Seventies Complete, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Australian 1 of 5 disc release by EMI 8148362

Australian 5 of 5 disc release by EMI 8148402

Australian 4 of 5 disc release by EMI 8148392

Australian 3 of 5 disc release by EMI 8148382

Australian 2 of 5 disc release by EMI 8148372

Anmerkung zuletzt geändert am 2005-08-26 16:38 UTC.

Titelliste

1▶CD: 1970-1974
2▶CD: 1975-1977
3▶CD: The Disco Era
4▼CD: 1978-1979
Nr.TitelKünstlerBewertungLänge
1Heart of Glass
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie53:21
2My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:02
3Macho Man
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Glocken:
Felipe Rose
Sologesang:
Victor Willis (Victor Edward Willis, member of the Village People)
vocals:
Alex Briley, David "Scar" Hodo, Glenn Hughes (singer for Village People), Randy Jones (Village People) und Felipe Rose
conductor:
Horace Ott
Blechblasinstrumente und Saiteninstrumente arranger:
Horace Ott
phonographisches Urheberrecht (℗) von:
Casablanca Record and FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1978)
produced for:
Can’t Stop Productions, Inc.
recording of:
Macho Man
Verfasser(in):
Henri Belolo, Jacques Morali, Peter Whitehead und Victor Willis (Victor Edward Willis, member of the Village People)
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI) und EMI Music (do not use as release label! this is a music publisher)
Village People3:28
4Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:11
5Free Me
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron und Ken Hensley
assistierende(r) Mix:
Julian Cooper (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Mix:
Peter Gallen und Robert M. Corich (remastering engineer and record producer,) (von 1990 bis 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-09)
recording of:
Free Me (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Umble Tunes Ltd.
Uriah Heep23:32
62 4 6 8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:21
7Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:15
8It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:32
9Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys44:01
10Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
11Jack and Jill
recording of:
Jack & Jill
Texter und Komponist(in):
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) und Raydiola Music
Raydio4:32
12Baby It’s You
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
recording of:
Baby It’s You (Promises song)
Verfasser(in):
Benny Knauer (member of Promises) und Leslie Knauer
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Promises3:53
13Computer Games
Bass:
Don Martin (bassist and vocalist)
Gitarre:
Kevin Stanton
Keyboard:
Murray Burns
Schlagzeug:
Richard Hodgkinson
vocals:
Steve Gilpin
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1979) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1980)
recording of:
Computer Games
Texter:
Steve Gilpin und Kevin Stanton
Komponist(in):
Murray Burns und Kevin Stanton
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. und Universal Music Publishers MGB Australia Pty Ltd
MiSex4:02
14Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:49
15Stumblin’ In
Gast vocals:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1978)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 4) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 8)
recording of:
Stumblin’ In
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Songs, Inc. und Musik-Edition Discoton GmbH
Suzi Quatro and Chris Norman4.653:58
16If I Had Words
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 45)
cover recording of:
If I Had Words
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald and Yvonne Keeley23:55
17Are You Old Enough
Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Schlagzeug:
Kerry Jacobson
vocals:
Marc Hunter
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
Texter und Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Dragon4:04
18Ebony Eyes
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 96)
recording of:
Ebony Eyes
Texter und Komponist(in):
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) und Glenwood Music Corp.
Bob Welch3:33
19Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979) und EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 2002)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
5▶CD: Australia

Nennungen

Veröffentlichung

gedruckt in:Australien
hergestellt von und vertrieben von:The EMI Music Group Australasia (not for release label use! manufacturer and distributor)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Australasia (in 1997)
Discogs:https://www.discogs.com/release/4952953 [Info]