Jephtha

~ Pubblicazione di Handel; Rolfe Johnson, Marshall, Hodgson, Esswood, Kirkby, Sir Neville Marriner (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Jephtha, Act III: No. 48. Accompagnato: Hide Thou Thy Hated Beams, o Sun (Jephtha) / Recitative: A Father, Offering Up His Only Child (/Ephtha)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di tenore [Jephtha]:
Anthony Rolfe Johnson (tenor) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel2:55
2Jephtha, Act III: No. 49. Air: Waft Her, Angels, Through the Skies (Jephtha)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di tenore [Jephtha]:
Anthony Rolfe Johnson (tenor) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel4:49
3Jephtha, Act III: No. 50. Accompagnato: Ye Sacred Priests, Whose Hands Ne’er Yet (Iphis) / No. 51. Air: Farewell, Ye Limpid Springs and Floods (Iphis)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di soprano [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel6:03
4Jephtha, Act III: No. 52. Chorus: Doubtful Fear and Rev’rent Awe
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
cori:
Academy of St Martin in the Fields Chorus (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel5:00
5Jephtha, Act III: No. 53. Symphony
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 36. Symphony (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel1:28
6Jephtha, Act III: No. 54. Recitative: Rise, Jephtha, and Ye Rev’rend Priests (Angel)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di soprano [Angel]:
Emma Kirkby (soprano) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel1:12
7Jephtha, Act III: No. 55. Air: Happy, Iphis, Shalt Thou Live (Angel)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di soprano [Angel]:
Emma Kirkby (soprano) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel4:44
8Jephtha, Act III: No. 56. Arioso: For Ever Blessed Be Thy Holy Name (Jephtha)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di tenore [Jephtha]:
Anthony Rolfe Johnson (tenor) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel1:51
9Jephtha, Act III: No. 57. Chorus: Theme Sublime of Endless Praise
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
cori:
Academy of St Martin in the Fields Chorus (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise" (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel3:10
10Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di basso [Zebul]:
Christopher Keyte (operatic bass) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 39a. Recitative "Let me congratulate this happy turn" (Zebul) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel1:45
11Jephtha, Act III: No. 60. Recitative: O Let Me Fold Thee in a Mother’s Arms (Storgè) / No. 61. Air: Sweet as Sight to the Blind (Storgè)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di mezzosoprano [Storgè]:
Alfreda Hodgson (contralto) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 41. Air "Sweet as sight to the blind" (Storge) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel2:32
12Jephtha, Act III: No. 62. Recitative: With Transport, Iphis, I Behold Thy Safety (Hamor) / No. 63. Air: ’Tis Heaven’s All-Ruling Pow’r (Hamor)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di controtenore [Hamor]:
Paul Esswood (countertenor) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 42. Air "'Tis Heaven's all-ruling pow'r" (Hamor) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel5:41
13Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul)
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
voce di basso [Zebul]:
Christopher Keyte (operatic bass) (nel 1979-03)
voce di controtenore [Hamor]:
Paul Esswood (countertenor) (nel 1979-03)
voce di mezzosoprano [Storgè]:
Alfreda Hodgson (contralto) (nel 1979-03)
voce di soprano [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (nel 1979-03)
voce di tenore [Jephtha]:
Anthony Rolfe Johnson (tenor) (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
registrazione di:
Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel4:21
14Jephtha, Act III: No. 66. Chorus: Ye House of Gilead
tecnico di registrazione:
Martin Atkinson (engineer) (nel 1979-03) e Stanley Goodall (engineer) (nel 1979-03)
produttore:
Chris Hazell
cori:
Academy of St Martin in the Fields Chorus (nel 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1979-03)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1979-03)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1979)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1979-03)
registrazione di:
Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice" (nel 1979-03)
compositore:
George Frideric Handel (German‐British baroque composer)
librettista:
Thomas Morell
parte di:
Jephtha, HWV 70: Act III
George Frideric Handel3:51
15Chandos Anthem no. 2: Sinfonia / Chorus: In the Lord I Put My Trust
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
cori:
Choir of King’s College, Cambridge (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!” (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Sonata (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel8:22
16Chandos Anthem no. 2: Solo: God is a Constant Sure Defence (tenor)
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
voce di tenore:
Philip Langridge (tenor) (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor) (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel2:41
17Chandos Anthem no. 2: Chorus: Behold, the Wicked Bend Their Bow
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
cori:
Choir of King’s College, Cambridge (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow” (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel2:51
18Chandos Anthem no. 2: Solo: But God, Who Hears the Suff’ring Poor (tenor)
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
voce di tenore:
Philip Langridge (tenor) (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor) (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel2:23
19Chandos Anthem no. 2: Chorus: Snares, Fire and Brimstone
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
cori:
Choir of King’s College, Cambridge (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone” (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel1:57
20Chandos Anthem no. 2: Solo: The Righteous Lord Will Righteous Deeds (tenor)
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
voce di tenore:
Philip Langridge (tenor) (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor) (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel2:21
21Chandos Anthem no. 2: Chorus: Then Shall My Song, With Praise Inspir’d
tecnico di registrazione:
James Lock (James Locke, engineer) (nel 1974), Colin Moorfoot (engineer) (nel 1974) e Kenneth Wilkinson (engineer) (nel 1974)
produttore:
Chris Hazell
cori:
Choir of King’s College, Cambridge (nel 1974)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974)
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor) (nel 1974)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (nel 1974)
registrazione di:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song” (nel 1974)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
George Frideric Handel2:39

Accreditamenti

Pubblicazione

fabbricata a:USA
stampata a:USA
note di libretto:Jane Glover (conductor and music scholar)
Anthony Hicks (classical liner notes author)
copyright (©) detenuto da:The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1990)
Discogs:https://www.discogs.com/release/28224361 [info]
ASIN:US: B00000E458 [info]