| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Ev’ry Time We Say Goodbye | Ella Fitzgerald | 3.65 | 3:33 |
| 2 | Fly Me to the Moon | Julie London | 4 | 2:33 |
| 3 | Call Me Irresponsible | Dinah Washington | | 2:19 |
| 4 | In Love in Vain | Lena Horne, Ray Ellis & Orchestra | | 2:30 |
| 5 | Night Time Is the Right Time | Tina Turner | | 3:29 |
| 6 | I Can’t Make You Love Me- recording engineer und Mix:
- Ed Cherney
- assistierende(r) Techniker(in):
- Bryant Arnett, Ray Blair, Dan Bosworth und Christina Paakkari
- Produzent(in):
- Bonnie Raitt und Don Was
- Bassgitarre:
- James "Hutch" Hutchinson (in 1991)
- Hammond-Orgel [C3]:
- Benmont Tench (in 1991)
- Klavier und zusätzlich Keyboard:
- Bruce Hornsby (in 1991)
- Perkussion:
- Paulinho da Costa (in 1991)
- Schlagzeug:
- Tony Braunagel (in 1991)
- Hintergrundgesang:
- Bonnie (in 1991), David Lasley (in 1991) und Arnold McCuller (in 1991)
- vocals:
- Bonnie (in 1991)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1991, in 2005)
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California , Vereinigte Staaten (in 1991)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 372)
- recording of:
- I Can’t Make You Love Me (in 1991)
- Verfasser(in):
- Mike Reid und Allen Shamblin
- publisher:
- Universal Music–MGB Songs, Almo Music Corp. (in 1991), Brio Blues Music (in 1991) und Hayes Street Music, Inc. (in 1991)
- sub-publisher:
- 環球音樂出版股份有限公司
| Bonnie Raitt | 5 | 5:32 |
| 7 | Light My Fire | Erma Franklin | 5 | 2:43 |
| 8 | Today I Sing the Blues | Aretha Franklin | | 2:44 |
| 9 | Me and Bobby McGee- Techniker(in):
- Phil Macy
- Produzent(in):
- Paul Rothchild
- Akustikgitarre und Sologesang:
- Janis Joplin (am 1970-09-25)
- Bassgitarre:
- Brad Campbell (am 1970-09-25)
- Gast-Bongos und Gast-Conga:
- Bobbye Hall
- Gast-Bongos und Conga:
- Bobbye Hall (am 1970-09-25)
- Gast-Tamburin:
- Sandra Crouch (am 1970-09-25)
- Gitarre:
- John Till (am 1970-09-25)
- Klavier:
- Richard Bell (am 1970-09-25)
- Orgel:
- Ken Pearson (am 1970-09-25)
- Schlagzeug:
- Clark Pierson (am 1970-09-25)
- Hintergrundgesang:
- Phil Badella (am 1970-09-25), Richard Bell (am 1970-09-25), Brad Campbell (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (am 1970-09-25)
- Interpret(in):
- Full Tilt Boogie (am 1970-09-25)
- aufgenommen bei:
- Sunset Sound in Hollywood, Los Angeles, California , Vereinigte Staaten (am 1970-09-25)
- Teil von:
- New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 148)
- cover recording of:
- Me and Bobby McGee (am 1970-09-25)
- Texter und Komponist(in):
- Fred Foster und Kris Kristofferson
- publisher:
- Combine Music Corp., Copyright Control , EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
| Janis Joplin | 4.3 | 4:31 |
| 10 | In a Sentimental Mood | Dianne Reeves | | 5:18 |
| 11 | Wives and Lovers | Nancy Wilson | 4 | 1:59 |
| 12 | Wild Is the Wind- Produzent(in):
- Bob Blake und Jack Gold
- Bass:
- Jimmy Bond (in 1959-10)
- Klavier und Sologesang:
- Nina Simone (in 1959-10)
- Schlagzeug:
- Albert “Tootie” Heath (in 1959-10)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1959)
- cover recording of:
- Wild Is the Wind (in 1959-10)
- Texter:
- Ned Washington
- Komponist(in):
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
- Teil von:
- The 30th Academy Award for Best Original Song (Nummer: 2)
| Nina Simone | | 3:27 |
| 13 | Baby Won’t You Please Come Home | Kay Starr | | 2:21 |
| 14 | When Your Lover Has Gone | Sue Raney | | 3:00 |
| 15 | The Man I Love | Peggy Lee | | 3:45 |
| 16 | Stormy Weather | Sarah Vaughan feat. Jimmy Jones and His Orchestra | | 3:29 |
| 17 | Let Me Down Easy | Bettye LaVette | | 3:07 |
| 18 | Wish Someone Would Care | Irma Thomas | | 2:19 |
| 19 | Tell It Like It Is | Bettye Swann | | 2:53 |
| 20 | Travelin Light | Billie Holiday with the Paul Whiteman Orchestra | | 3:09 |
| 21 | Time After Time- recording engineer:
- Danny Kopelson (von 1998-05 bis 1998-09)
- Akustikgitarre:
- Marvin Sewell (von 1998-05 bis 1998-09)
- Bouzouki und E-Gitarre:
- Kevin Breit (von 1998-05 bis 1998-09)
- Kontrabass:
- Lonnie Plaxico (von 1998-05 bis 1998-09)
- Perkussion:
- Jeffrey Haynes (von 1998-05 bis 1998-09)
- vocals:
- Cassandra Wilson (von 1998-05 bis 1998-09)
- aufgenommen bei:
- Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1998-05 bis 1998-09)
- cover recording of:
- Time After Time (von 1998-05 bis 1998-09)
- Verfasser(in):
- Rob Hyman und Cyndi Lauper
- publisher:
- Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control , Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , Warner/Chappell North America, WB Music Corp. (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
| Cassandra Wilson | | 4:08 |
| 22 | Daybreak | Lisa Ekdahl | | 3:15 |
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