Il gigante dei bandleader

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Take the "A" Train
alto saxophone:
Johnny Hodges (on 1952-06-30) and Hilton Jefferson (on 1952-06-30)
alto saxophone and clarinet:
Russell Procope (on 1952-06-30)
baritone saxophone:
Harry Carney (on 1952-06-30)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1952-06-30)
double bass:
Wendell Marshall (on 1952-06-30)
drums (drum set):
Louie Bellson (on 1952-06-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1952-06-30) and Billy Strayhorn (on 1952-06-30)
tenor saxophone:
Paul Gonsalves (on 1952-06-30)
trombone:
Quentin Jackson (on 1952-06-30) and Britt Woodman (on 1952-06-30)
trumpet:
William “Cat” Anderson (on 1952-06-30), Willie Cook (US jazz trumpeter) (on 1952-06-30), Ray Nance (on 1952-06-30) and Clark Terry (American swing trumpeter) (on 1952-06-30)
valve trombone:
Juan Tizol (on 1952-06-30)
lead vocals:
Betty Roché (on 1952-06-30)
performer:
Betty Roché (on 1952-06-30)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1952-06-30)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington8:03
2East St. Louis Toodle-Oo
recording of:
East St. Louis Toodle‐oo
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
Duke Ellington3:06
3It Don't Mean a Thing (If It Ain't Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington3:11
4In a Sentimental Mood
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington3:18
5Rockin' in Rhythm
recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
Duke Ellington3:17
6Black and Tan Fantasy
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
Duke Ellington3:26
7The Mooche
recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington3:16
8Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Duke Ellington3:01
9Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Barney Bigard and His Jazzopaters2:42
10Half the Fun
Duke Ellington & His Orchestra4:16
11A Tone Parallel to Harlem
alto saxophone:
Russell Procope (on 1951-12-07) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1951-12-07)
baritone saxophone and bass clarinet:
Harry Carney (on 1951-12-07)
double bass:
Wendell Marshall (on 1951-12-07)
drums (drum set):
Louie Bellson (on 1951-12-07)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1951-12-07)
reeds:
Harry Carney (on 1951-12-07) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1951-12-07)
saxophone:
Paul Gonsalves (on 1951-12-07), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1951-12-07), Russell Procope (on 1951-12-07) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1951-12-07)
tenor saxophone:
Paul Gonsalves (on 1951-12-07)
trombone:
Quentin Jackson (on 1951-12-07), Juan Tizol (on 1951-12-07) and Britt Woodman (on 1951-12-07)
trumpet:
Willie Cook (US jazz trumpeter) (on 1951-12-07), Harold Baker (on 1951-12-07), Ray Nance (on 1951-12-07), Clark Terry (American swing trumpeter) (on 1951-12-07), Dick Vance (US jazz trumpeter and arranger) (on 1951-12-07) and Francis Williams (trumpeter) (on 1951-12-07)
recording of:
A Tone Parallel to Harlem (The Harlem Suite) (on 1951-12-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1951)
Duke Ellington & His Orchestra13:50
12Come Sunday
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington7:55