Pachelbel’s Canon & Other Baroque Favourites

~ Release by Andrew Parrott (see all versions of this release, 1 available)

Annotation

© «2005 EMI Records Ltd./Virgin Classics»
℗ «as shown. This compilation»
℗ «2005 by EMI Records Ltd./Virgin Classics.»

Annotation last modified on 2025-07-25 20:22 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Gloria in D major, RV 589: I. Gloria in excelsis Deo
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:34
2Canon and Gigue for Three Violins and Continuo in D major: Canon
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:41
3Canon and Gigue for Three Violins and Continuo in D major: Gigue
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel1:25
4Three Parts Upon a Ground, Z. 731
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)
Henry Purcell5:09
5Abdelazer, Z. 570: II. Rondeau
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
6Laetatus Sum, RV 607
choir vocals:
Taverner Choir (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Salmo 121: Laetatus sum, RV 607: Allegro (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 607)
Antonio Vivaldi3:37
7The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: I. Allegro
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:23
8The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: II. Largo e pianissimo sempre
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:36
9The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: III. Allegro
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:02
10Flute Concerto in G minor, op. 10 mo. 2, RV 439 “La notte”: I. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: I. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:33
11Flute Concerto in G minor, op. 10 mo. 2, RV 439 “La notte”: II. Fantasmi. Presto & III. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:43
12Flute Concerto in G minor, op. 10 mo. 2, RV 439 “La notte”: IV. Allegro
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: IV. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:00
13Flute Concerto in G minor, op. 10 mo. 2, RV 439 “La notte”: V. Largo. Il Sonno
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:45
14Flute Concerto in G minor, op. 10 mo. 2, RV 439 “La notte”: VI. Allegro
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi2:16
15Wir danken dir, Gott, wir danken dir, BWV 29: No. 1, Sinfonia
orchestra:
Taverner Players (from 1987-04 until 1987-06)
conductor:
Andrew Parrott (conductor) (from 1987-04 until 1987-06)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04 until 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:39
16Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude”
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:17
17Orchestral Suite no. 2 in B minor, BWV 1067: II. Air
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:07
18Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
violone:
Michael Willens (bass) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:19
19Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
violone:
Michael Willens (bass) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:28
20Brandenburg Concerto no. 2 in F major, BWV 1047: I. —
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:55
21Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:23
22Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:52
23Solomon, HWV 67, Act 3: Sinfonia “The Arrival of the Queen of Sheba”
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:48
24Messiah, HWV 56, Pt. 1: Sinfonia
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:37
25Messiah, HWV 56, Pt. 2, Scene 7: Chorus. “Hallelujah”
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:00
2▶Digital Media