Music for Flute

~ Release by Villa-Lobos; William Bennett (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Quinteto em forma de chôros
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
clarinet:
Thea King (British clarinettist) (from 1987-12-30 until 1987-12-31)
cor anglais:
Janice Knight (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
oboe:
Neil Black (oboist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Quinteto em forma de chôros, W231 (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1928)
part of:
Appleby Catalogue (W) (number: W231)
Heitor Villa‐Lobos10:29
2Modinha
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
guitar:
Simon Wynberg (classical guitarist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Serestas, W216: No. 5. Modinha (catch-all for arrangements) (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
arrangement of:
Serestas, W216: No. 5. Modinha
Heitor Villa‐Lobos1:39
3Bachianas brasileiras, No. 6: I. Aria (Chôro, largo)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Bachianas Brasileiras nº 6, W392: I. Ária (chôro) (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 6, W392
Heitor Villa‐Lobos3:56
4Bachianas brasileiras, No. 6: II. Fantasia (Allegro)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Bachianas Brasileiras nº 6, W392: II. Fantasia (Allegro) (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 6, W392
Heitor Villa‐Lobos5:31
5Distribuição de flôres (Distribution of Flowers)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
guitar:
Simon Wynberg (classical guitarist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Distribuição de flores, W381 (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1937)
part of:
Appleby Catalogue (W) (number: W381)
Heitor Villa‐Lobos3:44
6Assobio a jato (The Jet Whistle): I. Allegro non troppo
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cello:
Charles Tunnell (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Assobio a játo, W493: I. Allegro non troppo (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1950)
part of:
Assobio a játo, W493
Heitor Villa‐Lobos3:27
7Assobio a jato (The Jet Whistle): II. Adagio
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cello:
Charles Tunnell (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Assobio a játo, W493: II. Adagio (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1950)
part of:
Assobio a játo, W493
Heitor Villa‐Lobos3:11
8Assobio a jato (The Jet Whistle): III. Vivo
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cello:
Charles Tunnell (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Assobio a játo, W493: III. Vivo (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1950)
part of:
Assobio a játo, W493
Heitor Villa‐Lobos4:15
9Chôros, No. 2
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clarinet:
Thea King (British clarinettist) (from 1987-12-30 until 1987-12-31)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Choros nº 2, W197 (for flute and clarinet) (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1924)
part of:
Appleby Catalogue (W) (number: W197)
Heitor Villa‐Lobos2:44
10Canção do amor (Song of Love)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
flute:
William Bennett (flautist) (from 1987-12-30 until 1987-12-31)
guitar:
Simon Wynberg (classical guitarist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Four Songs from "The Forest of the Amazon": II. Canção do amor (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
is based on:
Floresta do Amazonas: Canção do Amor
part of:
Four Songs from "The Forest of the Amazon"
Heitor Villa‐Lobos2:57
11Trio: I. Animé
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
clarinet:
Thea King (British clarinettist) (from 1987-12-30 until 1987-12-31)
oboe:
Neil Black (oboist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Trio, W182: I. Animé (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Trio, W182
Heitor Villa‐Lobos6:39
12Trio: II. Languisamente
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
clarinet:
Thea King (British clarinettist) (from 1987-12-30 until 1987-12-31)
oboe:
Neil Black (oboist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Trio, W182: II. Languissant (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Trio, W182
Heitor Villa‐Lobos7:34
13Trio: III. Vivo
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bassoon:
Robin O’Neill (bassoonist and conductor) (from 1987-12-30 until 1987-12-31)
clarinet:
Thea King (British clarinettist) (from 1987-12-30 until 1987-12-31)
oboe:
Neil Black (oboist) (from 1987-12-30 until 1987-12-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-30 until 1987-12-31)
recording of:
Trio, W182: III. Vif (from 1987-12-30 until 1987-12-31)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Trio, W182
Heitor Villa‐Lobos5:02