Choose 1985

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Ghostbusters
engineer, producer and mixer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
mixed at and engineered at:
Ameraycan Recording Studios in North Hollywood, Los Angeles, California, United States
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker Jr.3:46
A2Sunglasses at Night
alto saxophone and tenor saxophone:
Andy Hamilton (British saxophonist, composer and producer)
bass:
Gary Tibbs
drums (drum set) and percussion:
Paul Burgess (UK rock drummer)
guitar [lead guitar]:
Andy Barnett
guitar [rhythm guitar]:
Andy Mac and Jon Astley
keyboard:
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) and Corey Hart
music videos:
Sunglasses at Night by Corey Hart
recording of:
Sunglasses at Night (in 1983)
lyricist and composer:
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edition Meridian
Corey Hart3:54
A3Pride (In the Name of Love)
recording of:
Pride (In the Name of Love)
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
U23:45
A4Missing You
assistant engineer:
Ken Stiger (engineer)
engineer:
Gary Hellman
producer:
Gary Gersh, David Thoener and John Waite
mixer and editor:
John Luongo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite53:58
A5No Say In It
Machinations3:23
A6You Think You’re a Man (radio mix)
recording of:
You Think You're a Man
lyricist and composer:
Geoff Deane
Divine3:35
A7Dynamite
Jermaine Jackson3:58
A8Searchin’ (I Gotta Find a Man)
recording of:
Searchin’ (I Gotta Find a Man)
lyricist and composer:
Ian Anthony Stephens
Hazell Dean3:41
A9What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.153:45
B1Out Of Touch
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Daryl Hall & John Oates4.653:55
B2Soul Kind Of Feeling
Dynamic Hepnotics3:45
B3Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
electronic drum set programming:
Reek Havoc (in 1983)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
phonographic copyright (℗) by:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters3.354:27
B4Flesh for Fantasy (single version)
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
edit of:
Flesh for Fantasy by Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy (in 1983)
writer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol43:50
B5No Second Prize
recording of:
No Second Prize
lyricist and composer:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Jimmy Barnes4:20
B6Shake This City
Non Stop Dancers3:58
B7I Walk Away
recording of:
I Walk Away
lyricist and composer:
Neil Finn
Split Enz3:47
B8Everybody Wants to Work
phonographic copyright (℗) by:
Mushroom Records (in 1984)
recording of:
Everybody Wants to Work
writer:
Brian Mannix (Australian singer)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Uncanny X-Men3:09
B9Agadoo
Black Lace3:08

Credits

Release group

Wikidata:Q5104755 [info]