Guillermo del Toro’s Pinocchio (For Your Consideration)

~ Release by Alexandre Desplat (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Carlo's Theme
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Carlo’s Theme
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:10
2Going to Town
3:11
3The Pine Cone
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
The Pine Cone
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:07
4Spazzatura
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Spazzatura
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:57
5Geppetto's Creature
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Geppetto’s Creature
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
4:49
6Sebastian J. Cricket
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Sebastian J Cricket
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
3:39
7A Wooden Boy
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
A Wooden Boy
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:22
8Pinocchio
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Pinocchio
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:42
9Paint Battle
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Paint Battle
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:38
10The Sphinx
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
The Sphinx
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:40
11Memory of Carlo
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Memory of Carlo
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:57
12The Circus
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
The Circus
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:23
13Pinocchio Has Left
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Pinocchio Has Left
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:57
14To Catania
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
To Catania
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:42
15Pinocchio Soldier
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Pinocchio Soldier
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:17
16Big Lies
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Big Lies
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:19
17The Dogfish
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
The Dogfish
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
0:46
18Shoot the Puppet
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Shoot the Puppet
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
5:55
19The Mine
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
The Mine
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
2:15
20Saving Geppetto
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Saving Geppetto
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:14
21Pinocchio's Choice
recording engineer:
Daniel Hayden (UK based engineer) and John Prestage (engineer)
assistant engineer:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer)
producer:
Alexandre Desplat (French score composer) and Dominique Lemonnier
mixer:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Netflix Music, LLC
recording of:
Pinocchio’s Choice
orchestrator:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope
composer:
Alexandre Desplat (French score composer)
1:37