Mix:
- Lane Craven und Sean “Puffy” Combs
- Editing:
- Richard “Younglord” Frierson
- Hintergrundgesang:
- Pam Long
- Sologesang:
- The Notorious B.I.G.
- phonographisches Urheberrecht (℗) von:
- Bad Boy Records LLC (in 2007) und WEA International Inc. (in 2007)
- produced for:
- Bad Boy Entertainment, Inc. und The Mystery System, Inc.
- aufgenommen bei:
- Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- mixed at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- engineered at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- Samples:
- Rise von Herb Alpert
- Teil von:
- BILLIONS CLUB
- recording of:
- Hypnotize
- Verfasser(in):
- Andy Armer, Christopher Wallace , Deric Angelettie, Ron Lawrence , Randy Alpert und Sean Combs
- publisher:
- Almo Music Corp. , B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
- quotes lyrics from:
- La Di Da Di
| The Notorious B.I.G. | 4.15 | 3:49 |
| 35 | Wearing My Rolex (radio edit) | Wiley | 3.65 | 2:50 |
| 36 | Long Train Runnin’- Techniker(in):
- Donn Landee
- Produzent(in):
- Ted Templeman
- Becken, Conga und Timbales:
- Michael Hossack
- Gast-Synthesizer:
- Malcolm Cecil und Robert Margouleff
- Gitarre:
- Jeff “Skunk” Baxter, Tom Johnston und Patrick Simmons
- Keyboard, Klavier und Orgel:
- Bill Payne
- membranophone:
- John Hartman und Michael Hossack
- Mundharmonika:
- Tom Johnston
- Perkussion:
- John Hartman und Ted Templeman
- Steel-Gitarre:
- Jeff “Skunk” Baxter
- Synthesizer:
- Tom Johnston und Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter und Patrick Simmons
- Bass arranger:
- Tiran Porter
- Saiteninstrumente arranger:
- Nick de Caro
- phonographisches Urheberrecht (℗) von:
- Warner Bros. Records Inc. (, in 1973) und WEA International Inc. (in 1973)
- aufgenommen bei:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Long Train Runnin’
- Texter und Komponist(in):
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) und Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.1 | 3:27 |
| 37 | Ain’t Nobody | Rufus & Chaka Khan | 3.7 | 4:45 |
| 38 | Take On Me (Kygo remix) | a‐ha | 3.65 | 3:46 |
| 39 | Disco Inferno (single edit) | The Trammps | 4.35 | 3:11 |
| 40 | Around the World | Daft Punk | 4.15 | 7:09 |
| 41 | Freak Like Me | Adina Howard | 4.2 | 4:13 |
| 42 | Blue Skies | Blinkie | | 3:13 |
| 43 | Finesse (remix)- recording of:
- Finesse
- Verfasser(in):
- Christopher Brown , James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence , Bruno Mars , Ray Charles McCullough II und Ray Romulus
- publisher:
- Almo Music Corporation , Fauntleroy Music, Late 80’s Music, Mars Force Songs, LLC, Music for Milo, Must Be Lucky, Ra Charm Music, Songs of Influence, Sony/ATV Songs LLC, Stereotypes Music Publishing , Sumphu, Thou Art the Hunger, Underdog West Songs, Universal Music Corporation , Warner Chappell, Warner–Tamerlane Publishing Co. , WC Music Corp., Westside Independent Music Publishing LLC und ZZR Music, LCC
| Bruno Mars feat. Cardi B | | 3:37 |
| 44 | Chain of Fools- recorded in:
- New York, New York, Vereinigte Staaten
- recording engineer und Mix:
- Tom Dowd
- Produzent(in):
- Jerry Wexler
- Bassgitarre:
- Tommy Cogbill (am 1967-06-23)
- Gitarre:
- Jimmy Johnson (am 1967-06-23) und Joe South (am 1967-06-23)
- Hybrid-Piano:
- Spooner Oldham (am 1967-06-23)
- Klavier:
- Aretha Franklin (am 1967-06-23)
- Schlagzeug:
- Roger Hawkins (am 1967-06-23)
- Chorgesang:
- Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
- vocals:
- Aretha Franklin (am 1967-06-23)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. (in 1967) und Atlantic Recording Corporation (in 1968)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
- recording of:
- Chain of Fools (am 1967-06-23)
- Texter und Komponist(in):
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music , Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. und Warner-Tamerlane Publishing Co.
- adaptations:
- Verlga norih
| Aretha Franklin | 4.25 | 2:46 |
| 45 | Forget You | CeeLo Green | 3.5 | 3:42 |
| 46 | Good Times (2018 remaster) | Chic | 5 | 8:06 |
| 47 | Someday | CeCe Rogers | | 7:17 |
| 48 | Never Ever (Booker T’s vocal mix) | All Saints | | 5:44 |
| 49 | Sweet Love | Anita Baker | 3.55 | 4:26 |
| 50 | Djadja | Aya Nakamura | 5 | 2:51 |
| 51 | Take Control | Blinkie | | 3:52 |
| 52 | Bonfire | Knife Party | 4 | 4:31 |
| 53 | Might Not Like Me | Brynn Elliott | | 3:16 |
| 54 | Can You Move (Def mix) | Modern Romance | | 7:53 |
| 55 | Rather Be- Techniker(in):
- Liam Nolan und Brett Shaw
- Audio-Engineering:
- Liam Nolan
- Produzent(in):
- Grace Chatto und Jack Patterson
- Mix:
- Wez Clarke und Jack Patterson
- Bratsche / Viola:
- Asher Zaccardelli
- Cello:
- Grace Chatto
- Geige / Violine:
- Neil Amin-Smith und Beatrice Philips
- Keyboard und Klavier:
- Jack Patterson
- Klavier:
- Anthony Strong
- Schlagzeug:
- Luke Patterson
- Hintergrundgesang:
- Florence Rawlings
- Sologesang:
- Jess Glynne
- phonographisches Urheberrecht (℗) von:
- Atlantic Records UK Ltd (in 2013), Warner Music UK Ltd. (vom 2014 bis heute) und Atlantic Records UK (in 2014)
- aufgenommen bei:
- 123 Studios in Peckham, Southwark, London , England, Vereinigtes Königreich und Metropolis in London , England, Vereinigtes Königreich
- Teil von:
- Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2015 winner), Billboard Year-End Hot 100 singles of 2014 (Nummer: 41), BILLIONS CLUB und Billboard: The 500 Best Pop Songs (Nummer: 451)
- recording of:
- Rather Be
- Verfasser(in):
- Grace Chatto, Jimmy Napes, Nicole Marshall und Jack Patterson
- publisher:
- Saali Isaak Songs Ltd. und Sony/ATV Music Publishing LLC
| Clean Bandit feat. Jess Glynne | 4.25 | 3:47 |
| 56 | Move On Up | Curtis Mayfield | 4 | 2:45 |
| 57 | Spinning Around | Kylie Minogue | 3.35 | 3:26 |
| 58 | Am I Wrong | Nico & Vinz | 3.5 | 4:05 |
| 59 | Love Again | Rae Morris | | 3:03 |
| 60 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 61 | Treasured Soul | Michael Calfan | | 2:54 |
| 62 | Professional Widow (Armand’s Star Trunk Funk mix) | Tori Amos | 3.15 | 3:47 |
| 63 | Not Letting Go | Tinie Tempah feat. Jess Glynne | 4 | 3:49 |
| 64 | Tequila | Terrorvision | | 3:52 |
| 65 | Informer | SNoW | 4.5 | 4:28 |
| 66 | These Girls (Sagan remix) | Why Don’t We | | 2:39 |
| 67 | Talking to Myself (edit) | Christian Nielsen | | 3:10 |
| 68 | Paradise (Tiësto remix) | Coldplay | | 4:46 |
| 69 | R U Crazy (radio edit) | CONOR MAYNARD | | 3:27 |
| 70 | Blue Monday ’88 (2015 remaster) | New Order | | 4:11 |
| 71 | Someone Great | LCD Soundsystem | 3.45 | 6:30 |
| 72 | Want to Want Me | Jason Derulo | 2.25 | 3:26 |
| 73 | Rain Dance | Tough Love | | 2:54 |
| 74 | All My Love | Crystal Fighters | | 3:39 |
| 75 | A Little Bit | Dusky Grey | | 2:57 |
| 76 | Day 1 ◑ | HONNE | | 3:53 |
| 77 | Old Friend | Elderbrook | | 3:19 |
| 78 | I Wanna Be the Only One | Eternal feat. BeBe Winans | 2.5 | 3:36 |
| 79 | Groove Is in the Heart | Deee‐Lite | 4.2 | 3:51 |
| 80 | Girls on Film (2010 remaster) | Duran Duran | 3.75 | 3:32 |
| 81 | I Wanna Sex You Up (single mix)- Techniker(in):
- Angela Piva und Warren Woods
- Produzent(in):
- Elliot Straite
- Mix:
- Elliot Straite und Howie Tee
- Samples:
- La-Di-Da-Di von Doug E. Fresh & M.C. Ricky D und Tonight Is the Night von Betty Wright
- recording of:
- I Wanna Sex You Up
- Verfasser(in):
- Bryan Abrams, Bessie Regina Norris , Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton und Sam Watters
- publisher:
- Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing und Hip City Music Inc.
| Color Me Badd | 4.6 | 3:56 |
| 82 | Benediction (radio edit) | HOT NATURED | | 3:18 |
| 83 | Show Me All Your Love (radio edit) | Kaz James | | 2:35 |
| 84 | Heart Shaped Culdesac | Daye Jack | | 3:06 |
| 85 | Chain Reaction | Diana Ross | 4.25 | 3:50 |
| 86 | I Love It | Icona Pop feat. Charli XCX | 3.75 | 2:35 |
| 87 | Every 1’s a Winner (single version) | Hot Chocolate | 4 | 4:49 |
| 88 | October | Icarus | | 5:54 |
| 89 | Kiss and Make Up | Dua Lipa & BLACKPINK | | 3:10 |
| 90 | Big When I Was Little | Eliza Doolittle | 4 | 3:49 |
| 91 | Hello Friday | Flo Rida feat. Jason Derulo | | 3:21 |
| 92 | Hard to Beat (Axwell mix; radio edit) | Hard‐Fi | | 3:51 |
| 93 | Hounds of Love | The Futureheads | 5 | 3:02 |
| 94 | Infinity | Infinity Ink | 3 | 5:08 |
| 95 | Walk (Sasha remix) | Kwabs | | 10:16 |
| 96 | Rhythm Is a Mystery (remix) | K‐Klass | | 6:38 |
| 97 | You Can’t Fool Me Dennis (Justice remix) | Mystery Jets | | 4:29 |
| 98 | Take Me Home (Tiësto remix) | Jess Glynne | | 5:15 |
| 99 | Feel So Good | Mase | | 3:24 |
| 100 | Have It All | Jason Mraz | 3 | 3:46 |
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