| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | American Woman- Assistent recording engineer:
- Ed Schnabl und Russ Vestuto
- recording engineer:
- Brian Christian
- Produzent(in):
- Jack Richardson
- arranger:
- The Guess Who
- phonographisches Urheberrecht (℗) von:
- RCA Records (in 1969, in 1970) und BMG Music (in 1970)
- aufgenommen bei:
- RCA's Mid-America Recording Center in Chicago, Illinois, Vereinigte Staaten
- Bearbeitung von:
- American Woman von The Guess Who
- recording of:
- American Woman
- Verfasser(in):
- Randy Bachman , Burton Cummings, Jim Kale und Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd. , Bug Music , Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control , Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
| The Guess Who | 4.2 | 3:53 |
| 2 | Brother Louie | Stories | 4.35 | 3:55 |
| 3 | Miracles | Jefferson Starship | 4 | 3:28 |
| 4 | Amie | Pure Prairie League | | 4:21 |
| 5 | Walk on the Wild Side- Produzent(in):
- David Bowie , Lou Reed und Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- E-Bass und Kontrabass:
- Herbie Flowers (in 1972-08)
- Schlagzeug:
- John Halsey (in 1972-08)
- Hintergrundgesang:
- The Thunder Thighs (in 1972-08)
- Sologesang:
- Lou Reed (in 1972-08)
- Blechblasinstrumente arranger und Saiteninstrumente arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed und Mick Ronson
- phonographisches Urheberrecht (℗) von:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) und Sony BMG Music Entertainment (in 1972)
- aufgenommen bei:
- Trident Studios in Soho, Westminster, London , England, Vereinigtes Königreich (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, Vereinigtes Königreich
- Samples von:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
- Teil von:
- Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- Texter und Komponist(in):
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. und Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:13 |
| 6 | The Rapper | The Jaggerz | | 2:42 |
| 7 | Little Willy | The Sweet | 4.5 | 3:13 |
| 8 | Saturday | Bay City Rollers | 5 | 2:55 |
| 9 | Joanne | Michael Nesmith & The First National Band | | 3:12 |
| 10 | Without You- Techniker(in):
- Robin Geoffrey Cable
- Produzent(in):
- Richard Perry
- Akustikgitarre:
- John Uribe (in 1971-06)
- Bassgitarre:
- Klaus Voormann (in 1971-06)
- Klavier:
- Gary Wright (in 1971-06)
- Schlagzeug:
- Jim Keltner (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- Blechblasinstrumente und Saiteninstrumente arranger:
- Paul Buckmaster
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) und RCA Records, Inc. (in 1989)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
- cover recording of:
- Without You (in 1971-06)
- Verfasser(in):
- Tom Evans und W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music und WB Music Corp. (bis 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Nilsson | 4.3 | 3:18 |