| # | Title | Artist | Rating | Length |
|---|
| 1 | Run to the Hills | Iron Maiden | | 3:54 |
| 2 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:28 |
| 3 | Ace of Spades | Motörhead | 4.25 | 2:46 |
| 4 | The Mob Rules | Black Sabbath | | 3:15 |
| 5 | The Spirit of Radio- recording engineer:
- Paul Northfield
- producer:
- Terry Brown and Rush
- assistant mixer:
- Steve S. Hort , Geddy Lee, Craig Milliner and Adam Moseley
- mixer:
- Terry Brown
- 12 string guitar [12-string acoustic guitar], 12 string guitar [12-string electric guitar], acoustic guitar, bass pedals [Taurus pedals] and electric guitar:
- Alex Lifeson (from 1979-09 until 1979-10)
- bass guitar, bass pedals [Taurus pedal synthesizer], Minimoog and synthesizer [Oberheim polyphonic: OB-1]:
- Geddy Lee (from 1979-09 until 1979-10)
- bell tree, crotales, drums (drum set), timbales, timpani [tympani], triangle, tubular bells, tubular bells [orchestra bells] and wind chime:
- Neil Peart (from 1979-09 until 1979-10)
- vocals:
- Geddy Lee (from 1979-09 until 1979-10)
- arranger:
- Terry Brown and Rush
- phonographic copyright (℗) by:
- Mercury Records (in 1980), PolyGram Records, Inc. (in 1980), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recorded at:
- Le Studio in Morin‐Heights, Québec , Canada (from 1979-09 until 1979-10)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1979-11)
- part of:
- Huffington Post: 100 Best Canadian Songs Ever (number: 88)
- recording of:
- The Spirit of Radio (from 1979-09 until 1979-10)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing and Anthem Core Music Publishing (from 1980 to present)
| Rush | 4.2 | 5:00 |
| 6 | Out in the Fields | Gary Moore and Friends | 3.4 | 4:17 |
| 7 | You Better You Bet | The Who | | 5:37 |
| 8 | Girls, Girls, Girls- assistant engineer:
- Ross Hogarth, Richard McKernon and Toby Wright
- engineer and mixer:
- Duane Baron
- producer:
- Bob Rock and Tom Werman
- bass guitar:
- Nikki Sixx
- drums (drum set):
- Tommy Lee
- guitar:
- Mick Mars
- background vocals:
- Tommy Lee , Mick Mars and Nikki Sixx
- lead vocals:
- Vince Neil
- phonographic copyright (℗) by:
- BMG Rights Management (US) LLC (in 1987) and Masters 2000 Inc. (in 2008)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1986-11 until 1987-02), One on One Studios in North Hollywood, Los Angeles, California, United States (from 1986-11 until 1987-02) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1986-11 until 1987-02)
- recording of:
- Girls, Girls, Girls
- lyricist:
- Nikki Sixx
- composer:
- Tommy Lee , Mick Mars and Nikki Sixx
- publisher:
- Mars Mountain Music, Sixx/Gunner Music, Tommyland Music and WB Music Corp.
| Mötley Crüe | 3.5 | 4:30 |
| 9 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.35 | 3:40 |
| 10 | Breaking the Law- engineer:
- Lou Austin
- producer:
- Tom Allom
- drums (drum set):
- Dave Holland (from 1980-01 until 1980-02)
- electric bass guitar:
- Ian Hill (from 1980-01 until 1980-02)
- electric guitar:
- Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
- lead vocals:
- Rob Halford (from 1980-01 until 1980-02)
- phonographic copyright (℗) by:
- CBS Records (in 1980), Sony BMG Music Entertainment (UK) Ltd. (in 1980), Sony Music Entertainment (UK) Ltd. (in 1980), Sony Music Entertainment UK Limited (in 1980) and Sony Music Entertainment UK Limited (in 2026)
- recorded at:
- Startling Studios in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
- music videos:
- Breaking the Law by Judas Priest
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 4), VH1: 100 Greatest Hard Rock Songs (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Breaking the Law (from 1980-01 until 1980-02)
- writer:
- Kenneth Downing, Rob Halford and Glenn Tipton
- publisher:
- Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. , EMI Songs Ltd., Geargate Ltd. , Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
- sub-publisher:
- ソニー・ミュージックパブリッシング EMI外国事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
| Judas Priest | 4.15 | 2:34 |
| 11 | Rock You Like a Hurricane- engineer:
- Mike Beiriger, Dieter Dierks, David Hewitt and Gerd Rautenbach
- producer:
- Dieter Dierks
- mixer:
- Mike Beiriger, Dieter Dierks and Scorpions
- acoustic guitar and electric guitar:
- Rudolf Schenker (in 1984)
- bass guitar:
- Francis Buchholz (in 1984)
- drums (drum set) and percussion:
- Herman Rarebell (in 1984)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
- slide guitar:
- Matthias Jabs (in 1984)
- background vocals:
- Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (in 1984) and Rudolf Schenker (in 1984)
- lead vocals:
- Klaus Meine (in 1984)
- arranger:
- Dieter Dierks
- phonographic copyright (℗) by:
- BMG Rights Management GmbH (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (in 1984) and The Island Def Jam Music Group (in 1984)
- recorded at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen , Germany (from 1983 until 1984)
- part of:
- Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
- recording of:
- Rock You Like a Hurricane (in 1984)
- lyricist:
- Klaus Meine and Herman Rarebell
- composer:
- Rudolf Schenker
- publisher:
- Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing
| Scorpions | 4 | 4:14 |
| 12 | 747 (Strangers in the Night) | Saxon | | 3:42 |
| 13 | 18 and Life | Skid Row | 3.85 | 3:50 |
| 14 | Every Rose Has Its Thorn | Poison | 4 | 4:18 |
| 15 | Just Like Paradise | David Lee Roth | | 4:03 |
| 16 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4.5 | 4:48 |
| 17 | Run Runaway | Slade | 4 | 5:01 |
| 18 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 19 | Kayleigh | Marillion | 4.35 | 3:33 |
| 20 | The Road to Hell, Part 2 | Chris Rea | | 4:30 |
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