101 Ultimate Beer Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1You Can Leave Your Hat On
tecnico:
Brian Reeves
produttore:
Richie Zito
tecnico di missaggio:
Rik Pekkonen
basso e sintetizzatore :
Arthur Barrow
chitarra :
Richie Zito
corno :
Dick Hyde, Steve Madaio e Joel Peskin
membranofono :
Michael Baird
voce di accompagnamento:
Maxine Sharp, Julia Waters e Maxine Waters
voce principale:
Joe Cocker
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
You Can Leave Your Hat On
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (nel 1972), Randy Newman Music (nel 1972, nel 1976) e WB Music Corp. (1929–2019) (nel 1972, nel 1976)
registrazione di:
You Can Leave Your Hat On
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (nel 1972), Randy Newman Music (nel 1972, nel 1976) e WB Music Corp. (1929–2019) (nel 1972, nel 1976)
Joe Cocker3.854:13
2Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.43:05
3Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, “Mr. Cool”)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:28
4Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
5Walk Right In
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977, nel 2002)
registrazione cover di:
Walk Right In
compositore:
Gus Cannon e Hosea Woods
editore:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) e Southern Music Publishing Co. (publishing company)
Dr. Hook2:57
6Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:51
7Come Back Again
registrazione di:
Come Back Again (Daddy Cool song)
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Daddy Cool4:52
8California Girls
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Mike Love (Beach Boys)
remixer:
Mark Linett (nel 2002)
remixata presso:
Your Place or Mine Recording in Glendale, California, Stati Uniti (nel 2002)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 71)
registrazione strumentale di:
California Girls
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
registrazione di:
California Girls
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys3.352:43
9Howzat
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1976) e Sherbet Record Productions (nel 1976)
registrazione di:
Howzat
autore:
Tony Mitchell (bass, songwriter, Australia) e Garth Porter
editore:
Heath Levy Music Ltd. (publisher), Rondor Music e Rondor Music (Australia) Pty Ltd
Sherbet23:44
10Our House
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3:21
11Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:03
12Your Mama Don't Dance
tecnico aggiunto:
John Fiore
registrazione di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:48
13We've Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (publisher) (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:13
14Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:12
15Because I Love You
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1970, nel 1971)
registrazione di:
Because I Love You (Masters Apprentices song)
autore:
Doug Ford e Jim Keays
editore:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:33
16Mr. Bojangles
registrazione di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band3:35
17Locomotive Breath
registrazione di:
Locomotive Breath
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4:26
18The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:34
19The Devil Went Down to Georgia
registrazione di:
The Devil Went Down to Georgia
autore:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain e James W. Marshall
editore:
Songs of Universal, Inc. (BMI) e Hat Band Music (nel 1979)
Charlie Daniels53:36
20Lucille
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Liberty Records, Inc. (nel 1977)
registrazione di:
Lucille
autore:
Roger Bowling e Hal Bynum
editore:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (nel 1976) e Brougham Hall Music Co., Inc. (publisher) (nel 1976)
Kenny Rogers33:40
21Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:15

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parte di:101 Hits (Australian compilation series) (numero: Ultimate Beer Songs) (ordine: 30)