The Complete Symphonies (compilation of Bernstein Century releases)

~ Veröffentlichung von Gustav Mahler; Leonard Bernstein (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Symphony no. 1 in D major / “Adagio” from Symphony no. 10
2▶CD: Symphony no. 2
3▶CD: Symphony No. 2 / Symphony No. 5, 4th. Mvt / Symphony No. 8, Part 1
4▶CD: Symphony no. 3 (Movements I–V)
5▶CD: Symphony no. 3 (Movement VI) / Three Rückert Songs / Kindertotenlieder
6▶CD: Symphony no. 4
7▶CD: Symphony no. 5
8▶CD: Symphony no. 6
9▶CD: Symphony no. 7
10▶CD: Symphony no. 8 “Symphony of a Thousand” (Part I)/ Kindertotenlieder
11▼CD: Symphony no. 8 “Symphony of a Thousand” (Part II)
Nr.TitelKünstlerBewertungLänge
1Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Poco adagio
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler6:33
2Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Più mosso. (Allegro moderato)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler3:10
3Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Waldung, sie schwankt heran” (Heilige Anachoreten)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler4:16
4Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ewiger Wonnebrand” (Pater Ecstaticus)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Baritongesang [Pater Ecstaticus]:
Vladimir Ruždjak (baritone) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:23
5Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Wie Felsenabgrund mir zu Füßen” (Pater Profundus)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Bass-Gesang [Pater Profundus]:
Donald McIntyre (bass-baritone) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler4:16
6Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Gerettet ist das edle Glied” (Chor der Engel und Chor seliger Knaben)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler0:55
7Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jene Rosen, aus den Händen” (Chor der jüngeren Engel)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:45
8Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Uns bleibt ein Erdenrest” (Die vollendeteren Engel)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Hochgesang:
Anna Reynolds (alto) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler2:18
9Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ich spür’ soeben” (Die jüngeren Engel)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler0:34
10Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Hier ist die Aussicht frei” (Doctor Marianus) / “Freudig empfangen wir” (Chor seliger Knaben)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler0:38
11Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Höchste Herrscherin der Welt” (Doctor Marianus)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Tenor-Gesang [Doctor Marianus]:
John Mitchinson (tenor) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler2:33
12Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jungfrau, rein im schönsten Sinne” (Doctor Marianus und Chor)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Tenor-Gesang [Doctor Marianus]:
John Mitchinson (tenor) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:38
13Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Aussert langsam. Adagissimo.
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Tenor-Gesang [Doctor Marianus]:
John Mitchinson (tenor) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:15
14Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Dir, der Unberührbaren” (Chöre) / “Du schwebst zu Höhen” (Una Poenitentium und Chor der Büßerinnen)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Soprangesang [Una Poenitentium]:
Gwyneth Jones (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:59
15Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei der Liebe, die den Fen” (Magna Peccatrix)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Soprangesang [Magna Peccatrix]:
Erna Spoorenberg (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (am 1966-04-20)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler0:54
16Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem Bronn, zu dem schon weiland” (Mulier Samaritana)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Hochgesang [Mulier Samaritana]:
Anna Reynolds (alto) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (am 1966-04-20)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:22
17Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem hochgeweihten Orte” (Maria Aegyptiaca)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Hochgesang [Maria Aegyptiaca]:
Norma Procter (contralto) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (am 1966-04-20)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:07
18Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Die du grossen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Hochgesang [Maria Aegyptiaca]:
Norma Procter (contralto) (am 1966-04-20)
Solo Hochgesang [Mulier Samaritana]:
Anna Reynolds (alto) (am 1966-04-20)
Solo Soprangesang [Magna Peccatrix]:
Erna Spoorenberg (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (am 1966-04-20)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:20
19Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Neige, neige, du Ohnegleiche” (Una Poenitentium)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Solo Soprangesang [Una Poenitentium]:
Gwyneth Jones (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:04
20Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Er überwächst uns schon” (Selige Knaben)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20) und Highgate School Boys Choir (am 1966-04-20)
Solo Soprangesang [Una Poenitentium]:
Gwyneth Jones (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:14
21Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Vom edlen Geisterchor umgeben” (Una Poenitentium (Gretchen))
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20) und Highgate School Boys Choir (am 1966-04-20)
Solo Soprangesang [Una Poenitentium]:
Gwyneth Jones (soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
teilweise recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler2:06
22Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Komm! Hebe dich zu höhern Sphären!” (Mater Gloriosa)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Soprangesang [Mater Gloriosa]:
Gwenyth Annear (mezzo-soprano, soprano) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler1:21
23Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Blicket auf zum Retterblick” (Doctor Marianus)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Tenor-Gesang [Doctor Marianus]:
John Mitchinson (tenor) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler5:46
24Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Alles Vergängliche” (Chorus Mysticus)
Pfeifenorgel [organ]:
Hans Vollenweider (am 1966-04-20)
Chorgesang:
Finchley Children’s Music Group (Finchley Childrens Music Group) (am 1966-04-20), Highgate School Boys Choir (am 1966-04-20), Leeds Festival Chorus (am 1966-04-20), London Symphony Chorus (am 1966-04-20) und Orpington Junior Singers (am 1966-04-20)
Solo Baritongesang:
Vladimir Ruždjak (baritone) (am 1966-04-20)
Solo Bass-Gesang:
Donald McIntyre (bass-baritone) (am 1966-04-20)
Solo Hochgesang [Alto I]:
Anna Reynolds (alto) (am 1966-04-20)
Solo Hochgesang [Alto II]:
Norma Procter (contralto) (am 1966-04-20)
Solo Soprangesang [Soprano I]:
Erna Spoorenberg (soprano) (am 1966-04-20)
Solo Soprangesang [Soprano II]:
Gwyneth Jones (soprano) (am 1966-04-20)
Solo Tenor-Gesang:
John Mitchinson (tenor) (am 1966-04-20)
Orchester:
London Symphony Orchestra (am 1966-04-20)
conductor:
John Andrewes (conductor and chorus master) (am 1966-04-20), Leonard Bernstein (American conductor, composer, pianist) (am 1966-04-20), Edward Chapman (am 1966-04-20) und Sheila Mossman (am 1966-04-20)
chorus master:
Donald Hunt (conductor, organist) (am 1966-04-20)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-04-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (am 1966-04-20)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler5:38
12▶CD: Symphony no. 9

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Discogs:https://www.discogs.com/release/8675030 [Info]
ASIN:US: B0000589BP [Info]