The King of Rock ’n’ Soul (The Atlantic Recordings 1962–1968)

~ Veröffentlichung von Solomon Burke (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1CD: If You Need Me
2CD: Got to Get You Off My Mind
Nr.TitelBewertungLänge
1Won’t You Give Him (One More Chance)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-08-16)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-08-16)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-08-16)
Gitarre:
George Barnes (am 1963-08-16), Bob Bushnell (am 1963-08-16) und Billy Butler (jazz guitarist) (am 1963-08-16)
Klavier:
Artie Butler (am 1963-08-16)
Schlagzeug:
Bobby Donaldson (am 1963-08-16)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1963-08-16) und Ben Smith (US saxophonist Benjamin J. Smith) (am 1963-08-16)
Trompete:
Marky Markowitz (am 1963-08-16) und Robert Scott (trumpet) (am 1963-08-16)
Chorgesang:
unidentified female choir ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-08-16)
vocals:
Solomon Burke (am 1963-08-16)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-08-16)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
(Won’t You Give Him) One More Chance
Verfasser(in):
Winfield Scott
2:36
2Beautiful Brown Eyes2:46
3Beautiful Brown Eyes (stereo alternate take)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-08-16)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-08-16)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-08-16)
Gitarre:
George Barnes (am 1963-08-16), Bob Bushnell (am 1963-08-16) und Billy Butler (jazz guitarist) (am 1963-08-16)
Klavier:
Artie Butler (am 1963-08-16)
Schlagzeug:
Bobby Donaldson (am 1963-08-16)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1963-08-16) und Ben Smith (US saxophonist Benjamin J. Smith) (am 1963-08-16)
Trompete:
Marky Markowitz (am 1963-08-16) und Robert Scott (trumpet) (am 1963-08-16)
Chorgesang:
unidentified female choir ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-08-16)
vocals:
Solomon Burke (am 1963-08-16)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-08-16)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Beautiful Brown Eyes
Verfasser(in):
Bert Russell Berns und Solomon Burke
3:46
4You’re Good for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1963-08-16)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-08-16)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-08-16)
Gitarre:
George Barnes (am 1963-08-16), Bob Bushnell (am 1963-08-16) und Billy Butler (jazz guitarist) (am 1963-08-16)
Klavier:
Artie Butler (am 1963-08-16)
Schlagzeug:
Bobby Donaldson (am 1963-08-16)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1963-08-16) und Ben Smith (US saxophonist Benjamin J. Smith) (am 1963-08-16)
Trompete:
Marky Markowitz (am 1963-08-16) und Robert Scott (trumpet) (am 1963-08-16)
Chorgesang:
unidentified female choir ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-08-16)
vocals:
Solomon Burke (am 1963-08-16)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-08-16)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
You’re Good for Me
Texter:
Don Covay
Verfasser(in):
Horace Ott
2:51
5He’ll Have to Go
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-12)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-12-12)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-12-12)
Bassposaune:
Tony Studd (am 1963-12-12)
Gitarre:
Bill Suyker (am 1963-12-12), Bob Bushnell (am 1963-12-12) und Al Shackman (am 1963-12-12)
Klavier:
Paul Griffin (American pianist, session musician) (am 1963-12-12)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1963-12-12)
Tenorsaxophon:
Charles de Angelis (am 1963-12-12)
Trompete:
Lammar Wright (am 1963-12-12)
Hintergrundgesang:
Estelle Brown (am 1963-12-12), Cissy Houston (am 1963-12-12), Sylvia Shemwell (am 1963-12-12) und Dee Dee Warwick (am 1963-12-12)
vocals:
Solomon Burke (am 1963-12-12)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-12-12)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
He’ll Have to Go (am 1963-12-12)
Verfasser(in):
Audrey Allison und Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs und Central Songs, Inc.
3:21
6Goodbye Baby (Baby Goodbye) (stereo alternate take)3:14
7Goodbye Baby (Baby Goodbye)3:22
8Someone to Love Me
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-12)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-12-12)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-12-12)
Bassposaune:
Tony Studd (am 1963-12-12)
Gitarre:
Bill Suyker (am 1963-12-12), Bob Bushnell (am 1963-12-12) und Al Shackman (am 1963-12-12)
Klavier:
Paul Griffin (American pianist, session musician) (am 1963-12-12)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1963-12-12)
Tenorsaxophon:
Charles de Angelis (am 1963-12-12)
Trompete:
Lammar Wright (am 1963-12-12)
Hintergrundgesang:
Estelle Brown (am 1963-12-12), Cissy Houston (am 1963-12-12), Sylvia Shemwell (am 1963-12-12) und Dee Dee Warwick (am 1963-12-12)
vocals:
Solomon Burke (am 1963-12-12)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-12-12)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Someone to Love Me
Verfasser(in):
Solomon Burke
3:04
9Everybody Needs Somebody to Love52:46
10Yes, I Do
3:06
11The Price2:47
12Tonight’s the Night
2:48
13Got to Get You Off My Mind
recording of:
Got to Get You Off My Mind (Solomon Burke)
Verfasser(in):
Dolores Burke (songwriter), Solomon Burke, J.B. Moore (producer, composer) und Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
1:58
14Peepin’
2:30
15Little Girl That Loves Me
2:31
16Dance, Dance, Dance
2:44
17Maggie’s Farm
Produzent(in):
Jerry Wexler
arranger:
Bert Keyes (piano, soul/funk producer/writer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
cover recording of:
Maggie’s Farm (in 1965)
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Special Rider Music und Warner Bros. Music (publisher; do NOT use as release label)
2:16
18Only Love (Can Save Me Now)
2:17
19Someone Is Watching
Produzent(in):
Jerry Wexler
recording of:
Someone Is Watching
Verfasser(in):
Solomon Burke, Eddie Floyd und Alvertis Isbell
2:52
20I Don’t Want You No More
2:46
21(No, No, No) I Can’t Stop Loving You Now2:25
22Baby Come on Home
Produzent(in):
Bert Berns
cover recording of:
Baby, Come On Home
Texter und Komponist(in):
Bert Russell Berns
3:15
23I Feel a Sin Coming On
2:50
24Lawdy Miss Clawdy
2:34
25Mountain of Pride
2:15
26Suddenly
2:46
3CD: Meet Me in Church

Nennungen