Classical Music For People Who Hate Classical Music Vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Sabre Dance
orchestra:
Houston Symphony
registrazione di:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
compositore:
Aram Khachaturian (Aram Chačaturjan, Soviet-Armenian composer) (nel 1942)
arrangiamento di:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Արամ Խաչատրյան2:38
2Finale From Light Cavalry Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione parziale di:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
compositore:
Franz von Suppé (Franz von Suppè, composer)
parte di:
Leichte Kavallerie (Light Cavalry)
Franz von Supp' Spalato Dalmatia2:35
3The Toreadors From Carmen
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
Georges Bizet2:16
4Wedding March From a Midsummer Night's Dream
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) e Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
compositore:
Felix Mendelssohn (composer) (nel 1842)
parte di:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:50
5Radetzky March
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) e Wiener Johann Strauss Orchester
direttore d'orchestra:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) e Alfred Scholz
registrazione di:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
compositore:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (nel 1848)
dedicata a:
Joseph Radetzky von Radetz
eseguita per la prima volta presso:
Wasserglacis in Wien (Vienna), Austria (il 1848-08-31)
parte di:
Works of Johann Strauss Sr. by opus number (numero: op. 228)
Johann Strauss I2:58
6Finale From Symphony No. 9, Choral
orchestra:
Atlanta Symphony Orchestra
registrazione di:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
compositore:
Ludwig van Beethoven (German composer) (dal 1822 al 1824)
librettista:
Friedrich Schiller (German poet and playwright)
cita i testi di:
An die Freude
parte di:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven1:44
7Polovstian Dance No. 17 From Prince Igor
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
Александр Порфирьевич Бородин3:55
8Jesu, Joy of Man's Desiring
ottoni :
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:54
9Solveig's Song From Peer Gynt
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slovak Philharmonic) e Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
direttore d'orchestra:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) e Libor Pesek (conductor)
registrazione di:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (nel 1984)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1891)
versione di:
Peer Gynt, op. 23: 4. akt: Solveigs sang
parte di:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:22
10Sleepers, Wake
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:20
11Hornpipe From Water Music
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
Georg Friedrich Händel0:56
12Largo From Symphony No. 9, "From the New World"
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
registrazione parziale di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositore:
Antonín Dvořák (composer) (dal 1893-01-10 al 1893-05-24)
parte di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonia No. 9 "Dal nuovo mondo")
Antonín Dvořák4:25
13Emperor Waltz
orchestra:
Orchester der Wiener Volksoper
registrazione di:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)
eseguita per la prima volta a:
Berlin, Germania (il 1889-10-21)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1889)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 437)
Johann Strauss II6:03
14St. Anthony's Chorale From Emperor Quartet
Joseph Haydn1:48
15Barcarolle From the Tales of Hoffman
strumenti:
Royal Philharmonic Orchestra
registrazione di:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangiamento di:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:19
16Farandole From L'Arl Sienne
registrazione di:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:30
17Dance of the Mirlitons From the Nutcracker
Пётр Ильич Чайковский2:13
18Dance of the Sugar-Plum Fairy From the Nutcracker
Пётр Ильич Чайковский1:49
19Highlight From Rhapsody in Blue
George Gershwin5:53
20Can-Can From Orpheus in the Underworld
registrazione di:
Orphée aux enfers : Can-can (Ouverture / Acte II. Galop infernal) (catch-all for arrangements)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
si basa su:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
Jacques Offenbach1:58