Divas

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1One Moment in Time
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
voce e esecutore:
Whitney Houston
direttore d'orchestra:
Michael Gibbs
arrangiatore:
Narada Michael Walden
arrangiatore voci:
Whitney Houston
registrazione di:
One Moment in Time
paroliere:
John Bettis
compositore:
Albert Hammond
Whitney Houston4.54:46
2Hallelujah
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (dal 2008 a oggi)
registrazione cover di:
Hallelujah
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Alexandra Burke3.653:39
3Smoke
produttore:
Matt Bronleewe
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1997)
registrazione di:
Smoke
autore:
Matt Bronleewe e Natalie Imbruglia
editore:
BMG Music Publishing Ltd.
Natalie Imbruglia2.354:39
4Wild Horses
Natasha Bedingfield4:01
5Concrete Angel
parte di:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (numero: 1) e Holler's Best 2000s Country Songs (numero: 73)
registrazione di:
Concrete Angel
autore:
Stephanie Bentley (American country music artist) e Rob Crosby (American country singer/songwriter)
Martina McBride54:14
6See the Day
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
registrazione di:
See the Day
paroliere e compositore:
Dee C. Lee
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee44:22
7Cry Me a River
voce principale:
Etta James (dal 2000-11-30 al 2001-02-27)
arrangiatore:
Cedar Walton
registrazione cover di:
Cry Me a River (dal 2000-11-30 al 2001-02-27)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Etta James5:03
8Free
produttore:
Charles Stepney (musician, producer, arranger and songwriter) e Maurice White (Earth, Wind & Fire)
edit di:
Free di Deniece Williams (US soul/funk vocalist/songwriter)
registrazione di:
Free
autore:
Susaye Greene, Hank Redd, Nathan Watts e Deniece Williams (US soul/funk vocalist/songwriter)
editore:
Black Eye Music, Island Music Ltd., Kee‐Drick Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:52
9I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:05
10Baby Don’t Change Your Mind
registrazione cover di:
Baby Don’t Change Your Mind
paroliere e compositore:
Van McCoy
Gladys Knight & the Pips3.653:08
11I Will Always Love You
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1973-06-13) e Buck Trent (il 1973-06-13)
basso :
Bobby Dyson (il 1973-06-13)
batteria :
Ralph Gallant (il 1973-06-13)
chitarra :
Jimmy Colvard (American session guitarist) (il 1973-06-13), Dave Kirby (US country singer/songwriter) (il 1973-06-13) e Dolly Parton (il 1973-06-13)
chitarra steel :
Stu Basore (il 1973-06-13)
pianoforte :
Hargus "Pig" Robbins (il 1973-06-13)
violino folk :
Johnny Gimble (il 1973-06-13) e Mack Magaha (Bluegrass Fiddler) (il 1973-06-13)
voce:
Dolly Parton (il 1973-06-13)
voce di accompagnamento:
Joe Babcock (il 1973-06-13), Dolores Edgin (il 1973-06-13), June Page (il 1973-06-13) e Hurshel Wiginton (il 1973-06-13)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1973-06-13)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 34)
registrazione di:
I Will Always Love You (il 1973-06-13)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton3.552:56
12Love SongLesley Duncan3:40
13Bette Davis Eyes
Jackie DeShannon2:47
14Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:38
15In the Wee Small Hours of the Morning
produttore:
Frank Filipetti e Marty Paich
tromba solista :
Marvin Stamm
voce principale:
Carly Simon
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1990)
registrazione cover di:
In the Wee Small Hours of the Morning
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Carly Simon43:18
16Let’s Fall in Love
tecnico:
Harold Chapman
batteria :
Osie Johnson (il 1956-04-25)
pianoforte :
Hank Jones (piano) (il 1956-04-25)
sassofono :
Danny Bank (reeds) (il 1956-04-25), Al Cohn (il 1956-04-25), Seldon Powell (il 1956-04-25) e Sam Markowitz (Sam Marowitz, saxophonist and clarinetist) (il 1956-04-25)
tromba :
Conte Candoli (il 1956-04-25), Joe Ferrante (il 1956-04-25), Bernie Glow (il 1956-04-25) e Nick Travis (il 1956-04-25)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1956-04-25) e Urbie Green (il 1956-04-25)
voce:
Betty Carter (il 1956-04-25)
direttore d'orchestra:
Gigi Gryce (il 1956-04-25)
arrangiatore:
Gigi Gryce
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1956-04-25)
registrazione cover di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (il 1956-04-25)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Betty Carter1:59
17Ain’t Got No, I Got Life
basso elettrico :
Jerry Jemmott (il 1968-06-24)
batteria e timpani :
Bernard “Pretty” Purdie (il 1968-06-24)
chitarra elettrica :
Eric Gale (il 1968-06-24), Carl Lynch (il 1968-06-24) e Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (il 1968-06-24)
organo :
Ernest Hayes (American pianist, organist and arranger) (il 1968-06-24)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1968-06-24)
direttore d'orchestra:
Horace Ott (il 1968-06-24)
arrangiatore:
Horace Ott
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1968-06-24)
registrazione cover di:
Ain’t Got No, I Got Life (il 1968-06-24)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI U Catalog (publisher; do NOT use as release label) e EMI United Partnership Ltd.
medley di:
I Got Life (from “Hair”)
medley di:
Ain’t Got No (from “Hair”)
Nina Simone13:16
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