Choral Favourites

~ Veröffentlichung von King’s College Choir, Cambridge (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hallelujah Chorus from “The Messiah”
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:26
2Jesu, Joy of Man’s Desiring from “Cantata no. 147”
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
3The Heavens are Telling from “The Creation”
Baritongesang:
John Shirley‐Quirk (bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge
Soprangesang:
Heather Harper (soprano)
Tenor-Gesang:
Robert Tear (tenor)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
Komponist(in):
Joseph Haydn (composer)
publisher:
Oxford University Press
Teil von:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:45
4Rejoice in the Lord Alway
Orgel:
Francis Grier (composer, organist and choir director)
Bass-Gesang:
Nicholas Hayes (bass singer)
Chorgesang:
Choir of King’s College, Cambridge
Hochgesang:
Michael Cockerham
Tenor-Gesang:
Andrew King (operatic tenor)
Orchester:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recording of:
Rejoice in the Lord Always, Z. 49 (verse anthem)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 49)
Henry Purcell8:10
5Psalm 23 – Gott ist mein Hirt, D. 706
Klavier:
Philip Ledger
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
Der 23. Psalm, D. 706
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer) (in 1820-12)
Übersetzer:
Moses Mendelssohn
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 706)
Franz Schubert5:04
6Sanctus from “Requiem, op. 48”
Produzent(in):
Christopher Bishop (conductor/producer)
Orgel und Orgel [organ]:
John Wells (concert organist and composer)
Baritongesang [baritone]:
John Carol Case (English baritone)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme [treble]:
Robert Chilcott
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:25
7Land of Hope and Glory from “Coronation Ode, op. 44 no. 6”
Instrumente:
The Band of the Royal Military School of Music
Bass-Gesang:
Stephen Roberts (UK bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge
contralto vocals:
Alfreda Hodgson (contralto)
Soprangesang:
Felicity Lott (soprano)
Tenor-Gesang:
Richard Morton (operatic tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Philip Ledger
Interpret(in):
Cambridge University Musical Society (CUMS)
recording of:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
Texter:
Arthur Christopher Benson
Komponist(in):
Edward Elgar (composer) (in 1902)
basiert auf:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Teil von:
Coronation Ode, op. 44
Sir Edward Elgar4:31
8To Be Sung of a Summer Night on the Water
Chorgesang:
Choir of King’s College, Cambridge
Tenor-Gesang:
Robert Tear (tenor)
conductor:
Philip Ledger
recording of:
To Be Sung of a Summer Night on the Water, RT iv/5
Komponist(in):
Frederick Delius (English composer) (in 1917)
gewidmet:
Oriana Madrigal Society und Charles Kennedy Scott (English organist and choral conductor)
Frederick Delius4:14
9The Birth of Nicolas from “Saint Nicolas Cantata, op. 42 no. 2”
Klavier:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) und Ian Hare (British organist and composer)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme:
Bruce Russell (treble)
Tenor-Gesang:
Robert Tear (tenor)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
St. Nicolas, op. 42: II. The Birth of Nicolas
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1948)
gewidmet:
Saint Nicholas (ancient Roman bishop)
Teil von:
St. Nicolas, op. 42
Benjamin Britten2:37
10There Is No Rose from “A Ceremony of Carols, op. 28”
Produzent(in):
Christopher Bishop (conductor/producer)
Harfe:
Osian Ellis (Welsh harpist and composer) (von 1972-07-06 bis 1972-07-10)
Chorgesang:
Choir of King’s College, Cambridge (von 1972-07-06 bis 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (von 1972-07-06 bis 1972-07-10)
Tonmeister(in):
Neville Boyling (engineer) (von 1972-07-06 bis 1972-07-10)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1972-07-06 bis 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: III. There is no Rose (von 1972-07-06 bis 1972-07-10)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
Teil von:
A Ceremony of Carols, op. 28
Benjamin Britten2:23
11Faire Is the Heaven
Orgel:
James Lancelot
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Faire is the Heaven
Texter:
Edmund Spenser (English poet)
Komponist(in):
William Harris (British composer)
William Harris4:45
12Hail, Gladdening Light
Orgel:
James Lancelot
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Hail, Gladdening Light
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Charles Wood (Irish composer)
Übersetzer:
John Keble (translator)
Charles Wood3:10
13Holy, Holy, Holy
Instrumente:
Philip Jones Brass Ensemble
Orgel:
Ian Hare (British organist and composer)
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Holy, Holy, Holy (tune Nicaea)
Texter:
Reginald Heber (Hymn-writer) (in 1926)
Komponist(in):
John Bacchus Dykes (UK hymn writer) (in 1861)
John Bacchus Dykes2:44

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ASIN:US: B000003X4R [Info]