La Damnation de Faust

~ Release by Hector Berlioz; von Otter, Terfel, Lewis, von Halem, Philharmonia Orchestra, Philharmonia Chorus, Myung-Whun Chung (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1La Damnation de Faust, op. 24 : Première partie, scène 1. « Le vieil hiver a fait place au printemps » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Première Partie : Scène 1. Les plaines de Hongrie « Le vieil hiver a fait place au printemps » (Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz5:57
2La Damnation de Faust, op. 24 : Première partie, scène 2. Ronde de paysans « Les bergers laissent leurs troupeaux » (Chœur, Faust))
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Première Partie : Scène 2. Ronde des paysans « Les bergers quittent leurs troupeaux » (Chœur, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz3:22
3La Damnation de Faust, op. 24 : Première partie, scène 3. « Mais d’un éclat guerrier les campagnes se parent » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Une autre partie de la plaine « Mais d’un éclat guerrier » (Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz0:48
4La Damnation de Faust, op. 24 : Première partie, scène 3. Marche hongroise
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:46
5La Damnation de Faust, op. 24 : Première partie, scène 4. « Sans regrets j’ai quitté les riantes campagnes » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 4. Nord de l’Allemagne « Sans regrets j’ai quitté les riantes campagnes » (Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz5:29
6La Damnation de Faust, op. 24 : Première partie, scène 4. Chant de la fête de pâques « Christ vient de ressusciter ! » (Chœur, Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 4. Chant de la Fête de Pâques « Christ vient de ressusciter ! » (Chœur, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz5:53
7La Damnation de Faust, op. 24 : Première partie, scène 4. Chant de la fête de pâques « Hélas ! Doux chants du ciel » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 5. « Hélas ! doux chants du ciel » … « Ô pure émotion ! » (Méphistophélès, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:12
8La Damnation de Faust, op. 24 : Première partie, scène 5. « Ô pure émotion ! » (Méphistophélès, Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 5. « Hélas ! doux chants du ciel » … « Ô pure émotion ! » (Méphistophélès, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:09
9La Damnation de Faust, op. 24 : Première partie, scène 6. Chœur de buveurs « À boire encor ! » (Chœur, Méphistophélès, Brander)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
bass vocals [Brander]:
Victor von Halem (operatic bass) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. La cave d’Auerbach à Leipzig. Chœur de buveurs « À boire encor ! » … « Oh ! qu’il fait bon » (Chœur, Méphistophélès, Brander) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:33
10La Damnation de Faust, op. 24 : Première partie, scène 6. Chanson de Brander « Certain rat, dans une cuisine » (Brander, Chœur, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
bass vocals [Brander]:
Victor von Halem (operatic bass) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Brander « Certain rat, dans une cuisine » (Brander, Chœur, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:08
11La Damnation de Faust, op. 24 : Première partie, scène 6. Fugue sur le thème de la chanson de Brander « Amen » (Brander, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
bass vocals [Brander]:
Victor von Halem (operatic bass) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Fugue sur le thème de la Chanson de Brander « Amen » (Brander, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:20
12La Damnation de Faust, op. 24 : Première partie, scène 6. « Vrai Dieu, messieurs » (Méphistophélès, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
bass vocals [Brander]:
Victor von Halem (operatic bass) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 6 « Vrai Dieu ! messieurs » (Méphistophélès, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:07
13La Damnation de Faust, op. 24 : Première partie, scène 6. Chanson de Méphistophélès « Une puce gentille chez un prince logeait » (Méphistophélès, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Méphistophélès « Une puce gentille » (Méphistophélès, Chœur) / « Assez ! Fuyons ces lieux » (Faust, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:20
14La Damnation de Faust, op. 24 : Première partie, scène 6. Chanson de Méphistophélès « Assez ! Fuyons ces lieux où la parole est vile » (Faust, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Méphistophélès « Une puce gentille » (Méphistophélès, Chœur) / « Assez ! Fuyons ces lieux » (Faust, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:08
15La Damnation de Faust, op. 24 : Première partie, scène 7. Air de Méphistophélès « Voici des roses » (Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Bosquets et Prairies du Bord de l'Elbe. Air de Méphistophélès « Voici des roses » (Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
Hector Berlioz2:32
16La Damnation de Faust, op. 24 : Première partie, scène 7. Songe de Faust, chœur de gnomes et de sylphes « Dors ! Heureux Faust ! » (Chœur, Méphistophélès, Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Songe de Faust : Chœur de Gnomes et de Sylphes « Dors ! dors ! Heureux Faust » (Chœur, Méphistophélès, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz6:12
17La Damnation de Faust, op. 24 : Première partie, scène 7. Ballet des sylphes
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:20
18La Damnation de Faust, op. 24 : Première partie, scène 7. « Margarita ! Qu’ai‐je vu ? » (Faust, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. « Margarita ! Oh ! Qu'ai-je vu ? » (Faust, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:09
19La Damnation de Faust, op. 24 : Première partie, scène 8. Chœur de soldats et chanson d’étudiants « Villes entourées de murs et remparts » (Soldats)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 8. Final : Chœur de soldats : « Villes entourées de murs et remparts ». Chanson d'étudiants : « Jam nox stellata velamina pandit » (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:21
20La Damnation de Faust, op. 24 : Première partie, scène 8. Chœur de soldats et chanson d’étudiants « Jam nox stellata velamina pandit » (Étudiants)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 8. Final : Chœur de soldats : « Villes entourées de murs et remparts ». Chanson d'étudiants : « Jam nox stellata velamina pandit » (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:00
21La Damnation de Faust, op. 24 : Première partie, scène 8. Chœur de soldats et chanson d’étudiants « Villes entourées » / « Jam nox stellata » (Soldats, Étudiants, Faust, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 8. Final : Chœur de soldats : « Villes entourées de murs et remparts ». Chanson d'étudiants : « Jam nox stellata velamina pandit » (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:07
2▶CD