The Chart Show: Rock the Nation

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD Booklet included a form to enter a competition to win a Pioneer CD player

Annotation last modified on 2025-09-14 08:52 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Crazy Crazy Nights
producer:
Ron Nevison
mixer:
Ron Nevison (from 1987-06 until 1987-07)
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1987-06 until 1987-07)
recording of:
Crazy Crazy Nights
writer:
Adam Mitchell (Scottish-Canadian songwriter) and Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 大洋音楽 (Taiyō Music)
KISS43:46
2Addicted to Love
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Eric Thorngren
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer4.53:55
3Mony Mony
producer:
Keith Forsey (drummer, producer and songwriter)
additional keyboard:
Michael Klvana
bass:
Kenny Aaronson
drums (drum set):
Thommy Price
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
keyboard:
Susan Davis
lead vocals:
Billy Idol (English rock singer‐songwriter)
remixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1987) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2009)
live cover recording of:
Mony Mony (in 1985)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Billy Idol24:06
4Incommunicado
assistant recording engineer:
Richard Sullivan (engineer)
recording engineer:
Nick Davis (producer, engineer)
producer:
Chris Kimsey
assistant mixer:
Avril Macintosh
mixer:
David Jacob
drums (drum set) and percussion:
Ian Mosley
electric bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
guitar:
Steve Rothery
keyboard:
Mark Kelly (Marillion keyboardist)
background vocals:
Chris Kimsey
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Westside Studios in London (Greater London), England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Incommunicado
publisher:
Marillion (British progressive rock band)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
The Charisma Music Publishing Co Ltd
Marillion33:56
5Listen Like ThievesINXS3.83:45
6Wanted Dead or Alive
recording of:
Wanted Dead or Alive
writer:
Jon Bon Jovi and Richie Sambora
publisher:
PolyGram Music Publishing Ltd., Aggressive Music (from 1986 to present), Bon Jovi Publishing (from 1986 to present), Sony/ATV Tunes LLC (ASCAP) (from 1986 to present), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (from 1986 until 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1998 to present)
Bon Jovi4:06
7Is This Love
producer:
Mike Stone (producer and engineer, 1960s–80s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
produced for:
Mike Stone Enterprises
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake34:02
8Valerie
assistant engineer:
Nobby
producer:
Steve Winwood
recorded at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
Valerie
writer:
Will Jennings and Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell North America
Steve Winwood44:07
9The Power of Love
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis & the News4:21
10Satellite
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987)
recording of:
Satellite
writer:
Eric Bazilian, Rick Chertoff and Rob Hyman
publisher:
Dub Notes Music (publisher), Hobbler Music, Human Boy Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
The Hooters44:17
11Lil' Devil
additional engineer:
Bruce Buchalter (Engineer)
engineer and mixer:
Andy Wallace (engineer)
assistant producer:
George Drakoulias
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
bass guitar:
Jamie Stewart (bassist with The Cult)
drums (drum set):
Les Warner
guitar [rhythm guitar]:
Billy Duffy
instruments:
Billy Duffy
tambourine:
Ian Astbury (vocalist for The Cult)
vocals:
Ian Astbury (vocalist for The Cult)
music videos:
Lil' Devil by The Cult (British rock band)
recording of:
Lil' Devil
lyricist:
Ian Astbury (vocalist for The Cult)
composer:
Billy Duffy
publisher:
Screenchoice Ltd. and Tayminster Ltd.
sub-publisher:
Warner Chappell Music France
The Cult42:45
12Girls, Girls, Girls
assistant engineer:
Ross Hogarth, Richard McKernon and Toby Wright (producer & engineer)
engineer and mixer:
Duane Baron
producer:
Bob Rock and Tom Werman
bass guitar:
Nikki Sixx
drums (drum set):
Tommy Lee (Mötley Crüe drummer)
guitar:
Mick Mars
background vocals:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
lead vocals:
Vince Neil
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1987) and Masters 2000 Inc. (in 2008)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1986-11 until 1987-02), One on One Studios in North Hollywood, Los Angeles, California, United States (from 1986-11 until 1987-02) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1986-11 until 1987-02)
recording of:
Girls, Girls, Girls
lyricist:
Nikki Sixx
composer:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music and WB Music Corp. (1929–2019)
Mötley Crüe3.54:30
13Love Is a Battlefield
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar44:08
14In the Army Now
producer:
Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (company name, NOT a label!) (in 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986) and Quo Entertainment (in 1986)
produced for:
Handle Artists
cover recording of:
In the Army Now
writer:
Ferdi Bolland and Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV and The International Music Network
Status Quo2.53:54
15Battleship Chains
engineer and producer:
Jeff Glixman
bass guitar:
Rick Price (Georgia Satellites)
drums (drum set):
Mauro Magellan
guitar:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) and Rick Richards (US rock/metal guitarist)
lead vocals:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
cover recording of:
Battleship Chains
lyricist and composer:
Terry Anderson
publisher:
Funzalo (BMI-affiliated)
The Georgia Satellites3.752:57
16Comin' on Strong
recording of:
Comin' On Strong
writer:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Steve Elson Business
Broken English33:54
17I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:01
18The Final Countdown
producer:
Kevin Elson
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.054:02
19Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55