The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

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1Mass in B minor, BWV 232: Kyrie: I. Kyrie eleison
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:04
2Mass in B minor, BWV 232: Kyrie: II. Christe eleison
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:17
3Mass in B minor, BWV 232: Kyrie: III. Kyrie eleison
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:13
4Mass in B minor, BWV 232: Gloria: IV. Gloria in excelsis Deo
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:37
5Mass in B minor, BWV 232: Gloria: V. Et in terra pax
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
6Mass in B minor, BWV 232: Gloria: VI. Laudamus te
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
7Mass in B minor, BWV 232: Gloria: VII. Gratias agimus tibi
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
8Mass in B minor, BWV 232: Gloria: VIII. Domine Deus
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1991-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:55
9Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
10Mass in B minor, BWV 232: Gloria: X. Qui sedes ad dexteram Patris
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:58
11Mass in B minor, BWV 232: Gloria: XI. Quoniam tu solus sanctus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
12Mass in B minor, BWV 232: Gloria: XII. Cum Sancto Spiritu
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
12▶Digital Media