Antologia de la Zarzuela

~ Release by Orquesta Sinfónica y Coros de la R.T.V.E., Igor Markevitch (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1La Tempranica: “A trabajá con fatiga – A la nanita nana – Triquitra, triquitra”
bass vocals [Juan]:
Julio Fuente (bass) (in 1967-10)
bass vocals [Zalea]:
José Le Matt (bass) (in 1967-10)
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals [Pastora] and contralto vocals [Salú]:
Norma Lerer (contralto) (in 1967-10)
soprano vocals [Tempranica]:
Ángeles Chamorro (soprano) (in 1967-10)
tenor vocals [Gypsy]:
Angel Custodio (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La tempranica: “A trabajá con fatigas” (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
part of:
La tempranica
recording of:
La tempranica: Dúo “Triquitrí, triquitrá” (Zalea, Juan) (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
part of:
La tempranica
recording of:
La tempranica: Nana flamenca “A la nanita nana” (Gitano viejo) (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
part of:
La tempranica
Gerónimo Giménez9:34
2La Tempranica: “Yo no se al verte que me ha pasao”
bass vocals [Don Luis]:
José Le Matt (bass) (in 1967-10)
soprano vocals [Tempranica]:
Ángeles Chamorro (soprano) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La tempranica: Dúo “Yo no sé al verte que me ha pasao” (María, Don Luis) (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
Gerónimo Giménez7:23
3La Tempranica: “Sierra de Granada, ya nos de la Vega”
choir vocals:
Coro de la RTV Española (in 1967-10)
soprano vocals [Tempranica]:
Ángeles Chamorro (soprano) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La tempranica: Canción “Sierra de Granada, ya nos de la Vega” (María) (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
Gerónimo Giménez6:11
4Doña Francisquita: Fandango
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
Doña Francisquita: Acto III. Fandango (in 1967-10)
composer:
Amadeo Vives
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
part of:
Doña Francisquita: Acto III
Amadeo Vives2:50
5Doña Francisquita: “Ea! Fuera! Ya se acabó!”
baritone vocals [Cardona]:
Rafael Enderis (baritone) (in 1967-10)
bass vocals [Matías]:
José Le Matt (bass) (in 1967-10)
contralto vocals [Francesca]:
Norma Lerer (contralto) (in 1967-10)
soprano vocals [Francisquita]:
Ángeles Chamorro (soprano) (in 1967-10)
tenor vocals [Fernando]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
Doña Francisquita: Acto II: “¡Ea! ¡Fuera! ¡Ya se acabó!” (in 1967-10)
composer:
Amadeo Vives
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
part of:
Doña Francisquita: Acto II
Amadeo Vives1:36
6El baile de Luis Alonso: Intermezzo
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El baile de Luis Alonso: Intermedio (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Francisco Javier de Burgos y Sarragoiti
part of:
El baile de Luis Alonso
Gerónimo Giménez3:09
7La corte de Faraón: “Son las mujeres de Babilonia. ¡Ay, Ba!”
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals:
Norma Lerer (contralto) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La corte de Faraón: Cuadro III. Entrada y cuplés babilónicos: "Son las mujeres de Babilonia" (in 1967-10)
composer:
Vicente Lleó (Spanish zarzuela composer)
librettist:
Miguel Palacios and Guillermo Perrín y Vico
part of:
La corte de Faraón: Cuadro III.
Vicente Lleó Balbastre3:56
8El Niño Judìo: Danza India
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El niño judío: Acto II: Danza India (in 1967-10)
composer:
Pablo Luna
part of:
El niño judío: Acto II
Pablo Luna2:38
9El Niño Judìo: “De España vengo”
soprano vocals [Concha]:
Ángeles Chamorro (soprano) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El niño judío: Acto II. Canción española "De España vengo" (in 1967-10)
composer:
Pablo Luna
librettist:
Enrique García Álvarez and Antonio Paso y Cano (the father)
part of:
El niño judío: Acto II
Pablo Luna5:02
10El Niño Judìo: “Soy un rayito de luna”
tenor vocals [Genaro]:
Carlo del Monte (tenor) (in 1967-10)
tenor vocals [Samuel]:
Gregorio Gil (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El niño judío: Acto II: “Soy el rayo de luna” (Jenaro, Samuel) (in 1967-10)
composer:
Pablo Luna
librettist:
Enrique García Álvarez and Antonio Paso y Cano (the father)
part of:
El niño judío: Acto II
Pablo Luna3:22
11La Verbena de la Paloma: “También la gente del pueblo…El aceito de ricino”
bass vocals [Don Hilarión]:
Julio Fuente (bass) (in 1967-10)
bass vocals [Don Sebastián]:
José Le Matt (bass) (in 1967-10)
bass vocals [First Waiter]:
José Granados (bass) (in 1967-10)
bass vocals [Innkeeper]:
Jesus Coiras (bass) (in 1967-10)
bass vocals [Second Waiter]:
Antonio Lagar (baritone) (in 1967-10)
soprano vocals [Rita]:
Alicia de la Victoria (in 1967-10)
tenor vocals [Julián]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La verbena de la Paloma: Parlante y escena (in 1967-10)
composer:
Tomás Bretón (composer)
part of:
La verbena de la Paloma
Tomás Bretón4:02
12La Verbena de la Paloma: “El niño está dormido”
bass vocals [Don Hilarión]:
Julio Fuente (bass) (in 1967-10)
bass vocals [Don Sebastián] and bass vocals [Doorman]:
José Le Matt (bass) (in 1967-10)
bass vocals [First Waiter]:
José Granados (bass) (in 1967-10)
bass vocals [Innkeeper]:
Jesus Coiras (bass) (in 1967-10)
bass vocals [Second Waiter]:
Antonio Lagar (baritone) (in 1967-10)
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals [Doorwoman]:
Norma Lerer (contralto) (in 1967-10)
soprano vocals [Rita]:
Alicia de la Victoria (in 1967-10)
tenor vocals [Julián]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La verbena de la Paloma: Canción de Julián (in 1967-10)
composer:
Tomás Bretón (composer)
part of:
La verbena de la Paloma
Tomás Bretón3:54
13La Verbena de la Paloma: “Por ser la Virgen de la Paloma”
choir vocals:
Coro de la RTV Española (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La verbena de la Paloma: Seguidillas "Por ser la Virgen de la Paloma" (in 1967-10)
composer:
Tomás Bretón (composer)
part of:
La verbena de la Paloma
Tomás Bretón1:29
14El gato montés, Act II: Pasadoble
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El gato montés: Pasodoble torero (in 1967-10)
composer:
Manuel Penella Moreno (the son, prominent zarzuela and opera composer)
part of:
El gato montés
Manuel Penella1:23
15La Calesera: Dice el Rey que le debe guardar (Pasacalle)
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals [Maravillas]:
Norma Lerer (contralto) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La calasera: Acto II: Pasacalle “Dice el rey que le debo guardar” (in 1967-10)
composer:
Francisco Alonso (composer)
librettist:
Emilio González del Castillo and Luis Martínez Román
part of:
La calesera
Francisco Alonso2:51
16La revoltosa: Guajiras: “Cuando clava mi moreno”
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals [Soledad]:
Norma Lerer (contralto) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La revoltosa: Guajira (in 1967-10)
composer:
Ruperto Chapí (composer)
librettist:
Carlos Fernández Shaw (zarzuela librettist) and José López Silva
part of:
La Revoltosa
Ruperto Chapí y Lorente3:25
17La revoltosa: “Por qué de mis ojos los tuyos retiros?”
soprano vocals [Mari-Pepa]:
Ángeles Chamorro (soprano) (in 1967-10)
tenor vocals [Felipe]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La revoltosa: Dúo (in 1967-10)
composer:
Ruperto Chapí (composer)
librettist:
Carlos Fernández Shaw (zarzuela librettist) and José López Silva
part of:
La Revoltosa
Ruperto Chapí y Lorente6:08
18Agua, Azucarillos y Aguardiente: Coro de barquilleros
choir vocals:
Coro de la RTV Española (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
partial recording of:
Agua, azucarillos y aguardiente (in 1967-10)
composer:
Federico Chueca
librettist:
Miguel Ramos Carrión
Federico Chueca2:29
19La Tempranica: Zapateado “La tarántula é un bicho mú malo”
contralto vocals [Grabié]:
Norma Lerer (contralto) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La tempranica: Zapateado "La tarántula é un bicho mú malo" (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Julián Romea Parra
part of:
La tempranica
Gerónimo Giménez1:30
20La boda de Luis Alonso: Intermedio
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
La boda de Luis Alonso: Intermedio (in 1967-10)
composer:
Gerónimo Giménez
librettist:
Francisco Javier de Burgos y Sarragoiti
part of:
La boda de Luis Alonso
Gerónimo Giménez5:46
21El tambor de granaderos: Preludio
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El tambor de granaderos: Preludio (in 1967-10)
composer:
Ruperto Chapí (composer)
librettist:
Emilio Sánchez Pastor
part of:
El tambor de granaderos
Ruperto Chapí y Lorente5:09
22El barberillo de Lavapiés: Preludio: “Dicen que en el Pardo, madre”
choir vocals:
Coro de la RTV Española (in 1967-10)
soprano vocals [Saleswoman]:
Alicia de la Victoria (in 1967-10)
tenor vocals [Lamparilla]:
Carlo del Monte (tenor) (in 1967-10)
tenor vocals [Student]:
José Antonio Viñe (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El barberillo de Lavapiés: Acto I. Preludio, Coro General: "Dicen que en el Pardo, madre" (in 1967-10)
composer:
Francisco Asenjo Barbieri
librettist:
Luis Mariano de Larra
part of:
El barberillo de Lavapiés: Acto I
Francisco Asenjo Barbieri7:08
23El barberillo de Lavapiés: Tirana: “No hay que guitar los hilvanes”
soprano vocals [Paloma]:
Ángeles Chamorro (soprano) (in 1967-10)
tenor vocals [Lamparilla]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
partial recording of:
El barberillo de Lavapiés: Acto II. Dúo de Paloma y Lamparilla "Una mujer que quiere" (in 1967-10)
composer:
Francisco Asenjo Barbieri
librettist:
Luis Mariano de Larra
part of:
El barberillo de Lavapiés: Acto II
Francisco Asenjo Barbieri2:10
24El barberillo de Lavapiés: Seguidillas Manchegas: “En el templo de marte”
choir vocals:
Coro de la RTV Española (in 1967-10)
tenor vocals [Lamparilla]:
Carlo del Monte (tenor) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El barberillo de Lavapiés: Acto II. Seguidillas manchegas "En el templo de Marte" (in 1967-10)
composer:
Francisco Asenjo Barbieri
librettist:
Luis Mariano de Larra
part of:
El barberillo de Lavapiés: Acto II
Francisco Asenjo Barbieri2:19
25El rey que rabió: Coro de doctores
choir vocals:
Coro de la RTV Española (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
El rey que rabió: Acto III. Coro de doctores (in 1967-10)
composer:
Ruperto Chapí (composer)
librettist:
Vital Aza Buylla and Miguel Ramos Carrión
part of:
El rey que rabió: Acto III
Ruperto Chapí y Lorente3:01
26Enseñanza libre: Gavota
bass vocals [Teacher]:
Antonio Lagar (baritone) (in 1967-10)
choir vocals:
Coro de la RTV Española (in 1967-10)
soprano vocals [Pura]:
Alicia de la Victoria (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
recording of:
Gavota (Enseñanza Libre) (in 1967-10)
composer:
Gerónimo Giménez
part of:
Enseñanza libre
Gerónimo Giménez3:53
27Gigantes y Cabezudos: Luchando tercos y rudos
choir vocals:
Coro de la RTV Española (in 1967-10)
contralto vocals [Pilar]:
Norma Lerer (contralto) (in 1967-10)
orchestra:
Orquesta Sinfónica de la RTV Española (Spanish Radio and Television Symphony Orchestra) (in 1967-10)
conductor:
Igor Markevitch (conductor) (in 1967-10)
recorded at:
Cinema Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1967-10)
partial recording of:
Gigantes y cabezudos (in 1967-10)
composer:
Manuel Fernández Caballero
librettist:
Miguel Echegaray
Manuel Fernández-Caballero3:32