Les Nocturnes: 45 ans de power‐play: Georges Lang

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
11984
assistierende(r) Techniker(in):
Ken Deane
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Keyboard:
Edward Van Halen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
1984
Komponist(in):
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth und Alex Van Halen
publisher:
Mugambi Publishing, Diamond Dave Music (in 1984) und Van Halen Music (in 1984)
Van Halen2.351:07
2You Really Got Me
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
E-Bass:
Michael Anthony (US bassist, formerly of Van Halen)
E-Gitarre:
Edward Van Halen
Schlagzeug:
Alex Van Halen
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen) und Edward Van Halen
Sologesang:
David Roth
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Really Got Me
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
Van Halen4.22:38
3Middle of the Road (2007 remaster)
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 2000)
aufgenommen bei:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Middle of the Road
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music und Hynde House of Hits Music
Pretenders4.754:14
4Well, Well (live)
recording engineer:
Eric Roa
Techniker(in):
Jared Kvitka
Produzent(in) und Mix:
Kevin Shirley (producer & mixer)
aufgenommen bei:
Koninklijk Theater Carré (Royal Theatre Carré) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (am 2013-06-29)
mixed at:
The Cave Studios (Recording studio located in Malibu, California, United States. Owned by Kevin Shirley.) in Malibu, California (Kalifornien), Vereinigte Staaten
live cover recording of:
Well, Well (am 2013-06-29)
Texter und Komponist(in):
Delaney Bramlett
Beth Hart & Joe Bonamassa4:48
5Mercury Blues
recording of:
Mercury Blues
Verfasser(in):
K.C. Douglas (post-war West Coast rural blues guitarist) und Robert Geddins
publisher:
B-Flat Music (BMI-affiliated), Bug Music (music publishing), Sam Coplin Music und Tradition Music
David Lindley3:32
6Rockin’ Down the Highway
recording of:
Rockin’ Down the Highway
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers3:20
7Carry on Wayward Son
assistierende(r) Techniker(in):
Jeff Glixman
Techniker(in):
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
Produzent(in):
Jeff Glixman
Akustikgitarre:
Rich Williams (guitarist of Kansas) (von 1975 bis 1976)
Bassgitarre:
Dave Hope (von 1975 bis 1976)
Bratsche / Viola und Geige / Violine:
Robby Steinhardt (von 1975 bis 1976)
Clavinet, Moog und Synthesizer [Oberheim synthesizer]:
Kerry Livgren (von 1975 bis 1976)
E-Gitarre:
Kerry Livgren (von 1975 bis 1976) und Richard Williams (guitarist of Kansas) (von 1975 bis 1976)
Klavier:
Kerry Livgren (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Orgel, Synthesizer und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Perkussion und Schlagzeug:
Phil Ehart (von 1975 bis 1976)
Hintergrundgesang:
Robby Steinhardt (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
aufgenommen bei und mixed at:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 96)
recording of:
Carry On Wayward Son (von 1975 bis 1976)
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.655:20
8Blinded by the Light
Produzent(in):
Manfred Mann (the person) und Manfred Mann’s Earth Band
phonographisches Urheberrecht (℗) von:
Creature Music Ltd., Bronze Records Limited (in 1976) und Petbrook Ltd (in 1976)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1976)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.23:49
9Because the Night
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group3:21
10Bring Me Some Water
recording of:
Bring Me Some Water
Texter und Komponist(in):
Melissa Etheridge
publisher:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:52
11Young Blood
recording of:
Young Blood
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4:03
12Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
Techniker(in):
David DeVore
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks und Keith Olsen (US producer and engineer)
Akustikgitarre, Banjo, E-Gitarre, Gitarre und Resonatorgitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
Bassgitarre:
John McVie (in 1975-02)
Keyboard [keyboards] und Synthesizer:
Christine McVie (in 1975-02)
Schlagzeug [drums] und Perkussion:
Mick Fleetwood (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) und Stevie Nicks (in 1975-02)
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Say You Love Me (in 1975-02)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher) und Universal Music Careers
Fleetwood Mac4.24:10
13St. George and the Dragon
assistierende(r) Techniker(in):
Stephen McManus (Aufgabe: assistant)
Techniker(in) und Mix:
Dana Latham und Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer), Tom Knox und Toto (US rock group)
zusätzliche(r) Produzent(in):
Tom Knox und Toto (US rock group)
Bass:
David Hungate
Gitarre:
David Hungate und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Instrumente:
Steve Porcaro
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeffrey Porcaro
vocals:
Bobby Kimball, David Paich und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979)
recording of:
St. George and the Dragon
Verfasser(in):
David Paich
publisher:
Hudmar Publishing Co. Inc.
Toto3.54:43
14Vicious (remastered version)
Koproduzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
Bass arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Vicious (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Lou Reed3.452:55
15Wonderful Life
phonographisches Urheberrecht (℗) von:
BMG Rights Management UK Ltd. (not for release label use! see annotation) (in 2015)
cover recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Katie Melua4:04
16Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
17Devoted to You
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Bass:
Will Lee (US jazz/rock bassist)
E-Gitarre:
Hugh McCracken
Hybrid-Piano:
Richard Tee
Schlagzeug:
Steve Gadd (drummer)
vocals:
Carly Simon
Interpret(in):
James Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978)
cover recording of:
Devoted to You
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
Carly Simon & James Taylor2:30
18The Crystal Ship
recording of:
The Crystal Ship
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
The Doors2:38
19American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:32
20Simple Man
Graham Nash2:18
21Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.854:26
22Hello Hooray
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
zusätzlich Gast-Pedal-Steel-Gitarre:
Steve "The Deacon" Hunter (rock guitarist) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (, von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
Musikvideos:
Hello Hooray von Alice Cooper (the band, active 1964–1974/5)
cover recording of:
Hello Hooray (von 1972-08 bis 1973-01)
Texter und Komponist(in):
Rolf Kempf
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019) (in 1968)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper44:19
23Jealous Guy (edit)
Produzent(in):
Rhett Davies, Bryan Ferry und Roxy Music
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music4.54:52
24Kayleigh (2017 remaster)
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:04
25Lavender (2017 remaster)
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Flügel:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Lavender (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
basiert auf:
Lavender’s Blue (late 17th c. English folk song)
Marillion42:27
26Greyhound 89
Matt Ellis4:36
27Simple Man
Techniker(in):
Al Kooper, Bob “Tub” Langford, Rodney Mills und Danny Turbeville
Produzent(in):
Al Kooper
Bassgitarre:
Ed King (US guitarist, bassist & songwriter)
Gitarre [rhythm guitar]:
Allen Collins und Gary Rossington
Keyboard:
Billy Powell
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer)
zusätzlich Orgel:
Roosevelt Gook
Sologesang:
Ronnie Van Zant
remixer:
Al Kooper
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten
recording of:
Simple Man (in 1973-04)
Verfasser(in):
Gary Rossington und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd4.655:55
28Free Bird
Wynonna7:40
29My Back Pages
recording of:
My Back Pages
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds3:05
30The Birds of St. Marks
recording of:
The Birds of St. Marks
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
Jackson Browne4:23
31All Along the Watchtower
Barbara Keith3:14
32Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) und WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51
33I Need You
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dewey Bunnell
Bassgitarre und Klavier und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre:
Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
America3.553:03
34Belfast Child
Produzent(in):
Trevor Horn und Stephen Lipson
arranger:
Simple Minds (Scottish rock band)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
recording of:
Belfast Child
Texter:
Jim Kerr (of Simple Minds)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
She Moved Through the Fair
Simple Minds46:41
35Flower
Techniker(in):
Amir Derakh, Jim Jacobsen (worked with Eels) und Matt Thorne
Produzent(in):
E (Mark Oliver Everett, founder of Eels)
Mix:
Mike Simpson (member of The Dust Brothers)
Bass:
Tommy Walter
Keyboard:
Jim Jacobsen (worked with Eels)
Schlagzeug:
Butch (drummer for Eels, real name: Jonathan Norton)
Wurlitzer Electric Piano und Gitarre und Sologesang:
E (Mark Oliver Everett, founder of Eels)
Hintergrundgesang:
Butch (drummer for Eels, real name: Jonathan Norton) und Tommy Walter
recording of:
Flower
Verfasser(in):
Mark Oliver Everett und Jim Jacobsen (worked with Eels)
Eels2.753:35
36Part Two – In My Own Way
recording engineer und Mix:
Kevin Ratterman
Produzent(in):
Jim James
Akustikgitarre:
Ray LaMontagne
Bassgitarre:
Seth Kauffman (US indie rock musician)
E-Gitarre:
Jim James und Ray LaMontagne
Schlagzeug:
Dave Givan
Hintergrundgesang:
Jim James
vocals:
Ray LaMontagne
recording of:
In My Own Way
Texter und Komponist(in):
Ray LaMontagne
Ray LaMontagne46:36
37Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:02
38It’s So Easy
recording engineer:
Val Garay (von 1977-05-23 bis 1977-07-22)
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Mix:
Val Garay
Akustikgitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
Clavinet:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
E-Gitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Peter Asher (von 1977-05-23 bis 1977-07-22), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22), Linda Ronstadt (von 1977-05-23 bis 1977-07-22) und Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 90)
cover recording of:
It’s So Easy (von 1977-05-23 bis 1977-07-22)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
Linda Ronstadt42:25
39The Road to Hell, Part II
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1989)
recording of:
The Road to Hell, Part 2
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
Teil von:
The Road to Hell
Chris Rea4:26
40Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
41The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:32
42Nine Million Bicycles (live in Berlin)
aufgenommen bei:
Admiralspalast in Mitte, Berlin, Deutschland (am 2016-11-16)
live recording of:
Nine Million Bicycles (am 2016-11-16)
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua4:04
43Tell Her You Belong to Me
Akustikgitarre und E-Gitarre:
Larry Campbell (worked with Bob Dylan and Phil Lesh & Friends) und Rob Mathes
alto saxophone und baritone saxophone:
Aaron Heick
Bratsche / Viola:
Peter Lale (violist)
Cello:
Martin Loveday (cellist)
E-Bass und E-Kontrabass:
Zev Katz
Geige / Violine:
Perry Montague‐Mason (violinist)
Keyboard und Klavier:
Rob Mathes
Mandoline und Pedal-Steel-Gitarre:
Larry Campbell (worked with Bob Dylan and Phil Lesh & Friends)
Perkussion und Schlagzeug:
Charley Drayton
Tenorsaxophon:
Andy Snitzer
Trompete:
Jeff Kievit
Hintergrundgesang:
Angela Clemmons, Beth Hart (US singer-songwriter), Nikki Richards, Vaneese Thomas und James “D Train” Williams (R&B vocalist & songwriter)
Sologesang:
Beth Hart (US singer-songwriter)
recording of:
Tell Her You Belong to Me
Texter und Komponist(in):
Beth Hart (US singer-songwriter)
Beth Hart45:56
44Beauty and the Beast
Techniker(in) und Mix:
Shelly Yakus
Produzent(in):
Jimmy Iovine
Flügel:
Roy Bittan
Hintergrundgesang:
Carolyn Brooks, Sharon Celani und Lori Perry Nicks
conductor:
Paul Buckmaster
Saiteninstrumente arranger:
Paul Buckmaster und Kenneth Whitfield
aufgenommen bei:
Alpine Valley Music Theatre in East Troy, Wisconsin, Vereinigte Staaten (am 1983-07-30)
live recording of:
Beauty and the Beast (am 1983-07-30)
Texter und Komponist(in):
Stevie Nicks
recording of:
Beauty and the Beast
Texter und Komponist(in):
Stevie Nicks
Stevie Nicks6:05
45With God on Our Side
The Neville Brothers6:35
46If I Can Dream
remixer:
Dennis Ferrante
live recording of:
If I Can Dream
Texter und Komponist(in):
Earl Brown (composer and arranger)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Steve Peter Music (ASCAP) und Universal Music Corporation (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3:11
47I Can’t Stand the Rain
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Graham Broad
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Tina Turner33:43
48Guitar Jamboree
Chris Spedding4:17
49Black Magic Woman
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana5:19
50Dixie Chicken
Produzent(in):
Lowell George
vocals:
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:56
51I Just Can’t Let Go (remaster)
recording of:
I Just Can't Let Go
Texter und Komponist(in):
David Pack
publisher:
Art Street Music und EMI Longitude Music
Ambrosia5:20
52Respect
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) und Greg Field
assistierende(r) Produzent(in):
Greg Field (Hintergrundgesang)
Produzent(in):
Nick Patrick und Don Reedman (producer)
Mix:
Peter Schwier (producer, mixing and recording engineer)
Editing:
Cécile Tournesac und Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Willie Bridges und Martin Williams (reeds)
Bass:
Tommy Cogbill und Steve Pearce (UK bassist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Timothy Cansfield
Klavier:
Aretha Franklin und Pete Murray (pianist and keyboardist)
Kornett:
Melvin Lastie
Orgel:
Dewey "Spooner" Oldham
Perkussion:
Danny Cummings (British drummer and percussionist)
Posaune:
Nigel Barr, Alistair White und Andy Wood (trombonist)
Schlagzeug:
Roger Hawkins (drummer and producer) und Ralph Salmins
Tenorsaxophon:
Graeme Blevins, Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), King Curtis (saxophonist) und Jamie Talbot (English jazz alto saxophonist)
Trompete:
Simon Gardiner, Ryan Quigley und Paul Spong (trumpetist)
Hintergrundgesang:
Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont und Valerie Pinkston
Orchester:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Steve Sidwell (English composer & wind instrumentalist)
zusätzlich instruments arranger:
Nick Patrick und Don Reedman (producer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und G Studio Digital in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Shine Studios in Salisbury, Wiltshire, England, Vereinigtes Königreich
cover recording of:
Respect
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin with Royal Philharmonic Orchestra2:37
53Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:10
54Short People
Techniker(in):
Loyd Clifft und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
Bass:
Klaus Voorman (von 1977-07 bis 1977-09)
Conga:
Milt Holland (von 1977-07 bis 1977-09)
Gitarre:
Waddy Wachtel (von 1977-07 bis 1977-09)
Schlagzeug:
Jim Keltner (von 1977-07 bis 1977-09)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (von 1977-07 bis 1977-09), J.D. Souther (von 1977-07 bis 1977-09) und Tim Schmit (von 1977-07 bis 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (von 1977-07 bis 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 41)
recording of:
Short People (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Hightree Music (in 1977)
Randy Newman42:57
55Nightmoves
recording engineer:
Bruce Botnick, Lee Herschberg und Al Schmitt
Produzent(in):
Tommy LiPuma
Mix:
Al Schmitt
Bassgitarre:
Wilton Felder
Gitarre:
Larry Carlton
Keyboard:
Joe Sample
Perkussion und Schlagzeug:
John Guerin
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recording of:
Night Moves
Texter:
Michael Franks
Komponist(in):
Michael Small (20th century soundtrack composer)
publisher:
Mississippi Mud Music Co., Warner–Barham Music LLC und 大洋音楽 (Taiyō Music)
Michael Franks4:04
56What’d I Say (Pt. 1 & 2) (mono remaster)
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-18)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Bennie Crawford (am 1959-02-18)
Keyboard:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Kontrabass [bass]:
Edgar Willis (bass) (am 1959-02-18)
Saxophon:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles45:04
57Unchain My Heart
Produzent(in):
Charlie Midnight
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Phil Grande
Horn:
Crispin Cioe, Arno Hecht (American saxophonist), Hollywood Paul Litteral und Robert Funk (trombonist, trumpet player)
Keyboard:
Jeff Levine
Schlagzeug:
David Beal
Solo-Tenorsaxophon:
Clarence Clemons
Hintergrundgesang:
Tawatha Agee, Benny Diggs und Vaneese Thomas
Horn arranger:
Uptown Horns (US horn section, formed in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
cover recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Joe Cocker4.35:04
58Right Place Wrong Time
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Solo-Gitarre:
David Spinozza
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music und Walden Music, Inc.
Dr. John3.652:55
59Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:46
60One
sonstige Unterstützung:
Lindsay Chase
Techniker(in) und Mix:
David Ferguson (Nashville artist, sound engineer)
zusätzliche(r) Techniker(in):
D.Sardy (American score composer), Richard Dodd (mastering engineer, producer and engineer) und David Schiffman (American producer/audio engineer)
Partner-Produzent(in):
John Carter Cash
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Editing:
Billy Bowers (US engineer) und Chuck Turner
Sologesang:
Johnny Cash (country music legend)
phonographisches Urheberrecht (℗) von:
American Recordings, LLC (company and copyrightholder for American Recordings) (in 2000)
aufgenommen bei:
Akademie Mathematique of Philosphical Sound Research in Los Angeles, California (Kalifornien), Vereinigte Staaten und Cash Cabin Studio in Hendersonville, Tennessee, Vereinigte Staaten
mixed at:
Akademie Mathematique of Philosphical Sound Research in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
One
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd., Mother Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) und Universal Music Publishing International Ltd.
Johnny Cash4.253:51
61Berkeley Girl
Harper Simon3:38
62Never Even Thought
Murray Head5:01
63Motherland
recording engineer und Techniker(in):
Mike Piersante (recording engineer & mixer)
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer) und Natalie Merchant
assistierende(r) Mix:
Jenn Hilliard und Robert Read (engineer)
Mix:
Jim Scott (US recording engineer and producer)
accordion:
Van Dyke Parks
Akustikgitarre, Banjo und Mandoline:
Greg Leisz
akustische Bassgitarre [acoustic bass]:
Mike Elizando
Harmonium [pump organ]:
Patrick Warren
vocals:
Natalie Merchant
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Motherland
Texter und Komponist(in):
Natalie Merchant
publisher:
Indian Love Bride Music
Natalie Merchant34:42
64Thank U
recording engineer:
Glen Ballard und Chris Fogel (engineer)
Produzent(in):
Glen Ballard und Alanis Morissette
Mix:
Chris Fogel (engineer)
vocals:
Alanis Morissette
phonographisches Urheberrecht (℗) von:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1998, in 2024)
recording of:
Thank U
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette3.94:19
65When the Smoke Is Going Down (2015 remaster)
Techniker(in) und Produzent(in):
Dieter Dierks
Mix:
Gerd Rautenbach
Akustikgitarre, E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (von 1981-11 bis 1982-01) und Rudolf Schenker (von 1981-11 bis 1982-01)
Bassgitarre:
Francis Buchholz (von 1981-11 bis 1982-01)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (von 1981-11 bis 1982-01)
Hintergrundgesang:
Rudolf Schenker (von 1981-11 bis 1982-01)
Sologesang:
Klaus Meine (von 1981-11 bis 1982-01)
aufgenommen bei:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (von 1981-11 bis 1982-01) und Villa San Pecaïre in Grasse, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (von 1981-11 bis 1982-01)
recording of:
When the Smoke Is Going Down (von 1981-11 bis 1982-01)
Texter:
Klaus Meine
Komponist(in):
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN)
Scorpions3.53:52
66Stop!
Techniker(in):
Jared Kvitka
Produzent(in) und Mix:
Kevin Shirley (producer & mixer)
aufgenommen bei:
The Document Room in Malibu, California (Kalifornien), Vereinigte Staaten
cover recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Joe Bonamassa3.56:48
67W*O*L*D* (2012 collection remaster)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
W·O·L·D
Texter und Komponist(in):
Harry Chapin
publisher:
Story Songs, Ltd
Harry Chapin5:09
68Love Hurts
Techniker(in) und Mix:
Hugh Davies (US recording engineer)
Produzent(in):
Gram Parsons
Akustikgitarre und Sologesang:
Gram Parsons (von 1973-05 bis 1973-09)
Bass:
Emory Gordy (von 1973-05 bis 1973-09)
E-Gitarre:
James Burton (guitarist) (von 1973-05 bis 1973-09)
Gitarre [rhythm guitar]:
Herb Pedersen (in 1973)
Klavier:
Glen D. Hardin (von 1973-05 bis 1973-09)
Pedal-Steel-Gitarre:
Al Perkins (Texas born guitarist esp. steel guitar) (von 1973-05 bis 1973-09)
Schlagzeug:
Ron Tutt (drummer) (von 1973-05 bis 1973-09)
vocals:
Emmylou Harris (von 1973-05 bis 1973-09)
cover recording of:
Love Hurts (in 1973)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Emmylou Harris & Gram Parsons53:39
69Heartache
Valerie Carter2:55
70If You Have Crying Eyes
JD Souther5:02
71The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:33
72I Wrote a Song
Joe Brown3:56
73I’m Leaving You
Spain2:57

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Warner Music France (in 2018)
zum Herunterladen kaufen:https://itunes.apple.com/fr/album/id1373493882 [Info]