Music for a While: Improvisations on Purcell

~ Veröffentlichung von Purcell; L'Arpeggiata, Christina Pluhar (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1'Twas Within a Furlong
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Hochgesang:
Vincenzo Capezzuto (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Twas Within a Furlong of Edinburgh Town
Texter:
Thomas D’Urfey
Komponist(in):
Henry Purcell (Baroque composer)
Henry Purcell2:54
2Music for a While
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor) (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While"
Texter:
John Dryden (English poet)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Oedipus, King of Thebes, Z. 583
Henry Purcell5:54
3Strike the Viol
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Soprangesang:
Raquel Andueza (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol
Texter und Librettist:
Nahum Tate
Komponist(in):
Henry Purcell (Baroque composer) (in 1694)
Teil von:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:58
4An Evening Hymn Upon a Ground
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor) (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
An Evening Hymn Upon a Ground
Komponist(in):
Henry Purcell (Baroque composer)
Henry Purcell6:06
5In Vain the Am'rous Flute
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor) (in 2013-06)
Hochgesang:
Vincenzo Capezzuto (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute”
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nicholas Brady (Irish poet, 1659–1726)
Teil von:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:34
6A Prince of Glorious Race Descended
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
A Prince of Glorious Race Descended
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Who can from joy refrain?, Z. 342
Henry Purcell4:40
7O Solitude, My Sweetest Choice
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
O Solitude, Z. 406
Texter:
Katherine Philips (17th century poet)
Komponist(in):
Henry Purcell (Baroque composer) (von 1684 bis 1685)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 406)
basiert auf:
O Solitude
Henry Purcell5:24
8When I Am Laid in Earth
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Soprangesang:
Raquel Andueza (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:03
9Wondrous Machine
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Hochgesang:
Vincenzo Capezzuto (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!”
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nicholas Brady (Irish poet, 1659–1726)
Teil von:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:42
10Here the Deities Approve
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor) (in 2013-06)
Orchester:
L’Arpeggiata (in 2013-06)
conductor:
Christina Pluhar
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell4:48
11Ah! Belinda
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Soprangesang:
Raquel Andueza (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:10
12Hark! How the Songsters of the Grove
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Philippe Jaroussky (countertenor) (in 2013-06)
Soprangesang:
Raquel Andueza (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove"
Texter:
Thomas Shadwell
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Timon of Athens (semi-opera)
Henry Purcell2:49
13One Charming Night
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Hochgesang:
Vincenzo Capezzuto (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night"
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:40
14Man Is for the Woman Made
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Countertenorgesang:
Dominique Visse (countertenor) (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Man Is for the Woman Made
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Mock Marriage, Z. 605
Henry Purcell1:18
15O Let Me Weep (The Plaint)
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Soprangesang:
Raquel Andueza (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!"
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell7:19
16Curtain Tune on a Ground
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Timon of Athens (semi-opera)
Henry Purcell2:56
17Hallelujah
Sound-Engineering:
Frédéric Braye (in 2013-06) und Mireille Faure (in 2013-06)
Hochgesang:
Vincenzo Capezzuto (in 2013-06)
conductor:
Christina Pluhar
Interpret(in):
L’Arpeggiata (in 2013-06)
aufgenommen bei:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, Frankreich (in 2013-06)
cover recording of:
Hallelujah (in 2013-06)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen6:04