Warner Bros. 75 Years Entertaining the World: Film Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Disc One: Scores
2▶CD: Disc Two: Songs, 1927-1953
3▶CD: Disc Three: Songs, 1954-1976
4▼CD: Disc Four: Songs, 1977-1997
#TitleArtistRatingLength
1The Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:47
2Every Which Way but Loose
recording of:
Every Which Way but Loose
writer:
Milton Brown (songwriter), Steve Dorff (composer) and Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
Eddie Rabbitt2:51
3Can You Read My Mind (from Superman)
recording of:
Can You Read My Mind (Superman: The Movie, love theme)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
Maureen McGovern3:23
4Late in the Evening (from One-Trick Pony)
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
mixer:
Phil Ramone
acoustic guitar:
Hugh McCracken
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
background vocals and lead vocals:
Paul Simon (of Simon & Garfunkel)
brass [horns] arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1980)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Late in the Evening
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
Paul Simon44:03
5Stay With Me (from Divine Madness)
Bette Midler & The Harlettes6:32
6On the Road Again (from Honeysuckle Rose)
recording of:
On the Road Again
lyricist and composer:
Willie Nelson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Willie Nelson2:34
7Arthur’s Theme (Best That You Can Do) (from Arthur)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:54
8How Do You Keep the Music Playing? (from Best Friends)
recording engineer:
Joel Moss
synthesizer programming:
Steve Porcaro
co-producer:
Johnny Mandel (American composer and arranger)
bass:
Nathan East
drums (drum set) [drums]:
Leon Ndugu Chancler
guitar:
George Doering and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano [acoustic piano]:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
David Paich
guest vocals:
Patti Austin
lead vocals:
James Ingram (R&B singer)
performer:
Patti Austin
arranger:
David Foster (Canadian music producer, arranger and composer), Quincy Jones and Johnny Mandel (American composer and arranger)
co-produced for:
Shadow Productions
recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
James Ingram & Patti Austin4:16
9That’s What Friends Are For (from Night Shift)
recording of:
That’s What Friends Are For
lyricist:
Carole Bayer Sager (in 1982)
composer:
Burt Bacharach (in 1982)
publisher:
Carole Bayer Sager Music, New Hidden Valley Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart3:54
10We Don’t Need Another Hero (from Mad Max Beyond Thunderdome)
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
music videos:
We Don’t Need Another Hero by Tina Turner
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:16
11Tender Love (from Krush Groove)
Force MD’s4:00
12Suddenly, Seymour (from Little Shop of Horrors)
Rick Moranis, Ellen Greene, Michelle Weeks, Tichina Arnold & Tisha Campbell3:27
13Who’s That Girl?
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Who’s That Girl
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
part of:
Who’s That Girl
Madonna44:00
14It’s Probably Me (from Lethal Weapon 3)
recording of:
It’s Probably Me
lyricist:
Sting (singer, songwriter & member of The Police)
writer:
Eric Clapton, GM Sumner (singer, songwriter & member of The Police) and Michael Kamen (American score composer)
composer:
Eric Clapton, Michael Kamen (American score composer) and Sting (singer, songwriter & member of The Police)
Sting & Eric Clapton6:21
15Dream on Texas Ladies (from Maverick)
recording of:
Dream on Texas Ladies
writer:
Steve Dan Mills
John Michael Montgomery3:10
16Kiss from a Rose (from Batman Forever)
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
bass:
Charlie Drayton (1930s-50s blues bassist) and Trevor Horn
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
Chris Bruce and Gus Isadore (Production music composer)
keyboard [keyboards]:
Amp Fiddler and Jamie Muhoberac
percussion:
Carmen Rizzo
vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal43:38
17I See Your Face Before Me (from The Bridges of Madison County)
Johnny Hartman4:40
18The Winner (from Space Jam)
Coolio4:03
19The World Tonight (from Father’s Day)
recording of:
The World Tonight
written in:
United States (in 1995)
lyricist and composer:
Paul McCartney (The Beatles) (in 1995)
Paul McCartney4:06
20Ac-Cent-Tchu-Ate the Positive (from L.A. Confidential)
Johnny Mercer1:55